46060: F. Thomas Quigley (American, b. 1928) Branding D

F. Thomas Quigley (American, b. 1928) Branding Day Oil on canvas 24 x 36 inches (61.0 x 91.4 cm) Signed lower right: F. Thomas Quigle

Carved and tufted wool wall-hanging "Classic LOVE," 1996/2007 (framed) Numbered 864/10,000 to fabric label on verso Publisher: Galerie-F, Germany 32" x 32"

Robert 'Bob' Thomas (American b. 1958 ), 2004, mixed media "Arleene in Minnesota-1928," executed in pencil, colored pencil, watercolor, and gouache on gessoed wood panel, signed and dated at lower rig

Thomas. F. Kennedy (American, 20th century) The Lone Eagle (Spirit of Saint Louis), 1928 oil on board signed and dated lower left inscribed Trumansburg, New York verso 16 1/2" x 20 1/4" Provenance: A

Thomas Hart Benton (Missouri, 1889-1975) Self-Portrait 1972 The lithograph printed on B F K Rives paper from an edition of 300 prints published by Associated American Artists is signed by the artist i

Women at Gettysburg 1863 Author: E. F. Conklin Illustrations B/W Photos Dated: 1993 Publisher: Thomas Publications Edition: <

1968; oil on canvas, unframed; signed and dated verso 22 1/2 x 22 1/2 in. (57.2 x 57.2 cm.) Provenance: Property from The Estate of Paul Schrade and Monica Wiel, Los Angeles, California

Marcia Marcus (American, b. 1928) Oil Painting Landscape Titled "My Courbet" 1971. Measures 49 x 50 inches.Exhibitions:University of Nebraska: Sheldon Museum of Art “A Sense of Place: The Artist

* David Simpson (American, b. 1928) Breakaway Green, Crystalline Green and Gold Consort, 1997 (three works) acrylic on canvas each signed David Simpson, titled and dated (verso) Each: 36 x 27 inches.

Paul Resika American, b. 1928 Hopper's House, Truro, 1975 Initialed R. (lr) Oil on Masonite 6 x 9 inches (15.2 x 22.9 cm) Provenance: Graham Gallery, New York C

The Philadelphia Love, 1975; Screenprint in colors (framed); Signed, dated, titled and numbered 59/125; 26 3/4" x 25 3/8" (sight); Provenance: Private Collection, Pennsylvania

New York City, 1974; Gelatin silver print (framed); Signed and titled; 11 5/8" x 17 3/8" (image); 15 7/8" x 19 7/8" (sheet); Provenance: Private Collection, New York

Elliott Erwitt (American, b. 1928) Wilmington, North Carolina, 1950 gelatin silver print signed in ink on sheet (recto) 12 1/4 x 17 1/8 inches. Property from the Ginny L. Williams Collection, Denver,

Kipp Stewart (American, b. 1928) Credenza Directional, USA lacquered wood, aluminum H 35 x W 90 1/4 x D 19 1/4 inches

Elliott Erwitt (American, b. 1928) Western U.S.A., 1954 (printed later) gelatin silver print signed in ink (sheet recto) 12 1/8 x 18 inches. Property from the Ginny L. Williams Collection, Denver, Col

ANDY THOMAS (American b. 1957) A PAINTING, "Meeting at the Shore," oil on canvas, signed L/R. 20" x 16"

ANDY THOMAS (American b. 1957) A PAINTING, "Old Marble Factory," oil on canvas, signed L/R. 20" x 16"

Paul Resika American, b. 1928 Bruce Hooten and Paul Georges Playing Chess, 1959 Signed and dated Resika 1959 (lr), signed and dated Resika 1959 and inscribed Bruce Hooten - Paul Georges/Playing Chess/

John Mancini (American, b. 1928) Untitled Landscape signed Mancini lower right, and signed on verso 40 1/2 x 44 inches

Robert Indiana (American, b. 1928) 'Golden Future of America' 1976 Serigraph ed. 104 of 175; 25 x 18.5 (in) Signed and dated in pencil R Indiana '76, lower right

Oil on canvas; "Iowa II," 1976 (unframed); Signed and dated to verso, titled on gallery label to verso; 23" x 23"

John Duillo (American, B. 1928) Pondering the Mist Oil on Canvas signed John Duillo SAHA 80 23 x 32 1/2 inches

Robert Indiana (American, b. 1928), "Terre Haute", 1971, silkscreen in colors, signed and dated lower right, numbered "67/208" lower left, sight 38" x 31". Glazed, matted and framed.

CARL J. SMITH (American b. 1928) A PAINTING, "The Evening Stage," oil on canvas, signed L/R, verso titled on tape on stretcher and a paper gallery label. 11" x 14" Provenance: Country Store Gallery, A