EMBROIDERED TAFFETA DRESS, attributed to HARRIET LANE,

2-piece lilac silk tambour embroidered in a repeating simple white leaf pattern, bodice having pleated cap sleeve and square neckline, trimmed in blonde lace, decorated with appliquéd bands of embr

2-piece beige faille with peplum bodice having 3/4 sleeve, deep angled cuff embroidered in a cream and beige satin-stitch floral with French knots, trimmed in silk fringe, embroidered self buttons fla

Embroidered silk taffeta folk dress with thick paneled embroidery and fringe to front torso, decorated with metal disc beads. Shoulders: 16" W; armpits: 17" L; sleeves: 19.5" L; length to bottom hem:

sleeveless high scoop neck, embroidered in red on black, fitted bodice and flared skirt, low V in back with back zipper, great condition, a couple of pulled threads, approx. 35 bust, 22 waist

English School, circa 1560 Portrait of a lady, half-length, in an embroidered dress oil on panel 73.6 x 63.2cm (29 x 24 7/8in). Footnotes: Provenance With Lane Fine Art, London, where acqui

Silk embroidered taffeta fabric. 34" bust/24" waist. Built in crinoline. Excellent condition.

A Victorian Black and White Lace Dress. Together with a Victorian black embroidered taffeta evening coat

2-pc blue c/o fitted bodice w/ bias satin applique’, embroidered dimensional buttons to CF & at back peplum, trained skirt same satin applique, lined w/ twill cotton, B 36”, W 28”, L 18&

1 shot silk taffeta halter dress w/ ruched standing B panels, CF self covered button closures, B 36”, W 26”, L 45” excellent; 2-pc printed tricot dress & jacket embroidered w/ emeral

3-pc dress of black silk georgette w/ fine woven stripe & applied bands of finely tucked black taffeta, Corelli embroidered lower sleeves, chemical lace over chiffon to front bodice, original petticoa

taffeta and embroidered organdy fabric, good/fair condition - small rips on organdy bodice, see photos. 34 bust/24 waist

Pair of matching periwinkle tones long sleeve dresses with full back button and bands of brown with embroidered floral motifs on wrists and base of dress. Possibly satin, or taffeta, feels synthetic.

2-pc raw silk w/ chemical lace over cream silk taffeta w/ mm lace edging, Schiffli embroidered silk faux Gillet silk front, lined in yellow silk, slightly trained skirt w/ let out pleats at Hs, B 39",

1890s Stunning very elaborate ecru colored slipper satin wedding gown. Extremely elaborate embroidered trim throughout dress Battenburg trimmed lace throughout. Silk taffeta lined. Many layers of lace

2-piece black taffeta brocaded with metallic gold apples, surplice peplum bodice decorated with gilt cloth flowers and having short tulle bell sleeve embroidered in gold thread, trimmed in black velve

3-pc of silk & wool blend woven w/ warp Ikat, silk taffeta ruched ribbon & corded fringe, extended visiting bodice w/ CF closure w/ decorative domed buttons overlayed w/ net & mm embroidered net jabot

1 black silk satin mourning dress w/ machine embroidered applique to faux reveres, skirt flatlined in taffeta w/ pinked ruffle, c. 1898, bodice B 36”, L 17”, skirt W 30”, L 43”

Machine lace tulle embroidered w/ iridescent sequins, champagne silk satin inserted skirt band all over blush pink taffeta w/ scoop neckline, fitted W & flared skirt, CB zip closure, label "Ceil Chapm

Hot pink taffeta lining, rows of crochet-like lace and embroidered chiffon, pull-over design (no zipper), raglan sleeve, approx. 32 bust, 30 waist, 60 long.

green silk taffeta with floral embroidery, cap sleeves, nipped waist, full skirt, back zipper. Great condition, no flaws to note. 38 bust/29 waist

A vintage custom made sleeveless midi dress with floral embroidery and beaded decoration in blue. Hidden back zipper. Possibly taffeta. Measures approx. 14.5 inches across chest and 11.5 inches across

1. Blue silk taffeta haute couture two-piece walking suit. Amazing hand stitched embroidery on back collar and epaulets. Also has heavily embroidered bands on wrist. Skirt is higher in front and weigh

Unlabeled Dress Attributed to Madeleine Vionnet, 1930s This dress comes from the Palmer family and was likely worn by Pauline Palmer, who was a known client of Madeleine Vionnet. Pauline Kohlsaat Palm

Rembrandt van Rijn (1606-1669)Self-Portrait in a Flat Cap and Embroidered DressEtching, circa 1642, an excellent early impression of New Hollstein's final state (of three), with minor signs of wear, o