Charles DE FRANOZ (1850-1908) Napoleon spelter bust

Charles DE FRANOZ (1850-1908) Napoleon spelter bust. 7 3/4” H x 4 1/8” W x 3 1/4” D. ANY INVOICE OVER $ 2,000.00 WE WILL ACCEPT PAYMENTS ONLY THROUGH CHECK OR BANK WIRE TRANSFER, SAM

Charles de Chatillon (French 1777 - 1844) Napoleon Oil on canvas. Signed with monogram lower left. Inscription in German and flag (Flag of Elba?) inscribed on verso of canvas. 29" x 23"; framed 34" x

Pair of Meissen busts of 'Prince Louis Charles de Bourbon' and 'Princess Marie Zéphirine de Bourbon', late 19th C, each modeled as a bust of a young child wearing floral decorated caps, each with blu

Manufacture de Sevres pate bronze portrait bust of Napoleon Bonaparte as First Consulate, 1809. Pate bronze (black biscuit porcelain) portrait bust of Napoleon Bonaparte modeled as the First Consul, i

Charles de Steuben (German-French, 1788-1856), Self-Portrait of the Artistoil on canvas, 1850, signed and dated to center right, presented in a period carved and gilt wood frame with crest and gallery

Pair of golden spelter sculptures "Game of grace" by FAURE DE BROUSSÉ (Vincent Désiré 1876-1908), cherry red marble baseOrigin: FrancePeriod: 19th centuryMaterials: SpelterDimensions: Height

With copyright mark dated 1904, 21 1/2" h., 15 1/2" w. Note: Some oxidation to metal.

After Comte Alfred-Emile De Nieuwerkerke (French 1811-1892), Napoleon on horseback, large bronze equestrian figure, signed in mold to base, "Nieuwerkerke 1850", with "Susse Edit" for Susse Freres foun

VON BROCKDORFF, Charles Frederick (Danish school, 1765-1850). Watercolour on paper. "Hall of Arms." Signed lower middle. 32 x 23.5 cm. Provenance Elina Gallinal Castellanos de Eguiluz VON BROCKDORFF,

Rome, 1850. In 2 . With 35 plates out of text containing 53 etchings, in total, binding of the time § Together in the lot Etudes progressives de Paysages par Perret , Lyons, Pintard, s.d. 3 parts i

CHARLES DE TEMPLE: 'ALL THE TIME IN THE WORLD' RING, CIRCA 1965 The bicoloured openwork ring in polished and textured finish, forming the words 'All the time in the world' to both the interior and ext

Charles de Temple - A late 20th century cultured pearl and diamond 'Wrapped' necklace, the necklace consisting of forty five cultured pearls, each spaced by two claw set round brilliant cut diamonds,

AN EMERALD NECKLACE, CHARLES DE TEMPLE 1973 formed of a fringe of graduated textured gold links, the central three set with oval cabochon emeralds, on a similarly textured fancy link necklace, signed

Charles de Temple - A pearl and diamond 'Wrapped' bracelet, together with a matching single earring, first, the bracelet with three rows of eight cultured pearls, each seperated by two claw set round

DIANA HOLDING AN ARROW, oil painting on canvas, 54 x 39”, frame 57 x 42 ½ x 2 ½”. Provenance: Sotheby’s New York, sale 6423, lot 0295, Old Masters Paintings May 1993, sold

CHARLES DE TEMPLE - a 1960s 18ct gold diamond and emerald brooch and associated earrings. The brooch designed as a series of overlapping, openwork and partially textured panels, with emerald cabochon

Le Hay, Jacques (c. 1645-1713) & Charles de Ferriol (1652-1722) Recueil de Cent Estampes Representant Differentes Nations du Levant. Paris: Jacques Collombat, 1715.Oversized folio, a3, A-F2, G1; engra

Marble and Alabaster, 25" x 15"

AN IMPORTANT ONYX AND DIAMOND SAUTOIR NECKLACE, CHARLES DE TEMPLE 1974 the longchain formed of onyx and white gold pearl motifs encased in naturalistic yellow gold surrounds, jewelled and accented by

A Jean-Charles de Castelbajac unique teddy bear jacket, 1989, made to celebrate 100 years of the Lee Cooper denim jeans company, the denim jacket covered with approximately twenty teddy bears with blu

Louis XVI style gilt bronze figural mantle clock, the case depicting Europa and the bull, centering a single door opening to a Roman numeral dial, signed Charles De Tertre, fronting the movement by Et

Canvas. Signed and inscribed verso. Bernard Lorenceau, Paris gallery label affixed verso with 1914 Salon, no. 369. Charles-George Dufresne (French, 1876 - 1938). From the estate of a New York galleris

Renzo Columbo (1856-1885, Italian) completed this stunning work in the last year of his short life. This bronze, shoulderless bust has a medium brown patina and features a glaring Napoleon Bonaparte i

Lalique Clear Glass Tete de Chevel BustPost-194