BRUCE J. TALBERT (1838-1881) (ATTRIBUTED DESIGNER) POSSIBLY FOR TEMPLETON'S, GLASGOW

BRUCE J. TALBERT (1838-1881) (ATTRIBUTED DESIGNER) FOR TEMPLETON'S, GLASGOW CARPET RUNNER, CIRCA the blue ground with allover floral and foliate panels within guard bands(665cm x 112cm)

BRUCE J. TALBERT (1838-1881) (ATTRIBUTED DESIGNER) GOTHIC REVIVAL SIDE CABINET, CIRCA 1870 oak, with brass escutcheons(89cm wide, 168cm high, 41.5cm deep)

BRUCE J. TALBERT (1838-1881) (ATTRIBUTED DESIGNER) FOR GILLOW & CO. (ATTRIBUTED MAKER) AESTHETIC ebonised wood, with gilt embellishments(83.3cm wide, 73.2cm high, 67cm deep)

BRUCE J. TALBERT (1838-1881) FOR GILLOW & CO. AESTHETIC MOVEMENT FREESTANDING DESK, CIRCA 1875 oak, with inset original tooled leather skiver and brass hinges and fittings.(152cm wide, 121cm high, 81c

BRUCE J. TALBERT (1838-1881) FOR JAMES LAMB, MANCHESTER AESTHETIC MOVEMENT DAVENPORT DESK, CIRCA ebonised wood, inset with carved, inset with carved hardwood, tooled leather skiver and brass fittings,

BRUCE J. TALBERT (1838-1881) FOR GILLOW & CO. AESTHETIC MOVEMENT BUFFET, CIRCA 1880 oak, with cross-banded inlay(137cm long, 80.5cm high, 68.5cm deep)Note: Originally from Dundee, Bruce Talbert origin

Attributed to Bruce Talbert (1838 - 1881) for Gillows of Lancaster and London. Parcel-gilt black painted server, circa 1875. Stamped Gillows. 49.5" H x 72" W x 19.75" D. Property from a private Long I

Attributed to Bruce Talbert (1838 - 1881) for Gillows of Lancaster and London. Parcel-gilt black painted server, circa 1875. Unmarked. 49.5" H x 72" W x 19.75" D Property from a private Long Island co

A.W.N. PUGIN (1812-1852) OR E.W. PUGIN (1834-1875) (ATTRIBUTED DESIGNERS), POSSIBLY FOR GILLOW & CO. oak(226cm long, 74cm high, 68cm deep)

ALFRED WATERHOUSE (1830-1905) (ATTRIBUTED DESIGNER) WRITING DESK, CIRCA 1870 oak, with tooled leather writing surface and brass fittings(122cm wide, 75cm high, 60cm deep)Literature: Cooper, J., Victor

Suite of Eight George III-Style Mahogany Dining Chairs 19th century, attributed to W. & J. Sloane, New York, possibly Irish, consisting of two armchairs and six side chairs, each with a foliate-carved

Private Collection 23" x 19" (Attrib.)with Attributed Certificate Pablo Picasso 1881-1973 was a Spanish painter, sculptor, printmaker, ceramicist, stage designer, poet and playwright who spent most of

SYRIE MAUGHAM (1879-1955) (ATTRIBUTED DESIGNER) WALL MIRROR, CIRCA 1937 painted and silvered wood and moulded gesso frame, mirrored glass plates, bears ivorine label verso DANIELL 42-44-46 WIGMORE STR

A.W.N. PUGIN (1812-1852) OR E.W. PUGIN (1834-1875) (ATTRIBUTED DESIGNERS) GOTHIC REVIVAL REFECTORY oak and pitch pine(225.5cm long, 75.5cm high, 107cm deep)

DATED 1863 NEW YORK OR CONNECTICUT RIVER VALLEY LANDSCAPE WITH STREAM AT SUNSET. INITIALED "J.S.J" (ATTRIBUTED TO) JOHN JAMESON (1842-1864) IN ORIGINAL GILT FRAME 20 1/2" X 11" TERMS: THIS IS AN ON-SI

A RENAISSANCE REVIVAL GILBERT NO. 7 FLOOR STANDING REGULATOR WALNUT CLOCK, AMERICAN, CIRCA 1881, attributed to the Winchester, Connecticut maker, the pulpwood molded mask of a Bacchanalian maiden with

Jasper Francis Cropsey, oil on canvas, 1881, Jasper Francis Cropsey (American, 1823-1900), Study for "Sunset Over Lake Thrasemine", signed and dated lower right "J.F. Cropsey 1881", 7"h x 13"w (stretc

Gorgeous pair of armchairs attributed to designer Renzo Zavanella in the 1960s, of fine Italian craftsmanship.The two armchairs have a very beautiful and durable fine wood base with 3 spiked feet, of

A BLUE-GREEN 'WATER' JADEITE SNUFF BOTTLE Possibly imperial, attributed to the Palace Workshops, 1750-1800 Of flattened, rounded form with a cylindrical neck, and with an oval foot, the translucent st

Molded Copper and Zinc Horse Weathervane, attributed to J. Harris and Son, Boston, Massachusetts, late 19th century. Full body figure with soldered copper tail and mane, and cast zinc head and legs, v

GOTHIC REVIVAL BREAKFRONT ATTRIBUTED TO J. & J.W. MEEKSSecond Quarter of the 19th CenturyIn mahogany and mahogany veneer. Made in eight sections. Central cornice with three removable finials and a rel

Extremely Rare and Important Shenandoah Valley Multi-Glazed Redware Lamb Doorstop, attributed to J. Eberly & Co., Strasburg, VA, circa 1890, molded figure of a sleeping lamb with well-detailed fleece

Attributed to J. Harris & Co., Boston, Massachusetts, appears in their illustrated catalogue from 1878, no. 13. Depicted with empty bow raised but arrow in opposing hand. At the time, the 30-inch mode

An American Victorian Meeks-style parlor suiteMid-19th centuryAttributed to J.W. Meeks in the "Hawkins" pattern, each Rococo Revival-style carved and laminated rosewood with acanthine crest,