ATTRIBUTED TO JOHN FAED (1820 - 1902)

John Moore Circa 1820 - 1902 (British) The Old Yarmouth Oil on Canvas ,measures 15.5 x 9.5"

Large American School portrait of General George Washington, after the original by John Faed (Scottish,1819-1902) titled "Washington Receiving a Salute on the Field of Trenton". The oil on canvas pain

John Faed (Scottish, 1819-1902), Young Woman at Window, oil on canvas, signed lower left, canvas: 15"h x 13"w, overall (with frame): 21.5"h x 19.75"w

Impressionist landscape painting of a snowy creek attributed to John Twachtman (1853-1902). Measures approximately 19.25" x 15.5" on canvas & 28.5" x 24.5" w/ frame. No apparent signature.

JOHN MOORE OF IPSWICH (UK 1820-1902) OIL ON PANEL, H 10.5" W 14.75" SEASIDE VIEW Signed lower left J. Moore. Having a cradled panel. Framed in a molded gilt frame H 16" W 20" Provenance: Property from

19TH C. REDWARE JARNew England, single handled jar, red glaze with manganese drips/spotting at top, attributed to John Corliss, Days Ferry, Maine, c. 1820-1840, chips on rim, shrinkage cracks at botto

Watercolor and Ink on Paper Fraktur Birth Certificate Attributed to Johann Conrad Gilbert. (Bern Township Artist, Pennsylvania, active 1785-1820). Inscribed for John Reinharde, born 20th day of March,

16 19th C Coin Silver Teaspoons four by D. Parmely circa 1850, attributed to CT; four by John W Forbes, New York circa 1830; four by Joseph W. Boyde, New York 1816-1820; four by OE Sibley, Canandaigua

Wonderful piece of history, this President Lincoln and Family engraving was originally created by Frederick Schell (1838-1902) and engraved by Adam Walter (1820-1870). It was published c1865 by John D

Attributed to George Henry Durrie (1820-1863). Approx. 17" H x 14" W without frame, 24" H x 21" W with frame.

Attributed to John James Audubon, American (1785-1851). Watercolor on paper. 'The Stanley Hawk'. M. Knoedler & Co, New York label on verso. Paper is laid on board. Paper measures 20 7/8" H x 14 1/4" W

Attributed John Singer Sargent (American, 1856–1925): Porta della Carta, Venice, c.1913. Oil on stretched linen canvas, unsigned, framed. 14.5 x 21.5 inches sight, 19.75 x 26.5 inches framed. T

Attributed John Sloan (American, 1871-1951) "Smokestacks, New York" oil on canvas board. signed 'John Sloan' (lower right) 20 1/4 x 25 1/8 in.

Attributed John Singer Sargent (1856 - 1925). Charcoal on Paper.Measure 17"in H x 13 1/2"in W and 28 1/2"in H x 23 1/4"in W with frame. Born in Florence, Italy to a New England doctor and wife, John S

Tiger maple and mahogany. Height 29.5 inches, width 36 inches, depth 17.75 inches. Repaired break to front right leg, age cracks to veneer.

Antique oil painting of a New England fall forest. Oil on canvas, circa 1910. Unsigned. Framed. Image size, 20 by 24 inches.

Attributed to John Wilson Carmichael, fishing vessels off the coast, oil on canvas (relined), unsigned, verso: black stencil marks on the stretcher. Giltwood frame. 18 x 25 inches.

Attributed to John Gadsby Chapman antique oil on canvas painting depicting 19th century American man and lady crossing a river in a small wooden boat. Unsigned. Dimensions (sight): 14" x 24"T.

Ca. 1827 watercolor attributed to John Harden (1772-1847). The scene shows family members gathered in the interior of Brathay Hall, near a window for light as they embroider, sew and read. Brathay Hal

Chrome and brass frame. Glass top. 29 1/4" h x 42" w x 30" d.

E. Engelmann. 1820 - 1902. German School. Havengezicht. Restoration Spot in the air. Oil on canvas on panel. Marouflé. Size: 43 x H, B 50 cm. In reasonable condition.

Attributed John Pace (C.1930-2006) Untitled Western Genre Scene. Late 20th century. Unsigned. Canvas measures 20 x 30, frame is 20.75 x 31 inches. We happily provide seamless in-house packing and ship

Vintage English Sterling Silver Desk Photo FrameAttributed John Bull Ltd (JB Ld), New Bond St. London. Sterling Silver with Hallmarks11.75"H x 8.5"W

Overall with frame 28-1/4" high X 32-1/4" wide. John Berens earned a BA in Fine Art University of Wisconsin, Madison; MFA in painting University of California, Los Angeles; Studio practice in painting