EXHIBITED FEROL SIBLEY WARTHEN WOODCUT "SUNRISE"

Ferol Sibley Warthen, Bowl of Cherries, Provincetown, MA, 1953, color wood cut, watercolor print, block #13, print #7, visible artwork: 6-1/2" X 4-1/2", paper size 9" x 6". frame: 13-1/2" X

FEROL KATHERINE SIBLEY WARTHEN (NY/DC/MD/SD, 1890-1986) - "Sailboat Grounded", color woodcut blockprint, ballpoint ink signed, dated '54 and titled in lower margin, initialed in print, signed and titl

Ferol Sibley Warthen (1890-1986) Sailboat and Gull, block from 1953, printed in 1971, ed. #39 Color white-line woodblock print Signed lower right Warthen learned the white-line method from Blanche Laz

overall 10" x 11.5" , image size 7" x 7"signed "sailboat and Gulf #65 1978 Ferol Sibley Warthen, Provincetown, Mass" in pencil, lower marginVerso reads: "Sailboat and Gulf Provincetown Block IX cut 19

overall 4.5" x 6" , image size 3" x 3.5"signed "Violets 18 , Ferol S Warthen" in pencil lower marginverso reads "Violet block cut Aug 68, Print #18 July 5 - '71 Woodblock watercolor, one block method

Karl Knaths (1891-1971) untitled (inscribed "Karl Knaths per Ferol [Sibley] Warthen") n.d. Conte, graphite on paper Unsigned

Arthur Wesley Dow (1857-1922) Color Woodcut "River Reflections" c1910. This impression exhibited at the Minnesota Institute of Art in "Color Woodcuts in the Arts & Crafts Era," September 14, 2019 - M

Ray Bethers (1902-1973) 1.) ''Taxco Guerrero''- wood engraving, signed and titled in pencil. 4 1/16 x 4 7/8'' Exhibited: The First Annual Exhibition of Contemporary Woodcuts, 1933 2.) ''Port in Devon'

This award winning quality matted and framed large original woodcut is by listed Chinese artist and noted printmaker Liu Wen (1922-2009). It is titled "Sunrise" numbered 3 in an edition of 50, and is

Synthetic polymer paint on Canvas; Provenance: 1989; Aboriginal Gallery of Dreamings, Melbourne cat. no. MJ2014 Acquired from the above in 1992 Richard Kelton Collection, Santa Monica; Exhibited at th

Elizabeth Colwell (1881-1954) "Flowers and Sea''- woodcut in color, slight mat burn and paper age toned, mounted to a board. 11 1/2 x 7 1/2'' Exhibited: Exhibition at Etching and Block Prints - Art In

John J. A. Murphy (1888-1967) "The Eagle'' (Johnson and Murphy 114)- woodcut, 1923, signed in pencil, edition of 30, very good condition. 6 x 5'' Exhibited: Exhibition of Contemporary American Art at

Hobson Pittman (1899-1972) 1.) ''Moonlit Interior''- woodcut, ca. 1936, signed, titled and numbered 30/60 in pencil. 9 7/8 x 7 7/8'' Exhibited in American Artists' Congress exhibitions, December 1936;

Lloyd Foltz (1897-1990) ''Mountain village''- woodblock, signed, titled and numbered 16/100 in pencil. 8 15/16 x 6 9/16'' Exhibited: The Fourteenth International Print Makers Exhibitions, under the au

"Prayer (the Sabbath Blessing)", 1953. Color woodcut, SLR and dated in margin. Dimensions: 34"" x 27"". Unframed. Best known for his Metropolitan Award winning woodcut, The Final Agony, Feldman excell

Vernon J. Morse (1898-1965) "Shadows of Chinatown''- woodcut, ca. 1935, signed, titled and numbered 3/100 in pencil, has repaired puncture in image. 10 3/8 x 14 3/8'' Exhibited: The 16th. Internationa

Ernest A. Pickup (1887-1970) 1). ''The Sentinel by the Gate'' (St. John & Webb 74)- woodcut, 1934, signed, titled and numbered 5/50 in pencil. 10 1/4 x 7 7/8''. Exhibited at the Sixteenth Internationa

Anne Anderson (20th c.) ''Provincetown Gossips''- woodcut, ca. 1935, signed, titled and numbered 11/100. 9 1/8 x 10'' Exhibited: The Sixteenth International Print Markers Exhibition, under the auspice

"Holbein's Dance of Death Exhibited in Elegant Engravings on Wood, With a Dissertation on the several Representations of that Subject", by Francis Douce, ESQ. F.A.S.; also "Holbein's Bible Cuts consis

Driftwood, c. 1958, oil on board, 22 x 47, signed lower right: S. Rascoe, Exhibited: Seascape in 1957 Corpus Christi Art Foundation (prize); Tideland Sunrise in 1958 Texas Fine Arts Association; Drift

Beatrice S. Levy (1892-1914) Arts & Crafts woodblock print of sunrise mountain scene c1910. Levy studied at the Art Institute of Chicago and Exhibited in the 1915 San Francisco Panama Pacific Internat

Vitorchiano nel Cimino original framed woodcut by M.C. Escher (Dutch, 1898-1972). Pencil signed lower left, initialed and dated in plate lower right. Japan paper shows light toning and scattered foxin

M.C ESCHER (Dutch, 1898 - 1972). DAG EN NACHT (Day and Night), 1938, Woodcut in black and gray, printed from two blocks. Printed by the artist. Initialed and dated in the woodblock MCE II - '38, upper

《 Sunrise 》 Oil on canvas （ Constant Troyon ， 1810—1865 ， France ）