Gerard Audran, (1640-1703), Engraving

Domenichino (Italian, 1581 - 1641). Aeneas Saving His Father Anchises from the Burning of Troy. Antique engraving on laid paper after the original by master etcher/engraver Gerard Audran (1640 - 1703)

La Vertu est Digne de l'Empire du Monde / Digna Orbis Imperio Victus. After Charles Le Brun. Etching and Engraving. Signed and dated 1674 in plate on the lower left-hand side. Size: 31 3/8 in. x 67 13

Suite of seven 18th/19th century engravings after works by Girard Audran (French, 1640-1703), "La Vigalance Avec ses Symboles, et Mercure le Plus Vigilant des Dieux," possibly a palace commission. Pro

Gérard AUDRAN, Yale Gallery Label verso. . Medium: Lithograph. Size: 18.5 x 27 in. Artist: Gérard AUDRAN (1640-1703). Framed.

"Aeneas reaches the mouth of the Tiber, a 17th century print with an Old Master sketch in brown ink verso. Dimensions: Sight is 13 1/4" x 20 1/2", the frame 24" x 31". Provenance: From a Main Line col

DESCRIPTION: Gerard de Lairesse (Flemish, 1640-1711). Engraving. "Musica". Circa 1700. Marked under image "Per Gerardum de Lairesse ins: et sculp: et per N: Visscher edit: cum Priv: Ord: Gen: Belgii F

Title: 1700 Lairesse Engraving of Helmeted Soldier Description: Engraving by Gerard de Lairesse (1640-1711) and Nicolaes Visscher (1649-1702) of a helmeted soldier, circa 1700. Mounted to paper. The e

Antique engraving with etching made by Gerard Edelinck after Peter Paul Rubens. Draftsman: Nattier, Jean-Marc. Published in Paris, France, 1710. Gérard Edelinck (1640–1707) was a Flemish-born engra

after Francois Gerard (French 1770-1837) Napoleon Le Grand engraving, 1805, engraved by Auguste Boucher Desnoyers (French 1779-1857), [[[[[[[ remarque of two women's profile&nb

1640 engraving of Algermon Percy (1602-1668) , Earl of Northumberland, of English Civil War fame. Fine condition, no other copies of this print found. Measures 6.25 x 8.25". Please note that this lot

Alessandro Specchi (Italian, 1668-1729), "Prospetto dell'Anfiteatro Flavio, Fabricato da Vespasiano," 1703, engraving with hand-coloring, overall (with frame): 35"h x 43.5"w

Italian School (17th century), "Magnificentissimo Principi Pavlo," 1640, engraving, signed in plate lower left "Iordano Bracciani," and dated, overall (with frame): 20.5"h x 24.75"w. Provenance: Prope

'Le Royaume De Hongrie Et Les Estats qui en ont este sujets....La Partie Septentrionale De La Turquie en Europe, by Alexis-Hubert Jaillot (ca. 1632-1712) and Guillaume Sanson (1633-1703), engraving wi

After Peter Paul Rubens (Dutch, 1577-1640) engraving on paper, The Return of the Holy Family from Egypt, 1620. Engraver: Lucas Vorsterman the Elder. Title in the plate lower to the center. Signed in t

Details: SADELER, Aegidius (ca.1568-1629) after Hans VON AACHEN (1552-1615). Petronia Vitellii Prima Uxor [Petronia Wife of Vitellius]. [Pl. IX]. Venice: Marcus Sadeler, ca. 1640. Engraving. State ii

Details: BESLER, Basil (1561-1629). [False caper] Capparis Fabago; [Yellow rest-harrow] Ononis flore luteo variegata non spinosa. Eichstatt: 1640, 2nd edition. Hand-coloured engraving. Sheet size: 20

Theodore Richomme (French, 1785-1849) after Baron Francois Gerard (French, 1770-1837), "Thetis Carrying the Armor of Achilles (Thetis portant l'armure d'Achille)"-1827, engraving on paper. Figural myt

JOHN GERARD Botanical Engraving, inscriptions to reverse of pieces, paper affixed to reverse describes piece and artist biography, measures 12 1/8 x 30 inches, dark wooden frame, surface wear to frame

Seutter, Matthaus. "Tabula synoptica totius fluminis Danubii a fontibus usque ad Ostia." ca. 1640 Copperplate engraving; 3 sheets joined together; hand colored. H. 53.5 cm (21 in.) W. 178 cm (70 in.)

(Amsterdam, circa 1640), copperplate engraving with hand coloring, embellishments include a depiction of Aphrodite with Eros plus the arms of Turkey and the French Lusignan kings; Latin text en verso.

Published, J. W. Blaeu, Amsterdam, 1640. Copper engraving of the Venetian Territories containing a colorful title cartouche, scale set in a box, surmounted by the Winged Lion of St. Mark. Hand colored

[Horses] Winter, George Simon. 18th Century Equestrian Dressage and Horse Rearing Print. Nurnberg: Wolfgang Moritz Endter, 1703. An engraving for Winter’s seminal publication on equestrian dress

After Peter Paul Rubens (Flemish, 1577-1640) Three Engravings. Engraved by Paul Pontius, Theodore van Thulden and P. van Sompelen Largest: 15 3/4" x 23 1/4" Frame: 25" x 32"

'Moyse frappe le Rocher' after Gerard Valck (1652-1726) On lined paper with later backing 14 x 19 inches