Attributed to Edwin Hayes RI (1819-1904) British

Attributed to Edwin Hayes, stormy seas with a small barge washed up on the shore, watercolour on paper, signed indistinctly bottom/right. Giltwood frame. 5 x 8 inches.

Edwin Hayes (1819 - 1904) French Fishing Boats Oil on canvas, 76 x 127cm (30 x 50) Signed Edwin Hayes remains one of the most illustrious of Ireland’s maritime painters. Hayes may have been bor

Attributed to Edwin Long (British, 1829-1891) A Spanish lady with her maid bears monogram twice and date (lower left) oil on canvas 64.5 x 76.8cm (25 3/8 x 30 1/4in).

Floral oil on board painting Martin Johnson Heade (1819-1904), Attributed . Signed M. Heade on lower left. From verso, board of painting measures 14.75 inches wide by 8.5 inches high. Housed in wood f

Attributed to Edwin Loder, painting, Attributed to Edwin Loder (British, 1827-1885), white whippet, oil on canvas, no signature found, inscribed on stretcher verso, 15.5" x 19.5" (sight), framed

Attributed to Martin Johnson Heade (1819 - 1904) Oil on Canvas. Appears to be unsigned. Provenance: Private Florida collection. Sight Size: 11 x 8 in. Overall Framed Size: 16 x 13 in.

Attributed to Queen Victoria (British, 1819-1901). Graphite on paper sketch depicting an elegant angel standing with a halo above their head and hands folded, purported to be rendered by Queen Victori

19th c. Small Watercolor Study attributed to Martin Johnson Heade (American, 1819-1904), Salt Marshes at Newbury Port c. 1860s. Rowboat in creek foreground, rows of haycocks; line of birds in sky. Not

An oil on panel, portrait of a seated woman, attributed to Martin Johnson Heade (American, 1819-1904). Marked "M.J. Meade" on back of panel, and dated 1847. 30 x 25 in.

Attributed to James Cassie (British, 1819-1879) Portrait of a Seated Man. Oil on board, unsigned. Bearing a paper label en verso which reads, 'Exhibited at Royal Academy Ltd. Aberdeen 1851, R.S. A. Ja

Attributed to Arthur Fitzwilliam Tait (British, 1819-1905) A pencil on paper illustration of hunt scene. Signed A.F. Tait center. In a gilt wood frame. Mat opening: 3in tall x 8in wide. 11in tall x 16

Attributed (1786-1866) British. oil on canvas, titled "A HUNT WE WILL GO" beautifully framed signed to bottom right. Total Measurements with frame approx 37"x 30".

Attributed to Colin Hunter (British, 1841-1904). An Orientalist oil on panel landscape titled "Nile Incidents". Unsigned and gilt framed. Panel: 12in x 18in.

ARTIST: ATTRIBUTED TO Erskine Nichol (Scottish, British, 1825 - 1904) NAME: Nowhere to Go MEDIUM: oil on canvas CONDITION: Relined. Some craquelure. Some scattered inpaintings. Minor damages to frame.

William Collingwood (British, 1819-1903), pencil and ink drawing of a dirt path through the forest, a tall tower in the distance, attributed l.c., 5" x 7" sight, 12 3/4" x 16 3/4" framed.

Circa 1899, Minton (British, founded 1793); design attributed to Christopher Dresser (British/Scottish, 1834-1904); Aesthetic Movement; turquoise ground with polychrome florals; mounted on faux wood s

Robert Carrick. (British, ca. 1829-1904). In the Highlands. Antique engraving on wove paper after the original oil on canvas by master engraver Edward Paxman Brandard (British, 1819-1898). 1869. Signe

Arthur Wardle, RI (British, 1864-1949) The challenge signed 'Arthur/Wardle' (lower left) oil on canvas 46 x 66.5cm (18 1/8 x 26 3/16in). Footnotes: Provenance With The Horner Gall

Beechey, William, attributed (British, 1753-1839) Lord Wallis, Luit of the Buffs, oil on canvas, 29 by 24 inches, in a gold frame measuring 38 by 32 inches.

"The White Cloud". Signed l/l. Indistinctly dated. Verso signed and titled. Oil on Canvas. Measuring 59 1/2" by 72". Verso with old label Dicksee & Co., Liverpool, 1915. Framed. (Cond: good) (1500/200

Description: § Frank Reynolds, RI (British, 1876-1953) The Garden of Luggershill, Broadway, Worcestershire signed lower left with initials oil on board h:23.50 w:29 cm Provenance: By family descent f

Signed lower right M. J. Heade (Martin Johnson Heade, 1819 -1904, New York, California, Florida, Brazil). This specific painting is not included in the Stebbins catalog Raisonne, but Heade was known t

Gorham Mfg. Co., Providence, RI, 1904, in "Poppy" pattern, comprising: tea pot, coffee pot, kettle on lamp stand, two-handled sugar bowl, cream jug, waste bowl and two-handled serving tray, each elabo

Martin Johnson Heade (AMERICAN, 1819–1904) print 16" x 25" Frame: 24" x 32 3/4" Seascape. Signed lower left