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Jacob Ruisdael Etching First Image

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Jacob Ruisdael Etching First Image

Jacob Ruisdael Etching

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Jacob Ruisdael Etching (1 of 2)

Jacob Ruisdael Etching Title: Jacob Ruisdael Etching Artist: Jacob Salomonsz Van Ruisdael Description: Landscapes Medium: etching Date/Period: 1629-1681 Dimensions: 7-1/2 x 11" Reserve: $200.00 Shipping: Domestic: Shipping

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JACOB VAN RUISDAEL ETCHING "LA PETIT POINTE" (1 of 5)

JACOB VAN RUISDAEL ETCHING "LA PETIT POINTE"JACOB VAN RUISDAEL (DUTCH, BORN CIRCA 1628â€“1682), ETCHING, H 7 3/8", W 10 9/16", "LA PETIT POINTE" :Second State; plate signed lower center; ; laid paper; date that this impression was pulled i

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JACOB VAN RUISDAEL (1628-1682, Dutch) Etching (1 of 3)

JACOB VAN RUISDAEL (1628-1682, Dutch) Etching Old master etching. Jacob van Ruisdael, Dutch, 1628-1682, "Cottage at Top of a Hill". This is an incredibly detailed original etching, image size 7 3/8 x 10 3/4 inches, 1660, cat: Bartsch-3. Jacob van

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Jacob van Ruisdael. Cottage at the Top of a Hill. (1 of 3)

Jacob van Ruisdael. Cottage at the Top of a Hill.van Ruisdael, Jacob (Dutch, 1628/29-1682). "Cottage at the Top of a Hill." c.1660. Etching on cream wove paper. Second state (of 2), with the addition of the clouds in the sky. Bartsch 3; Hollstein 3.

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Jacob van Ruisdael - The Three Oaks (1 of 1)

Jacob van Ruisdael - The Three Oaks Artist: Jacob van Ruisdael Title: The Three Oaks Year: 1880 Dimensions: 12in. by 8in. Edition: From the Rare Limted Edition Publisher: MacMillan and Co.

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Jacob van Ruisdael - The Three Oaks (1 of 1)

Jacob van Ruisdael - The Three Oaks Artist: Jacob van Ruisdael Title: The Three Oaks Year: 1880 Dimensions: 12in. by 8in. Edition: From the Rare Limted Edition Publisher: MacMillan and Co.

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1874 Jacob Isaackszoon van Ruisdael Winter Landscape with a View of the Amstel River and Amsterdam (1 of 3)

1874 Jacob Isaackszoon van Ruisdael Winter Landscape with a View of the Amstel River and Amsterdam Jacob Isaackszoon van Ruisdael. (Dutch, 1629-1682). Winter Landscape with a View of the Amstel River and Amsterdam. Antique etching on laid paper after the original by master etcher Alfred Louis Brune

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after Pablo Picasso (Spanish, 1881-1973), Portrait of Max Jacob (1 of 5)

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Style of Jacob Van Ruisdael (1628-1682): The Pool (1 of 7)

Style of Jacob Van Ruisdael (1628-1682): The Pool Style of Jacob Van Ruisdael (1628-1682): The Pool Oil on canvas, unsigned, with labels from The Fine Arts Museums of San Francisco and California Palace of the Legion of Honor, San Francisco, lined. 1

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Haarlem Master, Late 17th Century (Circle of Jacob Van Ruisdael) (1 of 3)

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A wooded river landscape signed Jacob van Ruisdael (1 of 4)

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Jacob Kainen etching (1 of 4)

Jacob Kainen etching Jacob Kainen (American 1909-2001)- ''Bright Afternoon''- color softground etching and aquatint on Rives BFK paper, 1977, signed in pencil, edition of 260, The Print Club of Cleveland publication no. 5

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Jacob van Ruisdael (1628-1682) second state engraving, "Le Petit Pont" 7 3/8" x 10 1/2" (plate), 15 (1 of 10)

