George D. Callow (British, 1822-1878) Coast Scene.

George D. Callow (British, 1822-1878) Coast Scene. Oil on canvas. Signed lower left and dated 1861 12" x 22" Frame: 17" x 27"

† Samuel Bough, R.S.A.(British, 1822-1878)"River Scene with Castle and Cliffs"oil on canvassigned lower right.In an antique frame.34-1/2" x 44-1/2", framed 45" x 55"

George D Callow (UK, 1822 - 1878) 14x22 , WC , signed lower left , "Medway at Rochester" , Depicting: fishing vessels and figures

George Cruikshank (British, 1792-1878), 1835, two etchings, 1) "Checkmate", depicting a mortified woman walking in on her husband with the maid, the drama highlighted by the scenes of mythology in the

GEORGE CLARKSON STANFIELD (BRITISH, 1828-1878) OIL ON CANVAS, 19TH C., H 24", W 36", SCHOONER OFF THE DOVER COAST Signed lower right. Framed Measurements H 32" W 44"

George Clarkson Stanfield (British, 1828-1878), attributed, oil on board painting depicting a fishing scene. Not signed. Frame Size: 22 inches high x 28.75 inches wide. George Clarkson Stanfield was a

George Cruikshank (1792-1878) British caricaturist and book illustrator, praised as the "modern Hogarth" during his life. His book illustrations for his friend Charles Dickens, and many other authors,

George Cruikshank (1792-1878) British caricaturist and book illustrator, praised as the "modern Hogarth" during his life. His book illustrations for his friend Charles Dickens, and many other authors,

George Haydock Dodgson (British, 1811-1880), Wooded Genre Scene with Figures, 1878, watercolor, signed and dated lower left, sight: 16.5"h x 27.5"w, overall (with frame): 22.25"h x 33"w

George Cruikshank (British, 1792-1878) antique hand colored copperplate engraving from David Carey’s Life in Paris, the Rambles, Sprees and Amours of Dick Wildfire, Fairburn, London, 1822. The

oil on canvas; signed lower left; Provenance: The Estate of Barry Tarlow, Los Angeles; 17 1/2 x 31 1/2 inches; 26 x 40 inches frame

George Hardy(British, 1822-1909)"The Meeting Place"oil on canvassigned "G. Hardy" (lower right)29 1/2 x 19 1/2 inches (sight)40 x 30 inches (frame)

John Callow (England, 1822-1878) oil on canvas maritime painting, "Dismantling the Old Hulk", depicting the remnants of a brigantine ship moored alongside two rowboats and a barrel before a building w

ROBERT GEORGE KELLY (BRITISH 1822-1910), OIL ON CANVAS, "PORTRAIT OF SUZANNA REILY", SIGNED 1852. 36 X 28"; FRAMED 48 X 40"

Cruikshank, George (British 1792-1878), The Headache, 1835, engraving, published by Thomas McLean in 1835, image 8 x 9.75inches, frame 17.25 x 18.25 inches.

"The wreck", watercolour on paper, 8 1/2 x 16 inches, signed lower left.

George Cruikshank (British, 1792 - 1878)Monk on Donkeyswatercolor on paperLeonard Clayton, New York label on back5 3/4" x 8 1/4"

George Cruikshank (British 1792-1878) The Worship of Bacchus etching, 1865, after the original oil painting held at the Tate Gallery in London, signed  and annotated "First Proof' in pe

1) and 2) George Cruikshank (British, 1792-1878), Anglo-Franco relations satirical prints, 9 1/4" x 12 1/2" sight, 13" x 15 3/4" framed; 3) and 4) George Cruikshank (British, 1792-1878), modern maladi

Cruikshank, 'The Bee Changes a Rock Into a Palace', by George Cruikshank (British, 1792-1878), etching, titled and signed in plate Overall: 13-1/2"h x 11-/4"w Sight: 6-1/2"h x 4"w Provenance: Property

Attributed to George Clarkson Stanfield (British, 1828-1878) The working mill in a continental medieval town, probably Saarburg, Germany oil on canvas 60.9 x 91.5cm (24 x 36in).

George Jensen (Ohio 1878 - 1977) "Scene in Michigan", oil on artist panel, c. 1930's. Not signed on front, verso with label from Bennett Studio, Toledo Ohio. 9.5 x 12.5 panel size, overall in gold woo

George Thompson Pritchard (American/British, 1878 - 1962), "Sunset Cottage Landscape", oil on canvas, signed lower left. Approx. h. 33.75", w. 43.5" (frame), h. 26", w. 36" (canvas).

George I Cruikshank (British, 1792-1878), Public Opinion, The Master Cook and Cupid Playing at Trap Ball, coloured prints, published 1820/23, with four other satirical colour prints including after Wi