Hand colored lithograph of elderly gentleman wearing top hat, long coat and umbrella, identified on

Hand colored lithograph of elderly gentleman wearing top hat, long coat and umbrella, identified on reverse as Hercules Robinson, Edinburgh 1847, Good condition. Total size 6 1/4" x 10 1/2". Probably

Richard Dighton (1795-1880 UK) Etching. A hand colored etching of a gentleman wearing a long coat, YELLOW GLOVES & a top hat facing rightward holding an umbrella.Possibly the profile of lord Tremole.

Modeled as a giraffe dressed as a very smart gentleman wearing a  checked tail coat with a red cravat, stiff white collar and a top hat, 13" Curated and catalogued by Nicolaus Boston

Peter Max (German/ American, b.1937). "Umbrella Man" - 2008, acrylic on canvas, signed upper right. Boldly colored painting depicting a figure as seen from the back wearing a hat, coat, and trousers,

An 18th century British oil on canvas portrait of a gentleman. Depicted three quarter length wearing a Red coat and White wig with a gold scale at right hand, unsigned. Framing label from "Doig, Wilso

Framed portrait of a gentleman. Early 19th century. The painting depicts a distinguished man dressed in a formal attire; black coat with white cravat and collar holding a black top hat. Faint landscap

John James Audubon hand colored lithograph Plate LVII no. 12 Bos Americanus, Gmel, American Bison or Buffalo marked lower left: Drawn from nature by J.J. Audubon F.R.S.F.I.S marked lower right Li

Hand-colored lithograph featuring oval jugate portraits of Breckinridge and Lane. Both candidates' images are contained within laurel leaf surrounds below an eagle with wings spread holding arrows in

Musical Automaton Picture Clock of an Italian Village by Xavier Tharin, c. 1870 Paris, hand-colored lithograph depicting a harbor scene with abbey, fountain, ships on three planes and a watchtower on

After JOHN JAMES AUDUBON (1785-1851) and JOHN WOODHOUSE AUDUBON (1812-1862)Ursus Americanus, Pallas (Cinnamon Bear)hand-colored lithographlithograph by J.T. Bowen & Co.sight: 19 3/4 x 25 3/4 in., fram

(AMERICAN INDIANS.) Thomas McKenney and James Hall. History of the Indian Tribes of North America. 120 hand-colored lithograph plates plus a hand-colored dedication leaf. iv, 333; xvii, 9-290; iv, 18-

RARE BUCHOLTZ-LUDWIG ANTEBELLUM POCKET MAP OF VIRGINIA, hand-colored lithograph, Map of the State of Virginia Containing the Counties, Principal Towns, Railroads, Rivers, Canals & All Other Internal I

Birds of Asia. John Gould (1804-1881). London: Taylor and Francis for the Author, 1850-83. Physical Description: 7 volumes. Folio (21 5/8 x 14 1/2 inches). 530 hand-colored lithographs after John Goul

(AMERICAN INDIANS.) George Catlin. Catlin's North American Indian Portfolio. 25 hand-colored lithographs, each 22½ x 16½ inches. 20 text pages. Folio, publisher's ½ calf, moderate wear

John James Audubon (1785 - 1851). Philadelphia: J. T. Bowen, 1839-44. Hand-colored lithographs. Approximately 27 3/4 x 21 1/2 inches. Guidance: Mid-Hudson, January 30, 2016 - $13,420

Toko Shinoda (Japanese, b. 1913) A group of three prints (Blessing E, Reminiscence, and Ascent A) hand colored lithographs Each: signed, titled and numbered in pencil Largest sheet: 29 1/2 x 39 inches

Edward Lear (1812-1888) EAGLE OWL; SNOWY OWL Two hand-colored lithographs, printed by C. Hullmandel, framed. Sight of sheets 20 3/4 x 13 1/2 inches; 527 x 342 mm. Frames 28 3/4 x 21 3/4 inches; 730 x

Published by Sarony & Major, New York, 1847-1848. Hand colored lithographs on paper. Three large folio unframed prints from "Naval Scenes in the Mexican War by H. Walke, Lieut. US Navy", together with

Currier and Ives, after a drawing by A. F. Tait, Catching a Tartar: The Life of a Hunter, c.1861, handcolored lithograph heightened in gum arabic, image 18.5 x 27 inches, matted and framed 31 x 38 inc

Gilt Bronze Buddhist Figure of Tsongkapa. Wearing a top hat, tight robe and a cloak, the figure is seated on a lotus base, with downcast eyes and mild expressions.The base sealed with a double-vajra.

(18th century) Portrait of a Gentleman, wearing a rose velvet coat and waistcoat, circa 1755-1760, oil on canvas, 29-3/4 x 25 in.; 18th century carved and gilt wood frame, 36-1/8 x 31-1/4 in. Provenan

A Big Tibetan Antique Gilt Bronze Figure Of BHAISAJYA GURU: seated in dhyanasana on a waisted base, his hands in dharmachakra mudra, wearing long robes incised decorated with patchwork foliate designs

(18th century) Portrait of a Smiling Young Gentleman, circa 1785, wearing a blue coat, red waistcoat, a cluster of fob of seals, powdered hair in queue, and seated in a library, unsigned, oil on canva

QING DYNASTY. Seated in dhyanasana on a double lotus base with beaded rims, his hands in bhumisparsamudra and dhyanamudra, wearing a long flowing robe over is left shoulder, his face with serene expre