Jacob van Ruisdael (1628-1682) second state engraving, "Le Petit Pont" 7 3/8" x 10 1/2" (plate), 15 Jacob van Ruisdael, Dutch, (1628-1682) second state scenic engraving, "Le Petit Pont"Biography from the Archives of askART: Jacob Isaacksz Van Ruisdael was born in Haarlem in the Netherlands in 1628 o

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Marc Chagall, 1957, Jacob's Dream, Etching Print, Limited Edition, Signed (1 of 4)

Marc Chagall, 1957, Jacob's Dream, Etching Print, Limited Edition, Signed Artist: Marc Chagall Description: Marc Chagall, 1957, Jacob's Dream, Etching Prin

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Jacob Harringh Etching, Rembrandt 5x4.25" (1 of 1)

Jacob Harringh Etching, Rembrandt 5x4.25"Jacob Harringh Etching, Rembrandt 5x4.25"

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IRVING AMEN COLOR ETCHING, JACOB AND THE ANGEL, #46 (1 of 7)

IRVING AMEN COLOR ETCHING, JACOB AND THE ANGEL, #46 IRVING AMEN COLOR ETCHING, JACOB AND THE ANGEL, #46 FROM AN EDITION OF 200, PENCIL NUMBERED, TITLED, SIGNED & DATED '72, FRAMED SIZE APPROX 24.25" X 18.25"

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Theo Tobiasse - Le Reve de Jacob Color Etching (1 of 7)

Theo Tobiasse - Le Reve de Jacob Color Etching Theo Tobiasse (French, 1927-2012). Le Reve de Jacob color etching with carborundum, circa 1984. Edition numbered 39/75, signed LR in graphite. paper margins with prominent pressed in design. Antiqued

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Jacob Kainen etching (1 of 4)

Jacob Kainen etching Jacob Kainen (American 1909-2001)- ''Bright Afternoon''- color softground etching and aquatint on Rives BFK paper, 1977, signed in pencil, edition of 260, The Print Club of Cleveland publication no. 5

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KELLY FEARING (1918-2011) 'JACOB SLEEPING' ETCHING (1 of 4)

KELLY FEARING (1918-2011) 'JACOB SLEEPING' ETCHING Framed etching on paper, "Jacob Sleeping," signed lower right Kelly Fearing (Texas, Arkansas, 1918-2011), numbered 1 of 10, titled in pencil, Garner & Smith Gallery, Austin tag at verso, sight: 9.75"h

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after Jacob van Ruisdael (Dutch, circa 1628-1682), Two (1 of 3)

after Jacob van Ruisdael (Dutch, circa 1628-1682), Two reproduction prints after Ruisdael's The Windmill at Wijk bij Duurstede and Landscape with Waterfall, both originals housed in the Rijksmuseum, Amsterdam, presented in attractive uniform framing with

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Jacob Kainen etching (1 of 4)

Jacob Kainen etching Jacob Kainen (American 1909-2001)- ''Bright Afternoon''- color softground etching and aquatint on Rives BFK paper, 1977, signed in pencil, edition of 260, The Print Club of Cleveland publication no. 5

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Jacob Kainen etching (1 of 4)

Jacob Kainen etching Jacob Kainen (American 1909-2001)- ''Bright Afternoon''- color softground etching and aquatint on Rives BFK paper, 1977, signed in pencil, edition of 260, The Print Club of Cleveland publication no. 5

Sold

Jacob Kainen etching (1 of 4)

Jacob Kainen etching Jacob Kainen (American 1909-2001)- ''Bright Afternoon''- color softground etching and aquatint on Rives BFK paper, 1977, signed in pencil, edition of 260, The Print Club of Cleveland publication no. 5

Sold

Jacob Kainen etching (1 of 4)

Jacob Kainen etching Jacob Kainen (American 1909-2001)- ''Bright Afternoon''- color softground etching and aquatint on Rives BFK paper, 1977, signed in pencil, edition of 260, The Print Club of Cleveland publication no. 5

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