Eugene Berman, Ruins with Red Cloth

Eugene Berman (1899-1972), untitled ruins with red cloth and flowers, 1968, watercolor, ink and gouache on paper, sight: 11.75 x 8.75" Condition: mold damage Eugene Berman was born in Russia and was w

Eugene Berman (1899-1972), Ruins with Red Cloth, 1968, sight: 7.25x 5.5" Condition: mold damage Eugene Berman was born in Russia and was well known for Baroque stage set designs, most notably for the

Eugene Berman (1899-1972), untitled Ruins Landscape, 1968, watercolor, sight: 5.5 x 7.25" Eugene Berman was born in Russia and was well known for Baroque stage set designs, most notably for the Metrop

[GRABHORN PRESS]. GOLL, Yvan (1891 - 1950). Landless John. San Francisco: The Grabhorn Press, 1944.   Folio. Illustrations by Eugene Berman. Quarter-cloth, boards. LIMITED EDITION, one of 175 unn

Eugene Berman "Medusa in Ruins" watercolor on paper, 1968. Initialed and dated at bottom center. Paper: 13.75''H x 9.5''W; Frame: 21.875"H x 16.125''W. Eugene Berman (Russian/American, 1899-1972).

Eugene Berman (1899-1972), "Medusa Head and Ruins", 1968, watercolor, measures 14 x 10" Eugene Berman was born in Russia and was well known for Baroque stage set designs, most notably for the Metropol

Eugene Berman (1899-1972), "Leptis Magnus Architectural Ruins", watercolor, sight: 9.25 x 12.75" Condition: mold damage Eugene Berman was born in Russia and was well known for Baroque stage set design

Eugene Berman (1899-1972), "Leptis Magna Architectural Ruins", depicting ruins of Leptis Magna, often considered one of the most beautiful cities of the Roman Empire, now in modern day Libya, 1968, wa

Eugene Berman (1899-1972), "Leptis Magna Architectural Ruins", depicting ruins of Leptis Magna, often considered one of the most beautiful cities of the Roman Empire, now in modern day Libya, 1968, wa

Eugene Berman (1899-1972), "Horse and Rider", red marker on paper, sight: 9.5 x 6.75", frame: 20.75 x 16.75" Eugene Berman was born in Russia and was well known for Baroque stage set designs, most not

Eugene Berman (1899-1972), "Leptis Magna, I", depicting ruins of Leptis Magna, often considered one of the most beautiful cities of the Roman Empire, now in modern day Libya, 1968, watercolor on paper

EUGENE BERMAN (RUSSIAN 1899 - 1972) SURREALIST PAINTER OF HUMAN ISOLATION "VIA SAGAPA" W/C 14"x18" ; 26"x31" F/G

Eugene Berman Russian/American, 1899-1972 Set Design for Ballet Imperial, 1949 Initialed and dated E.B. 1949 (uc), inscribed Ballet Imperial (lc) Ink and wash on red paper 9 x 11 1/2 inches (22.9 x 29

Eugene Berman (1899-1972), "Leptis Magnus: Medusa E La Mano Sepolta", translates to, "The Buried Hand", depicting ruins of Leptis Magna, often considered one of the most beautiful cities of the Roman

Eugene Berman (1899-1972), Dead Men Against the Wall, 1962, depicting a ruins scene, gouache and watercolor on paper, sight: 11.75 x 8.75", frame: 19.75 x 16.5" Eugene Berman was born in Russia and wa

Mixed Media on paper, measuring 18.25 x 25 inches. Howard Warshaw was an important Southern California modernist who studied under Eugene Berman and Rico Lebrun. His work can be found in the permanent

Eugene Berman (1899-1972), "Le Ruine de Leptis Magna", depicting ruins of Leptis Magna, often considered one of the most beautiful cities of the Roman Empire, now in modern day Libya, 1968, signed, in

Original Gouache and Watercolor by Eugene Berman Russian/American ( 1899 - 1972 ) " Dead men against the wall". Depicting a ruins scene. Signed and dated on the lower center 1962Size approx: 12" x 8 3

Printed by Eugene V. Connett, The Derrydale Press, New York, 1938, limited edition 664/800, folio, 3/4 linen red cloth cover and box, 69 illustrations. 16-1/2"h x 13"w

Robert-Houdin, Jean Eugene (trans. Professor Hoffmann). The Secrets of Conjuring and Magic. London: George Routledge and Sons, 1878. Dark red pictorial cloth, stamped gilt and black. Frontispiece with

Robert-Houdin, Jean Eugene. Card-Sharpers: Their Tricks Exposed, or The Art of Always Winning. Chicago: Frederick J. Drake, 1902. Trans. William J. Jilliar. Publisher’s red pictorial cloth. Illustra

Robert-Houdin, Jean Eugene (trans. Professor Hoffmann). The Card Sharper Detected and Exposed. London: George Routledge, 1882. Publishers pictorial blue cloth stamped in red, black and gilt. Floral en

Robert-Houdin, Jean Eugene (trans. Professor Hoffmann). The Card Sharper Detected and Exposed. London: George Routledge, 1882. Publisher’s pictorial cloth stamped in red, black and gold. Floral ends

Robert-Houdin, Jean Eugène. Card-Sharping Exposed. London: George Routledge, (1882). FIRST EDITION. Original light blue pictorial cloth stamped in gilt, red, and black, floral endpapers. Illustrated.