BRIAN COLEMAN "HARD TO EXPLAIN" M/M ON CANVAS 2014

Brian Coleman (American / North Carolina 20th / 21st century), "Hard to Explain", 2014, mixed media and oil on canvas, depicting abstract geometric shapes on a white background, signed at lower left,

Brian Coleman (American / North Carolina 20th / 21st century), "All in Time", 2014, mixed media and oil on canvas, depicting abstract geometric shapes on a gray background, signed at lower left, signe

ANDREW LAMAR HOPKINS (1977 - ) The New Orleans Home of two Confirmed Bachelors #2. Acrylic on canvas board, 2014. 347x457 mm; 13x18 inches. Signed and dated in ink, lower left. Signed, titled and date

Martin Mull (b. 1943): Endgame Oil on canvas, 2014, signed with initials 'MM' and dated lower left, with label from Williamstown Art Conservation Services. 60 x 50 in., 61 1/2 x 51 1/2 in. (frame).

Brian St. John (Texas, b. 1956), "Memory of a Walk with You", 2014, oil on canvas sight: 36 x 60 in., frame: 40 x 64.5 in. Provenance: The studio of the artist, San Antonio, Texas San Anton

Olivier Foss New York, Pennsylvania / France, Germany (1920 - 2014) Parisian Market, modernist street scene after dark oil on canvas signed upper left. Coleman Art Gallery, Philadelphia, PA label vers

Acrylic and sand on canvas 36 x 48 in

Emmi Whitehorse (American / New Mexico b. 1956), "Field of Birds" 1992, mixed media on paper laid on canvas, depicting abstract Native American imagery of birds in a field, signed, dated, and titled e

Louis Vuitton Monogram Canvas Hard Suitcase Serial no. 168580 With a basket tray and deeper basket. 24 1/2 x 25 3/4 x 25 inches (62.2 x 65.4 x 63.5 cm). C The Estate of Joanna S. Rose

Louis Vuitton Monogram Canvas Hard Suitcase Serial no. 769932 With basket tray and tray insert, with Saks & Company, New York, label. 21 x 23 1/2 x 18 3/4 inches (53.4 x 59.7 x 47.6 cm). C The Estate

Jose Maria Riera y Arago (Spanish b. 1954) 'Red and Black Airplane', 2002, oil and mixed media on canvas, signed to lower right and dated to lower left, and The Lowe Gallery label en verso, framed. Ap

Louis Vuitton Monogram Canvas Hard Suitcase Serial no. 736231 With a deep basket. 21 1/4 x 24 x 18 3/4 inches. C

Louis Vuitton Christopher Backpack Reverse Monogram Eclipse Canvas MM Exterior Color: Black, Gray Interior Color: Black Exterior Material: Canvas Coated Interior Material: Fabric Hardware Color: Silve

Louis Vuitton Neverfull NM Tote Limited Edition Game On Monogram Canvas MM Exterior Color: Brown, Print Interior Color: Neutral Exterior Material: Canvas Coated Interior Material: Fabric Hardware Colo

Alfons Maria Mucha, Figures Decoratives par A.M. Mucha, quarante planches reproduisant en fac-similé les dessins de l'artiste. In a hard cover canvas folio, illustrated label on covers front and ba

Oil on canvas 36 x 36 inches. Partial collection tag adhered to back

Alec Monopoly "Untitled (Scrooge with Oil)", acrylic and spray paint on canvas with resin, 2014. Signed lower right "ALEC". Canvas: 48"H x 60"W. Alec Monopoly (American, b. 1986).

DEAN CORNWELL (1892-1960) The Arabian Horsemen at Herod's Bier. Illustration for the novel The Big Fisherman by Lloyd C. Douglas (Boston, 1952), pages 8 and 9. Oil on canvas. 865x1145 mm; 34x45 inches

KEITH HARING (1958-1990) Untitled (Wedding Invitation). Color screenprint on canvas. 161x165 mm; 6x6½ inches, full margins. Signed, dated, numbered 24/125 and with the artist's cipher in felt-tip

ABRAHAM WALKOWITZ (1878-1965) Park Scene. Oil on canvas. 405x560 mm; 16x22 inches. Circa 1908.Provenance: Artist's estate, New York.Published: Zabriskie Gallery, Zabriskie Fifty Years, 2004, page 91 (

Attrib. Thomas Chambers, 1808-1866, River Valley Landscape, likely Hudson River, c.1850, oil on canvas (CNEW491)(MM) Dimensions: 22 x 30, framed 28 1/2 x 36 Property from a family collection bequeathe

MARK BEARD (1956 - ) Two Rowers, 1936. Oil on cotton canvas, 914x609 mm; 36x24 inches. Signed in oil, upper left. 1998.Provenance: Wessel + O' Connor Gallery, New York, with gallery label on the frame

ROBERT NATKIN Untitled. Oil on canvas. 658x942 mm; 26x37¼ inches. Provenance: Private collection, Massachusetts.

ARCH CONNELLY (1950-1993) A Good Argument. Paper collage with glitter and sequin embellishments and acrylic on canvas. 255x205 mm; 10x8 inches. Signed, dated, titled and dedicated in pencil, verso. 19