Dulac, Edmund - Rhune, Michel - Shakespeare, William - L'Ile Enchantèe

Paris, Square & amp; Cie, s.d. [1908]. In 4th. With 40 color plates by Dulac applied on cardboard, frontispiece in red and black within frame, some slight flowering and burnishing, editorial paperback

[Children's & Illustrated] [Dulac, Edmund] Shakespeare, William The Tempest London: Hodder & Stoughton, (1908). First and limited edition, #59/500 numbered copies, signed by Dulac. Illustrated wit

Bergamo, Italian Institute of Graphic Arts, 1913. In 4th. Frontispiece with title in red and black within a black and white frame, with 40 color plates outside the text applied on cardboard protected

1914 The Tempest by William Shakespeare Illustrated by Edmund Dulac ART Theatre “Hell is empty and all the devils are here.” ― William Shakespeare, The Tempest A fine printing of Shakespeare

1908 The Tempest by William Shakespeare Illustrated by Edmund Dulac ART Theatre “Hell is empty and all the devils are here.” ― William Shakespeare, The Tempest A fine printing of Shakespeare

Ernst-Ludwig-Presse Shakespeare u. Edmund Dulac, William The Poems. Darmstadt, Ernst-Ludwig-Presse, 1925. 249 S., 2 Bll., 1 w. Bl. 4°. Handgebundener späterer roter Maroquin auf 3 Bünde

[DICKENS, Charles, his copies]. SHAKESPEARE, William (1564-1616).  The Plays and Poems of William Shakspeare. London: for F. C. and J. Rivington and others, 1821. 6 volumes only (of 21), 8vo. Con

William Shakespeare, "The New Century Shakespeare", Edition de Luxe, 17 of 24 volumes, Boston: Dana Estates and Company, edition "215/1000", 1900, with illustrations. 9.25" L x 6.25" W. Provenance: Fr

Signed “Michel Henry” l.l., 37.75” x 53”, frame 40.5” x 57”. Provenance: Wally-Finley Gallery.

[SHAKESPEARE, William]. BOYDELL, John (1720-1804). A Collection of Prints From Pictures Painted for the Purpose of Illustrating the Dramatic Works of Shakespeare By the Artists of Great Britain. Londo

Shakespeare (William) Much adoe about Nothing [and] Loves Labour's Lost, from the Second Folio, pp.101-144, double column, woodcut head-pieces and decorative initials, trimmed with slight loss to head

Shakespeare, William Julius Caesar. A Tragedy. As it is now acted at the Theatre Royal London: by H[enry]. H[ills]. Jun. for Hen[ry] Herringman and R[ichard] Bentley, and sold by Joseph Knight and Fra

Shakespeare (William) The Tragedy of Richard the Third, from the Second Folio, pp.173-204, double column, woodcut head-piece and decorative initial, trimmed occasionally just touching ruled border but

Oil on canvas. A New England Landscape - Luminous Morning over a Valley Homestread. Signed l.r. and dated '91; 22in. X 36in.

Edmund William Greacen (American, 1876–1949) New York Skyline oil on canvas inscribed By Edmund Greacen and #117, titled (stretcher); inscribed by Nan Greacen, the Artist's daughter (on the reve

SHAKESPEARE (WILLIAM) The Works... with notes... by Mr. Theobald, 7 vol., engraved portrait, half-titles to volumes 2-7 (all correctly numbered, not present in volume 1), occasional soiling and light

WILLIAM L. SONNTAG, "FISHERMAN BY A STEAM" OIL ON CANVAS (7 3/4" X 12 5/8") EX. BALTIMORE MUSEUM

China Guignes, Chrétien Louis Joseph de Voyages à Peking, Manille et l'ile de France. Faits dans l'intervalle des années 1784 à 1801. Mit 98 gestoch. Tafeln und Karten. 3 Bde. u. A

Geographic location: Asia Title: "L'Ile de Formosa, ou sont Exactement Marquez les Bancs de Sables (..)" Cartographer / Publisher: Pieter van der Aa Date: 1719 Technique: Copper engraving Dimensions:

Jean Pierre Dubord (French, 1949) Acrylic On Canvas, Rouen, Travaux A L'ile Lacroix, H 15'' W 18'' Signed lower left and signed and titled verso. Provenance: Wally Findlay Gallery (paper label affixed

GEORGES MATHIEU (1921-2012) Exil de Go Daïgo dans l'île d'Oki 1957 signé, daté 1957 et inscrit Tokyo huile sur toile signed, dated 1957 and inscribed Tokyo oil

A Continental Art Nouveau Giltwood Mirror Circa 1900 Height 54 1/4 x width 30 inches. Property from the Collection of William L. Bernhard and Catherine Cahill, Southampton, New York Note: The first se

A Florentine Carved Giltwood and Scagliola Top Center Table Circa 1830-40 the top of scalloped form. Height 29 1/2 x width 34 1/4 x depth 34 1/4 inches. Property from the Collection of William L. Bern

A Hand-Painted Canvas Louis Vuitton Advertising Panel signed illegibly (lower right), within a parcel gilt mahogany frame 19 1/2 x 23 inches. Property from the Collection of William L. Bernhard and Ca