GORDON MATTA-CLARK (1943-1978) Day's End 1975

Chicago, 1978 printed matter 9 1/2" x 8" Catalog of Gordon Matta-Clark's 1978 work, Circus (Caribbean Orange), commissioned by the Museum of Contemporary Art Chicago. Includes photographic and textual

Gordon Matta-Clark Artist's books, two and catalog 1973-1997bound printed paper and bound screenprint paper Complete Lot Details Walls Paper Gordon Matta-Clark,

USA, c. 1971-1980 3 1/2" x 2" printed matter Business card for Food Restaurant, the artist-founded establishment by Gordon Matta-Clark, Carol Goodden, and Tina Girourard, wherein artists were brought

Recognizing structure by drawing through it hardcover book by Zeichnung Bei Gordon Matta-Clark

[ART-BOOKS] MAGDALENA ABAKANOWICZ by Barbara Rose. Abrams, USA, 1991* GORDON MATTA-CLARK. Phaidon, UK, 2006* and six others.

Books include: Tulsa by Larry Clark (b. 1943). First edition, true first printing; Days at Sea by Ralph Gibson (b. 1939); Passport by Mary Ellen Mark (1940 - 2015); Deja vu and The Somnambulist by Ral

Harvey Caplin DAY'S END, 1945, gelatin silver print, signed and titled in ink on mat, sight 5 ¾ x 7 ¾”, frame 18 ¼ x 16 ¼” with glass; Adrian Davis HORSE AND SKY, 2007,

Pair of watercolors. "Days End", signed lower right, good, 14.25" high x 21" wide; "Stone Piers", signed lower left, good, 14.25" high x 21" wide. From a Pelham

DAY LILIES (M.96), 1975, resist-ground etching and engraving and direct photographic transfer, signed in pencil, numbered 104/160, image 20 x 32”, sheet 25 ½ x 27 ¾”, soft handling creases and s

statue of liberty tin cut out - Benny made around 100 of these tin cut out statue of libertys. Most of them have a message about the end of days for life. 14" x 30"

Frederick Gordon Crosby (1885-1943) At Speed In the Shelsley Walsh Hill - Climb, C.A. Bird Indianapolis Sunbeam FTD and G.D.Pearce-Jones 30-98 h.p. Vauxhall at the end of his sensational skid round th

UN SAISON EN ENFER (F.214-223), 1977-1978, the portfolio of ten color aquatint etchings, each signed in pencil and numbered 34/100, sheets 26 x 20", printed by Georges Visat, published by Ediciones Po

SPARTAN CAD RED DAYS, 1988, oil and wax painting on canvas, signed and dated and titled on verso, 55 x 46”.

Thomas deDecker (1951-), A Summer's Day End, Oil on panel, 40 x 30, signed lower left: Thomas dEdecker verso: signed, titled, dated, Provenance: The Artist

Richard Rackus (b. 1922, Colorado), "Day's End", 1999, oil on canvas sight: 24 x 30 in., frame: 34 x 39 in. Provenance: Property from a long-time Alamo Heights, Texas art collector We happily provide

Norah McGuinness HRHA (1901 - 1980) Days End on Dublin Bay Oil on canvas, 91.5 x 122 (35¾ x 48) Signed Provenance: With The Dawson Gallery, Dublin, label verso Norah McGuinness was one of a num

Lot 16 Jan Kaláb Czech (b. 1978) End of Violet (2016) acrylic on canvas signed verso 50 1/2 x 51 inches unframed Provenance: From a private New York collection

Charles Harper RHA (b.1943) End Race II Acrylic on canvas, 130 x 110cm (51¼ x 43¼) Signed and dated 2005 Exhibition: Hallward Gallery, Dublin, 2005.

Carl RayOntario / Canada, (1943-1978)Spiritacrylic on boardsigned lower right, framed.23 1/2 x 30 inches

Carl RayOntario / Canada, (1943-1978)Bird and Manacrylic on boardsigned lower right, framed.28 x 21 1/2 inches

"The Days End, River Elaune, Normandie," 1919 Oil on canvas Signed and dated lower left: G. Ames Aldrich; signed again, titled and with the artist's monogram in blue and red verso 27.5" H x 31.25"

Harry Bertoia (Italian/American, 1915-1978) "Sonambient", 1975 sound sculpture of beryllium copper, brass and wood the thin, flexible rods set into a brass plate atop the carved wooden base in a manne

Orville Bulman (Am. 1904-1978) "Hot Day" 1961 Oil on canvasboard, framed Signed l.l., signed, titled, dated and Galerie Juarez labels verso 10" x 8" actual, 15 3/8" x 13 1/4" framed

Adja Yunkers Sombras de un dia blanco (Shadows of a White Day) 1978mixed media on canvas 69.75 h × 59.75 w in (177 × 152 cm) Signed, titled and dated to verso 'Adja Yunkers Sombras