Grand Tour Shrine and Paintings

An ornate wooden altar with leather-embossed exterior, arch-shaped doors lined with hand painted scripture, an umber-hued velvet backing and three gilt paintings depicting angels playing instruments.

PAIR OF FLORENTINE GRAND TOUR PAINTINGS OF ANGELS AFTER FRA ANGELICOLate 19th CenturyBoth playing trumpets. Housed in Gothic-style frames. One with paper label for "Angiolo Valdinoci”.Heigh

(19th century) after Raffaello Sanzio (Italian, 1483-1520),ÿMadonna della Seggiola, the original in the collection of the Palazzo Pitti, Florence, stamp verso for restorers, John and Robert Taylor of

* A Pair of Grand Tour Paintings in Giltwood Frames after fra angelico, 19th century each depicting a musical angel within a Gothic revival giltwood frame, signed C. D. Hayes to the reverse. Height of

CONTINENTAL SCHOOL, 19TH CENTURY THREE GRAND TOUR PAINTINGS Unsigned. Two of Napoli and one of Nisita. All gouache on paper, framed. 22 1/2' x 30 1/2' largest frame size, 16 1/2' x 22' smallest frame

Oil on canvas of architectural street scene. Painted frame. 46 3/4" h x 27" w x 1 3/4" d.

Oil on canvas, each mounted in a silver leaved frame and depicting an Italian landscape. S: 9"H x 11"W F: 12"H x 15"W (framed) distressed finish

2 Grand Tour Paintings after Frescos Found in Ancient Pompeii and Heculaneum, buried by Mt. Vesuvius. In the manner of frescos in the Villa of Cicero, and House of Siricus, 1st C. CE. Probably based o

2 Grand Tour Paintings after Pompeiian Frescos, 19th C. Oil on board, manner of Michaelangelo Maestri (active 1802-1812), signed: "Del Buono." Framed. Size: 10.5'' x 14'', 27 x 36 cm (sight); 13'' x 1

2 Grand Tour Paintings after Frescos Found in Ancient Pompeii and Heculaneum, buried by Mt. Vesuvius. In the manner of frescoes in the Villa of Cicero, and House of Siricus, 1st C. CE. Probably based

Pair of identically framed oil on paper paintings, one showing the Stratford Upon Avon church, the other showing a view of Lake Como. Likely late 19th C. / early 20th C. Grand Tour items. Not signed.

Elaborate carved giltwood frame containing an oil painting of the The Madonna della Seggiola after Raphael, in feigned tondo. Size of frame: 45 x 45 in. Size of canvas: 34 x 34 in.

(Italian, 1483-1520) Madonna della Seggiola or Madonna della Sedia, after the painting held by the Palazzo Pitti, Florence, Italy, oil on canvas, tondo sight 28-1/2 in. diameter, stretcher 29-1/2 x 29

19th Century Italian School, Courtyard of a Palladian Country Home, gouache on paper, 3 x 4.75 inches, framed in a scrolling and gilded drawing frame measuring 8.5 x 10.5 inches, Provenance: Arthur C.

Framed Italian Grand Tour oil on board painting, Ecce Homo, 19th c., in an architectural carved giltwood Gothic style frame, frame inscribed at back with Florentine street address, sight: approx 5.75"

(Italian, 19th century) Diana, detail from a fresco, Villa of Cicero, Pompeii, signed lower right "Barretta" and inscribed lower left "Diana/Pompeii", oil on paper, 14-1/4 x 9-7/8 in.; original italia

Grand tour painting in gothic giltwood frame, tempera on gilt panel, some losses / in as-found condition.Visible image: approx. 6 1/4" x 2 3/4".Frame: approx. 14" x 5 1/4"

A Small Jewel of Three Fishermen living out of their beached boat, with round Castel on point behind, oil on canvas, unsigned, in gilt molded egg and dart frame, OS: 12 1/4" x 14 3/4", SS: 8 1/4" x 10

LATE 19TH CENTURY GRAND TOUR PAINTING, UNSIGNED. OIL ON CANVAS. FRAMED 38"X48"

Portrait of a Girl in Ethnic Costume, oil on academy board, unsigned on front but inscribed verso "A, Bosch's Picture Gallery, 22 Borgo Agnisanti, Florence", housed in a gold painted rectangular gesso

19th c. copy of a figure from a Pompeiian Fresco, oil on paper, 8.5 x 11.5 inches, sight, gilt frame. Frame 14.5 by 17 inches.

European, ca. 1860, hand embellished print on wooden panel, housed in a period frame, 4 1/4" x 5 3/4" panel, 8 1/4" x 9 1/4" framed.

Twelve various mid-late 19th century Grand Tour paintings, many Mediterranean coastal landscapes with figures and boats, including Constantinople and Malta, (nine in original brass frames, two unframe

Antique ink and watercolor "Grand Tour" Painting of Roman ruins with people walking around the base of the three massive Corinthian columns pictured in the painting. Housed in a carved gilt frame. 17