ATTRIBUTED TO VIVIAN PORTER Massachusetts, 1880-1982

ATTRIBUTED TO VIVIAN PORTERMassachusetts, 1880-1982Clipper ship under full sail. Unsigned.Oil on canvas, 24” x 32”. Framed 28.5” x 36.5”. Oil on canvas, 24” x 32”. Framed 28.5” x 36.5”

Vivian Forsythe Porter (Massachussets 1880-1982) Tall ship at sail signed lower right VF Porter, also signed GH Woods in later hand. 32 x 22" oil on canvas

Oil on canvas of a schooner on the water signed VF Porter (Vivian Forsythe Porter 1880-1982) lower left. LA Bigelow Boston label on back. Some writing on in pencil on back of frame. Sight 9 1/4" x Sig

Porter, Vivian F. ( American, 1880-1982) miniature painting of a sailing ship, signed lower right, in a Union Daguerreotype case, painting measuring 4 by 3 inches.

American Brilliant Wheel Cut-Glass and Silverplate Five Light Candelabrum, Attributed to the Pairpoint Mfg. Co./ Pairpoint Corp., New Bedford, Massachusetts, 1880-1915. The standard cut with two leafy

Circa 1880. Attributed to Whitney Reed Corporationm Leominster, Massachusetts. Exhibitions: Reflections of 19th Century America: Folk Art from the Collection of Sybil B. and Arthur B. Kern, Museum of

Attributed to Francisco Goya, pencil drawing study on laid paper circa 1880, 7 7/8" x 11" (paper size), in frame 14 3/4" x 17 1/4" under glass. Provenance: Marblehead, Massachusetts collection.

A FEDERAL HEPPLEWHITE INLAID FLAME MAHOGANY BOOKCASE SECRETARY, AMERICAN, 1790s-1830s, attributed Massachusetts craftsmanship, likely Boston and Salem local, the central string inlaid tablet crest wit

By L.W. Cushing & Sons, Waltham, Massachusetts, ca. 1880. Full bodied copper ram with attached horns. Weathered with traces of gilding. Some surface enhancement to bottom rod. 28"h. 30"l. including ba

Jean-Michel Basquiat (American, 1960-1988), Attributed: AAA, 1982. Acrylic on canvas with exposed bars, unframed. Signed and dated verso, decorative label and stamp verso. Basquiat first achieved fame

attributed to Massachusetts, circa 1770, with highly figured mahogany single board top with pie crust molding, turned and spiral carved support, tripod base with ball and claw feet, 28-3/4 x 31 x 31-3

Chippendale bonnet-top mahogany chest on chest, attributed to Massachusetts, 18th century, white pine secondary. Upper section with bonnet top having carved rosettes and three carved urn and flame fin

probably from Massachusetts, circa 1880, central decoration of carved eagle with spread wings and original glass eye atop three flags surrounding urn and shaped scroll with the initials "J.H.C.", the

A pair of French Louis XV style gilt bronze ormolu chenets, circa 1880, attributed to Maison Millet, Paris. The opposing figures modelled as putti mounted on scrolling acanthus and vine swags. Measure

(New York/Massachusetts/Germany, 1880-1966) Untitled, circa 1935, with estate stamp, No. M-933-177, India ink on paper, 10-3/4 x 8-1/4 in.; metal frame, 15-3/8 x 12-3/4 in. Exhibited: Heath Gallery, A

American Aesthetic Movement Marquetry-Inlaid Mahogany Six-Piece Parlor Suite ca. 1880, attributed to Charles Tisch, New York, comprised of a sofa, h. 49-3/4", w. 70", d. 30-1/2", an armchair, h. 49-1

Porter, attributed to Charles Ethan (American, 1847 - 1923), Still Life with Grapes and Peaches, oil on canvas, 21 x 33.5 inches, signed C. E. Porter lower left, framed measuring 26 x 37 inches, Charl

Fine New England Federal Carved and Inlaid Mahogany Game Tableattributed to Massachusetts, circa 1810, mahogany, rosewood and satinwood veneers, white pine secondary, shaped hinged top with double rea

(Ohio/Massachusetts/California, 1880–1960) Oncoming Storm, Haleakala, Maui, circa 1917, signed lower left "Mary J. Coulter" and inscribed verso “It was painted on the Island of Maui and shows the

Arthur Garfield Dove (American, 1880-1946) Attributed: Abstract Landscape. Oil on canvas, framed. Arthur Dove is credited as being the first innovative abstract painter in America. Many of his abstrac

Hans Hofmann (American, 1880-1966)Attributed: Abstract Painting. Acrylic on canvas, unstretched. Signed and dated 64 lower right. Hans Hofmann was a pivotal figure in Abstract Expressionism and stands

ATTRIBUTED TO BENJAMIN BLYTHMassachusetts, 1746-1786Portrait of a man wearing a gray coat and vest. Unsigned. Inscribed on upper stretcher bar "Purchased by W. Eliot Fette, May 14th 1881 at aucti

WILLIAM KENNEDY (MASSACHUSETTS / MARYLAND, 1817-1871), ATTRIBUTED, FOLK ART PORTRAIT OF A SHIP'S CAPTAIN, oil on canvas laid to board, waist-length depiction of sitter wearing a black jacket and gold

TWO-PART CUPBOARD ATTRIBUTED TO ELDRED WHEELERMassachusetts, 20th CenturyIn strongly figured tiger maple. Both sections with two sets of paneled doors. Shaped bracket feet.Height 76.5”. Width 55