James Fittler (1758-1835) Distant view of Seringapatam from Meadow's redoubt Etching

18th century, c. 1794. Etching with line-engraving of a distant view of Seringapatam from Meadow's redoubt by James Fittler (1758-1835). Made after sketches Robert Home (1752-1834) had made when

AUDUBON, John James (1785-1851). Common Cormorant (Plate CCLXVI) Phalacrocorax Carbo Engraving with etching, aquatint and hand-coloring, 1838, on J Whatman Turkey paper watermarked 1835, sheet 25 1/2

James Swann American (1905-1985) Four-Ten (Bridge), ed.60, 1939 etching pencil signed, titled and numbered lower margin. Birdseye view of Tribune Tower and Wacker Drive along the Chicago River. From t

Winter Scene by James David Smillie, American, 1881, plate signed and dated lower left. 11"h. 13"w., framed. "View of Borga, Finland", Swedish, early-mid 20th Century, titled and illegibly signed belo

Illya Kagan (b. 1969) Oil on Linen "Panoramic Distant View of Nantucket Harbor and the Jetties", signed lower left Illya Kagan, in molded wood frame with gilt liner 19 in. x 59.5 in. Framed 25 i

AMERICAN SCHOOL19th CenturySeascape with a distant view of Thacher Island, Rockport, Massachusetts. Unsigned.Oil on canvas, 14" x 20". Framed 20.5" x 26.5".

Oil on canvas featuring men rowing a long boat with distant view of mosque. [Art (sight): 17 1/2" x 25"; Frame: 26" x 33"]. Minor yellowing, small dots of soiling around and above mosque.

After Rembrandt, framed etching of a landscape with buildings and a windmill. Possibly British Museum sanctioned print of "View of Amsterdam from the Northwest" (Kadjik). [Art: 3 1/2" x 5"; Frame: 12"

James Castle. Views Of Idaho Farm Landscapes. Not signed. Double-sided. View of Idaho farm house with fence in foreground. Verso is landscape with totem and bottle figures. Soot and spit on found pape

James Rizzi, etching with color, James Rizzi (American, b. 1950), "Oncoming Traffic", mixed media etching, signed, titled and numbered (2/99) in lower margin, 8.25"h x 6.25"w (sight), 12.5"h x 9.5"w (

JAMES EDWIN MEADOWS Signed Oil on Canvas, ‘Children Playing by a Cottage’, signature to lower right reads ‘MEADOWS’, plaque to center of piece reads ‘JAMES EDWIN MEADOWS, CHILDREN PLAYING BY

1878; oil on canvas; signed and dated lower left; Provenance: Estate of Dewitt McCall; 12 x 22 inches; 17 3/4 x 27 1/2 inches frame

Kenneth Layman Oil on Linen "Nantucket Sand Dunes", with a distant ocean view, signed lower right K. Layman, in contemporary pine frame 18 in. x 30 in. Framed 19.25 in. x 31.5 in. Layman received his

James Castle (1899-1977). Farm View. Not signed. Soot and saliva on found cardstock. Excellent condition. Image is 9" x 6.25". Frame is 16"w x 13"h. Provenance: Greg Kucera Gallery. Est. $6,000-9,000.

James A.M. Whistler, etching, 1879, James Abbott McNeill Whistler (American, 1834-1903), "Upright Venice" from the Twenty-six Etchings of the Second Venice Set (Kennedy 16), on laid paper, likely four

FRANK DUVENECK (American, 1848-1919), Meadow Village View, oil on canvas, framed. (approximate dimensions - canvas: 21 1/4 x 26 1/8 inches); unsigned, annotated verso. Condition: Surface dust, frame a

Daniell (Thomas) Five plates, from "Views in Calcutta", from a set of 12, etchings and aquatint with hand-colouring, images each approx. 405 x 525 mm (16 x 20 3/4 in), laid onto paper mounts [?] as is

AUDUBON, John James (1785 - 1851). Meadow Lark, Plate 136. Aquatint engraving with original hand color. London: Robert Havell, 1827-1838. 38 3/8” x 25 1/2” sheet. Comparable: Guernsey's, 2

JAMES ENSOR Masques Scandalisés. Etching on imitation Japan paper, 1895. 117x80 mm; 4x3 inches, full margins. Signed and dated in pencil, lower right, and countersigned in pencil, verso. A very g

ANTONIO DA CANAL, IL CANALETTO An Imaginary View of Padua. Etching, circa 1740. 301x425 mm; 12x16¾ inches, wide margins. Second state (of 3). The letter A countermark (?) to an unidentified water

SCULLY, SEAN. Pomes Penyeach. Poems in English and German by James Joyce. 13 etchings and aquatints printed in colors by Scully; printed by Jennifer Melby, New York, published by Bernd Klüser, Mu

Jukes (Francis) and Thomas Anburey. Three views from 'Hindoostan Scenery consisting of Twelve Select Views in India', etchings and aquatint, with full hand-colouring, on Whatman wove paper, each plate

Hand-colored engraving with etching after John James Audubon, "White Headed Eagle", plate 31. Robert Havell and Son engravers, 1828. Frame Opening: 25 x 38 in.

James Whistler, American (1834-1903). Black and white etching of his mother sleeping titled 'Whistler's Mother' mounted in chrome frame and signed 'W 56' lower right corner. Measures 15 3/8"H x 17.75"