BOGARDUS, Adam (1834 – 1913). Capt. A.H. Bogardus & Son Eugene.

A CELTIC REVIVAL SILVER TRAY, Dublin c.1913, mark of West & Son, with a bold pierced anamorphic border with a crest of a dagger held aloft by an arm Semper Idem (28.53 troy ozs). 35cm wide

Henry GarlandBritish (1834-1913)Highlanders Crossing the Burnoil on canvassigned lower left and again with title verso, framed.Property from a Prominent Saint Louis Estate22 x 36 inches

Mochizuki Gyokusen (Japanese, 1834-1913), A Five-Panel Landscape Screen Depicting a mountainous river landscape, signed to right-most panel, l.r., watercolor, ink, and gold leaf on paper, framed. H: 6

PUZZLES AND GAMES. A group of 6 works in English, including: 1. [ANONYMOUS.] Ventriloquism Explained: and Juggler's Tricks, or Legerdemain Exposed. Amherst, J.S. And C. Adams, 1834. 12mo (148 x 92 mm)

Agra School, 19th century, two ink watercolor gouache on paper, (1) Taj Mahal Mosque, written bottom center: "Gateway of the Tomb of Akbar at Sikandra, watermark J. Green & Son 1834, 7" x 8 3/4" (2) "

Decorated wtih scene of Romance of the Three Kingdoms, showing General Zhao Zilong saves Liu Beis son Ah Dou during the war against General Cao Cao. General Zhao Zilong is holding baby between his bre

A Bronze Age bar-twisted gold ring Circa 1100-700 B.C. Tightly coiled with blunt tapering terminals, 23mm diam, 15.2g Footnotes: Provenance: Estate of Frederick Baldwin. With A.H. Baldwin & Son

Horus on a falcon sarcophagus. Ancient Egypt, Late Antiquity, 26th Dynasty, 664-525 BC. Bronze Provenance: - Adam A. Weschler & Son, auction of 27 February 1971. - Private collection, Maryland (USA),

Shipping in USA $ 700. Auguste Moreau was born in Paris in 1834, the youngest son of sculptor and painter Jean-Baptiste Moreau. He studied with his father and also under Aime Millet, Augustin Drumont

High-Head Swimming Brant Nathan Birdsall (1890-1936) Lovelandtown, NJ, c. 1930 18 in. long A high-head hollow brant with baseboard construction. Nathan was the son of fellow carver Eugene Birdsall. Or

Jacques-Louis David (French, 1748-1825), "Deux Prelats (Herauts)", double-sided graphite on paper, both sides signed in pen and brown ink by artist's sons Jules David and Eugene David, one side inscri

Ansel Adams Safe, removed from Bests Studio, Yosemite Valley dba The Ansel Adams Gallery, with signed authentication by son of Ansel Adams, Michael Adams, safe made by Herman Safe Co, San Francisco CA

Adam, Julius Anton (1852 München 1913) Schwarz-weisses, junges Kätzchen. 1883. Öl auf Holz. Oben rechts signiert, datiert und bezeichnet "Muenchen". 18,2x13,8 cm.

Line VAUTRIN (1913-1997) Mon Ame a son secret circa 1946 inscrit Arvers ; signé Line Vautrin au revers poudrier en bronze doré inscribed Arvers ; signed Line Vautrin

Eugene J. Kupjack (American, 1913-1991) 1968 Chinese Laundry, New York City, c. 1910 mixed media Height overall 21 1/2 x width 24 7/8 x depth 24 7/8 inches. Property from the Palm Springs Art Museum,

Eugene J. Kupjack (American, 1913-1991) 1968 New Orleans Kitchen, c. 1800 mixed media Height overall 25 1/2 x width 31 3/4 x depth 30 3/4 inches. Property from the Palm Springs Art Museum, Palm Spring

(lot of 76) Staffordshire dinner service, c. 1805-1834, "Zoological Sketches," by Job Meigh & Son, black transfer on white ironstone body, with crazing, staining, lines, etc., including: (24) dinner p

Edgar Degas (1834-1917) "Danseuse regardant la plante de son pied droit" (Dancer looking at her right foot). Signed, numbered and stamped with foundry mark 'Degas 40/M A A HEBRARD CIRE PERDUE'. Bronze

Edgar Degas (French, 1834–1917).Danseuse regardant la plante de son pied droit / Dancer Looking at the Sole of her Right Foot.Bronze Sculpture.Estimate: 400,000 — 600,000 USD.Inscribed Degas, numb

With the Wind Oil on board Signed lower left Size: 20 x 24 in.With note from artist's son, Paul Rodrik, verso

Kenneth Hall (1913-1946) Trafalgar Square (1937) Oil on Canvas, 76 x 101cm (30 x 39¾) Signed Provenance: With Archer Gallery London Exhibited: Holywood, Co. Down, Charles Gilmore Fine Art - Whi

Four monopodia figural legs, lattice work frieze surrounding a stone base, granite top. Silver-blue metal x-form stretcher. The table after an example by Adam Weisweiler, possibly made by Paul Sormani

March Oil on canvas Signed in Cyrillic and dated 1913 lower left Size: 28.5 x 39.5 in (72 x 100 cm) Note: Exhibited in the 1913 Spring Exhibit at the Imperial Academy of Fine Art at St. Petersburg. Ac

An early 20th C novelty claret jug in the form of a cockatoo bird with sterling silver mounts, hallmarked for Asprey & Co, Sheffield, 1913. The white porcelain body marked Spode Copeland China with re