British Art: Six Broadcast Talks,

BANKSY (BRITISH) Six art buttons each with a Banksy work

AMERICAN OR BRITISH SCHOOL (19TH CENTURY) FOLK ART SILHOUETTE PORTRAITS, LOT OF SIX, including one with original label for "Mr. W. Seville", some examples with watercolor highlights. Each housed under

Lot of Six Art Books. Including: 1.  David Gerstein, Sculptures, Eli Meir Dfus, 2006. 2.  Philippe Starck, Taschen GmbH, 2003. 3.  Ron Arad, Talks to Matthew Collings, Phaidon Press Inc

DESCRIPTION: Seven Art Nouveau pins, six of which are gilt brass and have stone insets; seventh is British sterling silver and emblazoned with the name "MAUD". One gilt brass piece doubles as a locket

Silvertone tabletop radio Model No. 6252 from Sears, Roebuck & Company, 1940. Has American broadcast and short wave foreign bands. Wood veneer case with six buttons and four knobs; Art Deco appearance

Attr. to John Sturgess British, 1839-1903 Six Winners at Ascot: St Gatien, Humwood, Whitefriar, Bendigo, Ormonde & Gay Hermit Oil on canvas Possibly reproduced as a print or an illustration as Sturges

Henry Moore (British, 1898-1986) Six Reclining Figures (C. 298), 1973 Lithograph on T.H. Saunders paper ed. 92 of 100 20.5 x 26.125 (in) Signed and dated Moore 73, lower right Printed by Curwen Prints

Tim Cotterill (British, B. 1950) Polychrome Bronze Sculpture. Tim Cotterill, The Frogman, was born in Leicester, England, in 1950. He left school at the age of fifteen to complete a six-year engineeri

Boxes, antique, sterling silver, five British and one Dutch, one with a stone lid, largest 5.5 inches, 15.5 troy ounces weighable.

Tim Cotterill (British, B. 1950) Polychrome Bronze Sculpture. Tim Cotterill, The Frogman, was born in Leicester, England, in 1950. He left school at the age of fifteen to complete a six-year engineeri

Tim Cotterill (British, B. 1950) Polychrome Bronze Sculpture. Tim Cotterill, The Frogman, was born in Leicester, England, in 1950. He left school at the age of fifteen to complete a six-year engineeri

TOWING A SHIP, 1919, drypoint etching, signed in pencil, from an edition of seventy-six impressions, plate 5 x 6”, sheet 18 x 12 ¾”.

BOOKS OF BLOOD, Volume Six, 1988, color print, signed in ink, copyrighted in margin, image 17 x 12 ½”, sheet 20 x 14 ½”.

A group of six pence coins from Great Britain with depiction of King George V of England. Various backs of coins range from coat of arms to crown and wreath. See illustrations of coins for reference.

Six in Vermilion with Red in Red, 1970; Screenprint in colors; Signed, dated and numbered 27/100; 27 7/8" x 39" (sheet); Provenance: Private Collection

Henry Moore (British 1898-1986)- ''Six Sculpture Motives'' (Cramer 154)- etching, 1970, signed and numbered 172/200 in pencil, good condition. 11 5/8 x 7 1/8''

Group of six porcelain figure sculptures, modeled as elegant lady or man and woman in dance or talk, each base with a mark. 5.4inch L, 4.3inch W, 7.1inch H (largest).

after John Falter (American 191001982) Sailor Beware! Loose Talk Can Cost Lives lithographic poster in color, 1942, published by the British and American Ambulance Corps, Inc., framed.  &nbs

Quiet- Loose Talk Can Cost Lives lithographic poster in color, 1942, published by the British and American Ambulance Corps, Inc., framed.   20 x 14" Provenance: Private collection- Pasa

Closed for the Duration- Loose Talk Can Cost Lives lithographic poster in color, 1942, published by the British and American Ambulance Corps, Inc., framed.   20 x 14" Provenance: Privat

Six general interest books include . American Folk Art/Lipman, Brilliant Women 18th Century Bluestockings/Peltz, Young America/Bishop, British Servants Hall/Waterson, Modern History to 18th Century, M

Henry Moore (British, 1898-1986), "Six Reclining Figures," 1973, lithograph, pencil signed and dated lower right, edition 14/100, Los Angeles Country Museum of Art receipt affixed verso, sight: 14"h x

A British Art Nouveau sterling ewer, Goldsmiths & Silversmiths, 117 Regent Street, London, circa 1900, fashioned in the Middle Eastern style, the cylindrical turned neck spreading to a bulbous body wi

British Art Deco ash and burlwood veneered console / sideboard, in the manner of the Epstein Brothers (Active London, 1920-1940) rectangular top above a long drawer lined with green felt for silver st