Francisco de Goya (1746-1828) - De qué sirve una

FRANCISCO GOYA (1746-1828) De que mal morira Engraving on paper 16" x 12" sheet

Francisco de Goya 1746 _ 1828 Por Que Engraving. Professionally framed and matted period engraving by Francisco de Goya. Shown in the artist's catalogue raisonne. Measures 10.5 x 12 inches. This work

Francisco de Goya, etching and aquatint, 1815, Francisco de Goya (Spanish, 1746-1828), "La que mal mardia nunca la flata que dija" (Disparate Matrimonial), plate 7 from Los Proverbios, signed in the p

Francisco Jose de Goya (Spain, 1746 - 1828) "Que Valor!" - Plate 7 Etching and aquatint from Disaster of War series. Printed by Calcografia Nacional, Madrid Published by Real Academia de Nobles Artes

Francisco Jose De Goya (Spain, 1746-1828) Aguarda que te unten (Awaits to be anointed) The third edition etching with burnished aquatint printed on woven paper and published by the Calcografia for the

After Goya, Francisco de (Spanish 1746 - 1828). Lo Que Puede un Sastre! - Plate 52 from Los Caprichos. Third state. Etching and aquatint on wove paper. Sheet: 7" x 9 1/2". Framed. 12" x 15". Condition

Francisco Jose de Goya (Spanish, 1746-1828). "El si Pronuncian y la Mano al Argan, al Primero que Ilega" - 1790s, etching and aquatint. Titled lower center, COA from Nathan Daniel Isen, Philadelphia.

FRANCISCO GOYA (1746-1828) Que pico de Oro, plate 53 (from Los Caprichos) Etching, aquatint on wove paper, circa 1797 7 1/4" x 5" Includes an old museum inscription to verso and also museum exhibition

Francisco Jose de Goya Y Lucientes (Spanish 1746-1828)- ''Que Sacrificio'' (Delteil 51); (Harris 49)- aquatint and etching, Plate 14 from 'Los Caprichios', glued to top mat along top edge. 7 x 4 3/4''

De Goya Y Lucientes, Francisco José (1746-1828) Una Reina del Circo (1821/24) Description (FR): Gravure sur papier, signée dans la plaque en bas à gauche Goya Description (EN): Etching on paper, si

DESCRIPTION: Francisco Goya (Spanish, 1746-1828). Etching with drypoint on laid paper. "Tristes Presentimientos do lo que ha de Acontecer (Sad Forebodings of what is going to happen)". Plate 1 of Los

"Si Quebro el Cantaro" from Los Caprichos. Numbered plate 25 top right-hand corner. 1797-1798. Etching and aquatint. Plate size: 8 1/8 in. x 5 7/8 in. (20.64 cm x 14.92 cm). "Que Pico de Oro" from Los

Francisco Goya (Spanish, 1746-1828), burnished drypoint etching, plate 77 titled 'Que se Rompe la Cuerda' from the 1868 publication 'Los Desastres de la Guerra'. Dimensions are: Frame size: 15 3/8 inc

Francisco de Goya (1746-1828) Framed Etching "Disparate de Carnival" 8 x 12.5: Carnival's Folly from de Goya. The original of this work hangs in the National Gallery of Art in Washington D.C.. This et

Francisco De Goya (1746-1828) lithograph titled Bullfighting in a Divided Ring. It is after the original which was produced in 1825. This piece was produced in 1967 and it is matted and framed in a si

Francisco de Goya 1746 _ 1828 Nadie Nos Ha Visto Engraving. Professionally framed and matted period engraving by Francisco de Goya. Shown in the artist's catalogue raisonne. Measures 15 x 12 inches. T

Francisco de Goya (Spanish, 1746-1828) Etching from "Gazette de Beaux-Arts", "The Little Prisoner". Unsigned. Toning from age. Impression measures 4-1/4" x 3-1/4", frame measures 14-3/4" x 12-7/8". Sh

Francisco José de Goya (1746-1828), Le Prisonnier, etching on paper imprinted with "Gazette des Beaux-Arts" and "Imp. Delatre,Paris" below image; matted and framed. Visible height of paper with art 5

Two etchings after Francisco de Goya (Spanish, 1746-1828): Felipe IV Rey de España; and Margarita de Austria, Reyna de España; executed 1778 but printed later, both likely 3rd st

DESCRIPTION: Francisco De Goya (Spain, 1746 - 1828). Etching, burnished aquatint and drypoint. "No Quieren" (They don't want to). Plate 9 from Los Desastres de la Guerra (The Disasters of War) series.

DESCRIPTION: Francisco De Goya (Spain, 1746 - 1828) Caballo tirado por un toro (Horse Thrown by a Bull) Plate B. Etching, burnished aquatint and drypoint. In gilt frame. Visible plate mark. Label for

plate 59 (from Los Desastres de la Guerra), etching, drypoint, and aquatint, on wove paper, 1810-1820 but circa 1892, [Harris 179], 150 x 200 mm. (6 x 7 3/4 in).

Francisco de Goya y Lucientes (Spanish, 1746-1828), "El sueno de la razon produce monstruos (The sleep of reason produces monsters)", as Plate 43 in "Los Caprichos", etching and aquatine on paper, fif

"Portrait d'Alberto Foraster" by Francisco de Goya (Spanish, 1746-1828); Etching in black ink on fine watermarked laid paper. Hand pulled from the copper plate executed in Paris. Extremely rare. First