Beswick Dairy Shorthorn bull and cow mounted on ceramic base 1863. 'Presented by Dairy Farmer

DSP. What an incredible piece of Neon Porcelain Advertising for Coors Dairy. This piece is two single sided signs mounted on a can with original porcelain bullnose. The cow shows areas of chipping, as

The wide, full bodied figure on four independent legs is constructed with a zinc head. No markings, some sources have attributed this model to Harris and Son, Boston. Measures 21.25 x 34 x 7.25 inches

The full bodied copper weathervane by Cushing and White is found with its exceptional original gilt finish largely intact. The portions not displaying the original surface are accented by naturally oc

Isidore Bonheur (1827 - 1901) "Charging Bull" Bronze mounted on marble base. Signed near base. Height: 15.5 inches (incl. base) Width: 23 inches. No foundry mark visible. Isidore Bonheur was born in B

DESCRIPTION: A pair of Maitland Smith bronze bear head bookends. Features naturalistic cast bears heads mounted to ceramic and tessellated marble bases. Label attached: "Maitland Smith, Handmade In Th

Large copper full-bodied cow weathervane mounted on wood board. Dents. 23-3/8''h (excluding base), 33-1/2''w.

Ancient Roman bronze miniature sculpture of a bull. Collected in the 1950s. Mounted on a modern wood base. 3rd Century AD. LENGTH - 2 3/4 ” (6.5 cm) cm) HEIGHT - 2 1/8” (5.5 cm) BASE - 3"

Tang Dynasty, 618-907 A.D. A pair of ceramic mounted hunters, each modelled with semi-naturalistic anatomical detailing standing on rectangular bases, and extensive remains of painted pigmentation: on

circa 1900, finely cast and gilt bronze figures of a baker, fisherman, and farmer, each presented atop a faux painted and veneered malachite base, unmarked. Tallest 5 in.

Tang Dynasty, 618-907 A.D. A ceramic horse and mounted hunter figure modelled in the round, standing on an integral rectangular base; the animal with semi-naturalistic anatomical detailing, patches of

glazed ceramic; appears unsigned; Condition: figures mounted to base with earthquake glue; constructed in two parts; 23 inches wide; 14 inches deep; 28 inches high

Pair of French Art Deco Bronze Figures of King Tutankhamun post-1922, now mounted as lamps, the sides mounted with Apis, the sacred bulls worshipped in ancient Egypt, on acrylic bases. h. 23-1/2", w.

DESCRIPTION: Vintage Italian designer fish statue composed of ceramics with silvered and gold finishes. Designed with intricate dorsal fin and tail details, mounted to a rectangular black base. "Made

mounted as table lamps, on square acrylic bases each figure: 26 1/4 inches high; 43 1/2 inches high including base and finial

DESCRIPTION: Antique sancai ceramic sculpture depicting a bearded, armored wrathful deity clenching his right fist and clutching a demon by its hair in his left hand. Mounted on a lucite base. CIRCA:

(American/British, 1884-1977), glazed ceramic figure of a groom leading a blanket covered horse, signed on base, "Kathleen Wheeler", mounted as lamp, 9 x 10 in. (figure only), 20 in. (lamp)

Pair of Christopher Spitzmiller "Gregory" ceramic table lamps of flaring vase form with a silver lustre glaze mounted upon a hardwood base and fitted with two light bulb sockets, labels to undersides.

A Fabergé Catherine II Ruble Set Silver-Mounted Ceramic Charka Fabergé, Workmaster Anders (Antti) Nevalainen, St. Petersburg, before 1899, with s

Chinese Chun Yao Style Tea Bowl Having a turquoise blue glaze, simple foot with exposed grey tone ceramic base and a 1977 Hycroft Antiques letter attributing bowl to Song Dynasty (960 to 1280) and cit

John Coleman (Arizona / California, b. 1949), "Man's Prelude to Honor", ed. 9 of 25, bronze sculpture on black marble slab and rotating wooden base, ceramic column pedestal included height 49 in. x w

Picasso 15.10.53 appears in the Right Leg . Rendered in the Ceramic cubist style of Pablo Picasso. Technique: Oil on Ceramic Bull Sculpture. This Sculpture is made of ceramic and is hand painted in oi

Lindsay Daen (New Zealand, Puerto Rico 1923-2001). A bronze statue. An abstract figural group depicting dual facing figures reaching towards each other. Artist incised signature at base. Mounted to a

Philip and Kelvin Laverne coffee table 'The Creation of Adam' by Michelangelo, recreated in timeless bronze and signature acid etched with 'After Michelangelo'. Mounted on base with mitered corners. M

Lindsay Daen, patinated bronze sculpture, c. 1968, Lindsay Daen (American, 1923-2001), Boy with Birds, incised signature and numbered V/XII to base, mounted to wood plinth, 32"h x 11"w x 4w" (total) P