Italian Neoclassical Inlaid Olivewood Breakfront

Monumental Italian Neoclassical Inlaid Olivewood Breakfront early 20th century, the center section with an arched and molded cornice above an inlaid door depicting the allegory of Blind Justice, with

18th C. Italian Neoclassical inlaid 3-drawer chest, having elaborate inlay,50"l. x 35 1/2"h. x 21 5/8"d. Provenance: John Quincy Adams family.

Continental, late 18th century, green marble top over three inlaid long drawers, bookmatched and inlaid case sides, inlaid tapered legs, lower drawers with oak leaf and acorn framed bookmatched pan

Northern Italian Neoclassical Inlaid Walnut Commode Circa 1800 Height 35 3/4 inches (90.8cm), width 47 inches (119.4 cm), depth 22 inches (55.9 cm). C Estate of Randolph Harrison

having three long drawers with geometric panels of contrasting light and dark inlays, flanked by inlaid stiles continuing to tapered feet. Losses, wear, old repairs. 34 1/4" high, 42" wide, 23" deep.

Italian Neoclassical commode, 19th c., rectangular case fitted with two drawers, with inlaid banding, on tapering square legs, small splits with fill restoration to both side panels, approx 31.75"h, 4

Italian Neoclassical Inlaid Walnut Commode Height 35 inches, width 36 inches, depth 18 1/2 inches. C

Antique Italian Neoclassical ivory inlaid ebony wood table cabinet. Intricate scroll and banding design throughout. Cabinet has a total of 11 drawers (8 main drawers and three separate hidden middle d

Pair of Italian neoclassical inlaid fruitwood single drawer/tambour door commodini. First quarter 19th century. Measure appx 32 1/2" t x 18" w x 13" d. Good condition.

Italian Neo-Classical Inlaid Fruitwood Table, 18th C. (RFRAN356)(MS) Dimensions: 31" H x 37.25" W x 24.25" D Property from a New York collection

OUTSTANDING ITALIAN 2 PART INLAID BREAKFRONT WITH BEVELED GLASS, GILT DECORATED COLUMNS, AND INTERIOR LIGHTS. CUSTOM MADE FOR PARAMOUNT ANTIQUES NEW YORK.

Italian Neoclassical Inlaid Walnut Folding Top Games Table With paw feet and single drawer; Early 19th Century {Dimensions closed 31 x 35 x 17 1/2 inches; dimensions open 30 1/4 x 35 inches}

61in H, 80.5in L, and 21in D. The front doors open to display a serving bar.

Olivewood. 7 drawers. 1 door. 39 1/2"h x 38"w x 17 1/4"d

Small Italian Neoclassical Inlaid Commode, Lombardy, Late 18th - Early 19th Century, Sienna Scagliola Marble Top, Two Drawers, 31 X 24.5 X 14.5 Inches, Veneer Lifting In Spots. See Photos.

Italian Neoclassical inlaid mahogany writing desk, 19th century, with classical marquetry details, raised on tapered square legs. [30 1/4" H x 39 3/4" W x 18" D]. Top with losses and stains; scratches

Italian, 19th century. A Neoclassic style Italian inlaid marble center table, the round surface having a central bird with foliate and geometric shape inlay throughout, above a reeded urn carved stand

A pair of Italian commodes offer olivewood construction in shaped form with mahogany banding inlay throughout, each with two smaller drawers over two long drawers with cast foliate form hardware, rais

Italian Rococo inlaid olivewood bureau plat, 19th/20th c., Italy, burl veneered top with central marquetry reserve of a courting couple, over two banks stacked drawers on cabriole legs, 30.5"h x 39"w

(pair) Italian Neoclassical style mahogany bedside cabinets, 20thc., each having inlaid banding, matched veneers, single cabinet door, with foliate marquetry in circular pendant, encompassing eight-po

20th Century. Top having an inlaid patera with banding over a base with three drawers, all with neoclassical inlay. The whole rests on turned feet. Measures 38.5 inches in height, 45 inches in length,

Italian Neoclassical walnut and mixed wood parquetry veneered and inlaid side table,18th century, having a single drawer, and rising on tapering square stop fluted legs with block feet, apparently unm

Italian Neoclassical parquetry inlaid commode, overall with intricate details within banded borders, with canted corners and legs. 35.5” H x 50.5” W x 25.25” D.

Italian Neoclassical style inlaid secretary bureau, in the manner of Giuseppe Maggiolini (Italy, 1738-1814), 20th c., with contrasting floral marquetry, the slant front opening to a writing surface an