Attributed to Henry Arthur Elkins (American, 1847-

Henry A. Elkins (American, 1847-1884) Yosemite oil on canvas 23 x 35 inches

PAINTING ATTRIBUTED TO GEORGE HAYS Attributed to George Arthur Hays (American, 1854-1945), oil on canvas, two cows in a field, signed in red l.l. "G A Hays", framed, overall good condition, 16" x 18".

Frederick Arthur Bridgman (American, 1847-1928), 'Teaching of Koran', Orientalist painting, oil on canvas, signed L/R, 22" x 30" (sight), frame 28 1/4" x 36".

Frederick Arthur Bridgman (American, 1847-1928) On the Nile, Nubia signed, inscribed and dated 'F.A.Bridgman/Nubia Dec 1873' (lower right), bears additional inscription 'CCCLXXI' (lower right) oil on

Frederick Arthur Bridgman (American, 1847-1928), Orientalist Street Scene, 1883, oil on canvas (laid down on board), signed and dated lower left, board: 20"h x 16"w, overall (with frame): 30.5"h x 26.

Boese, attributed to Henry (American, 1824-1863), Hudson River Landscape with Cottage, mid 19th century, oil on canvas, recently relined, signed H. Boese and dated lower right in an unknown hand, 29 x

Frederick Arthur Bridgman (American, 1847-1928) "The Meeting Place", 1872 oil on canvas signed and dated lower left, "The Edwards Gallery, North Berwick, Scotland" label with artist and title en verso

Lot 98 Henry Farny American (1847-1916) Untitled (Native American chief relief) bronze signed on bottom edge, numbered 45/200 5 3/4 x 8 1/4 inches Provenance: From a New York Collection

Frederick Arthur Bridgman (American 1847-1928) portrait of a man. Watercolor painting signed in the lower right. [Sight: 19" H x 15" W; Frame: 25" H x 21" W]. Mat burn, unexamined out of frame.

ARTHUR CUMMING (American, 1847-1913), autumn river landscape, oil on panel, signed lower right. Drying crackle, small flakes. Panel 7''h, 11''w. Provenance: Estate of Joseph ''Jay'' St. Mark, PhD, of

Frederick Arthur Bridgman; American(1847-1928) O/C. Dimensions- Sight- 24" x 16". Frame- 26" x 18".

FREDERICK E CRANE ATTRIBUTED TO ( AMERICAN 1847-1915) COUNTRY FARM OIL ON CANVAS , HIS ART IS COLLECTED BY MUSEUMS AND COLLECTORS ALL OVER THE WORLD . IMAGE 24 X 36" FRAMED 29" X 41 , IN HOUSE SHIPPIN

attributed ARTHUR FRANK MATHEWS (American 1860-1945) and LUCIA KLEINHANS MATHEWS (American 1870-1955)A PAINTING, "Rolling Clouds," oil on canvas board. 40" x 34"

ATTRIBUTED TO ARTHUR PARTON (AMERICAN 1842-1914)Landscape in Forest, oil on canvas41 x 56 cm (16 1/8 x 22 in.)unframed

Attributed to Arthur Kern (American, b. 1931) Abstract Painting 1961. Oil on masonite. Signed and dated 'Kern '61' (lower right). 31 x 22 in.

FRANK HENRY L. TOMPKINS (American, 1847-1922)Georgetown, Maine View1889, oil on canvassigned, titled, and dated F. H. Tompkins. Georgetown, ME. 1889. lower left18 x 30 in., frame: 26 3/4 x 38

Attributed to: Arthur Dove, American 1880-1946) Watercolor on Paper "Houses In Landscape". Signed lower center. Unframed. Paper is toned verso or in good condition. Measures 7-1/2" x 11". All Items Ar

Attributed to Henry Wolf, ( American artist, 1852-1916), pencil signed lower right, on tissue paper, 9 x 12 mounted plain frame, attached note to verso, as engraving 573, Exhibit Paris, Chicago Expo.,

(Attributed to) Lewis Henry Meakin (American, 1850-1917) Oil on Canvas Undated, unsigned, depicting a landscape of a body of water and purple mountains in the distance, unframed Provenance: the Artist

Attributed to George Henry Bogert (American, 1864-1944) Moonlight - Venice oil on canvas apparently unsigned 20 x 30 inches. Property from a Prestigious Private Midwest Collection

Attributed to James Henry Beard (American, 1811-1893) Sketch for a Race for Life oil on paper unsigned 7 3/4 x 19 1/4 inches. This lot is located in Palm Beach. Provenance: Alexander Gallery, New York

Attributed to Edward Henry Potthast (American, 1857-1927), "Figure Study", charcoal on paper, unsigned, inscribed "This is by my Great Uncle Edward H. Potthast/ Louisa Potthast Weidman" en verso, fram

Attributed to George Henry Boughton (American, 1833-1905) Watercolor on Paper, "Adulation", H 24" W 15" | Faint signature in the lower left. Depicting a man flattering a young woman. Title and artist

A Renaissance Revival Marble Mounted Carved and Laminated Rosewood Etagere Attributed to John Henry Belter (American, 1804-1863), Circa 1855 Height 108 x width 64 x depth 17 inches. A near identical e