Cornelis Schut III (Antwerp ca. 1629-Sevilla, 1685),

"San Juanito with the lamb Oil on canvas Size 111.5 x 79 cm "

ORTELIUS, Abraham (1527-1598). Americae sive Novi Orbis, Nova Descriptio. Antwerp, ca 1572. Engraved map of the Americas with hand-coloring in wash and outline, visible area 15 3/4 x 20 3/4 inches (40

Attributed to FRANS FRANCKEN III (Antwerp, Belgium, 1607 - 1667). "Fall of Christ on the Way to Calvary". Oil on copper. Size: 43,5 x 33,5 cm; 59 x 69 cm (frame). The fall of Jesus is represented here

WILLIAM MERRITT CHASE (American, 1849-1916)Port of Antwerpca. 1883-4, oil on canvassigned Wm. M. Chase lower left15 x 21 in., frame: 22 x 28 in. Provenance: The Estate of a Manchester-by

Ancient Egypt, New Kingdom, 18th Dynasty, between the reigns of Amenhotep II, Thutmose IV, and Amenhotep III, ca. 1408 to 1372 BCE. A breathtaking and sizable example of a standing ushabti figure carv

Ancient Egypt, Predynastic period, late Naqada II to Naqada III, ca. 3200 to 3000 BCE. An enormous hand-built marl clay jar with a russet-hued surface made with a thin iron-oxide slip. The burnished v

Late Naqada II to Early Naqada III, Ca. 3500 - 3200 BC. A charming breccia jar with an ovoid body that tapers in towards the narrow base and deep red-brown veining which permeates the pale-yellow ston

Pre-Columbian, Mexico, Oaxaca, Zapotec culture, Monte Alban III, ca. 600 to 800 CE. A magnificent ceramic vessel in the form of a seated god, Cocijo or Cociyo, the god of rain and lightning, wearing a

Western Asia, Persia, Tepe Giyan, Giyan III, ca. 10th to 9th century BCE. Wow! A remarkable and large example of a ceramic vessel from one of Iran's most important ancient cities. The vessel features

A Russian Imperial Porcelain Factory Plate from the Farm Palace Banquet Service, St. Petersburg, reign of Alexander III (ca. 1892). Of a circular form with gilt and white scrolls to a lavender ground,

Ancient Egypt, Pre-Dynastic Period, late Naqada II to early Naqada III, ca. 3200 BCE. A stunning ovoid jar with an elegant presentation evocative of ancient Egypt. The vessel is hand-carved from sumpt

Ancient Egypt, Pre-Dynastic Period, Naqada III, ca. 3200 to 3000 BCE. A gorgeous, hand-carved red granite jar of a stable, round-bottomed form with a compressed spherical body bearing a pair of bow-dr

Ancient Egypt, Predynastic Period, Naqada III, ca. 3200 to 3000 BCE. An exquisite bifacial blade of an elongated ovoid form that is painstakingly knapped from creamy beige-hued flint with integral inc

Greek / Greece, Mycenaean III, ca. 1400 to 1200 BCE. Very rare and desirable Tau Type idol of a female. Typical pinched head with flaring headdress, arms folded across her breasts, hollow slightly fla

Ancient Greece, Cyprus, Cypro-Geometric II to III, ca. 900 to 750 BCE. A large example of a wheel-thrown pottery amphora with a flat, circular base, an inverted piriform body with a rounded shoulder,

Asia Minor, modern-day Turkey, Anatolia, Early Bronze Age II - III, ca. 2700 to 2000 BCE. A beautiful and abstract marble figure known as a "violin" idol for its resemblance to the orchestral stringed

Native American, Southwestern United States, New Mexico, La Plata region, Ancestral Puebloan (Anasazi), Pueblo III, ca. 1100 to 1250 CE. A beautiful pottery bowl that was formed via the traditional co

Native American, Southwestern United States, Ancestral Puebloan (Anasazi), late Pueblo II to Pueblo III, ca. 1100 to 1300 CE. This is a rare and astounding piece of hand-coiled black-on-white pottery

Pre-Columbian, Mexico, Oaxaca, Zapotec culture, Monte Alban, Phase III, ca. 500 to 700 CE. An intriguing, hand-built pottery incensario vessel in the form of Camazotz, the Zapotec bat-god. Featuring a

Asia Minor, modern-day Turkey, Anatolia, Early Bronze Age II-III, ca. 2700 to 2000 BCE. A fine marble idol known as a "violin" idol because of its resemblance to the orchestral stringed instrument. Th

Pre-Columbian, North Coast Peru, Moche III, ca. 300 CE. Mochica lord / ruler sitting cross-legged in presentation on a throne, resting both hands on knees, looking distant.  His arms are inlaid with

Attributed to Andries Cornelis Lens (Antwerp 1739-1822 Brussels) A priestess making an offering at an altar to Diana; and Herse(?) a pair, oil on canvas 92.2 x 73cm (36 5/16 x 28 3/4in). (2)

Pair of French Napoleon III candlesticks, ca. 1860-70. After "CLODION" (Claude Michele, Nancy, 1738 - Paris, 1814). Patinated and gilded bronze. Marble base. Measurements: 120 cm (height) x 40 cm (dia

very important patinated and ormolu mantle clock on a black marble base.It is in the empire - directoire style but dating from theNapoleon III period (ca. 1870). Beautiful subject with two women holdi