JAMES SEYMOUR (BRITISH 1702-1752), STUDIES OF RACEHORSES (RECTO AND VERSO)

Attributed to James Seymour (British, 1702-1752) , "The Hunt", graphite and watercolor on paper, unsigned, inscribed with artist en verso and on backing, 9 3/4 in. x 14 5/16 in., framed

After James Seymour 1702-1752 "Race Horses Exercising in a Landscape". Oil on board, After James Seymour (British, b.1702, d.1752). No visible signature. Flaking and paint loss. In gilded wood frame.

A fine signed Harris, possibly the work of Henry Harris (1852-1926) English hunt scene oil on canvas a follower of James Seymour (British, 1702-1752) artist. A very well executed and detailed painting

After James Seymour 1702-1752 "A Carriage Match against time, ran on Newmarket Heath, August 1750" Oil on canvas, After James Seymour (British, b.1702, d.1752) No visible signature, Molded gold and bl

James Seymour (1702-1752, UK) framed and matted pen & ink on paper study of a horse's head. 6.375" x 6" ss / 13.5" x 13" oa

Three by James Seymour (1702-1752, one by Thomas Spencer (1700-1763) and one unsigned. 13 1/2"h x 15"w

James Seymour (London 1702-1752) A brown thoroughbred, traditionally identified as 'Spanking Roger', held by a groom before an extensive landscape signed with initials and dated 'J.S.,/ 1745' (lower l

(lot of 2) Varnished prints on mahogany-finish panels, 20th c., including: (1) "Flying Childers," after James Seymour (English, 1702-1752), (1) "Mameluke," after Benjamin Marshall (English, 1768-1835)

A James Seymour (English, 1702-1752) equestrian offset lithograph titled 'Chestnut' depicting a man riding a horse at full gallop. Unsigned. Presented in a gilt frame behind glass. Sight: 7.5" x 8.5"

Benjamin West (American/British, 1738-1820), "Figure Studies", ink on paper, unsigned, pencil-inscribed "Benj West" en verso, "Covent Garden Gallery Limited, St. James's" stamp and "Gander & White Shi

1871-1872; oil on canvas; signed lower left, signed again, titled, and dated verso 35 1/4 x 59 1/2 in. (89.5 x 151.1 cm.), Frame: 41 1/4 x 65 1/2 in. (104.8 x 166.4 cm.) Provenance: Property from a La

James Webb (British, 1825-1895) "A View of Givet, France", 1877 oil on canvas signed and dated "77" lower left, verso with "Kurt E. Schon, Ltd., New Orleans, LA" label with artist name and title. Fram

James Webb (British, 1825-1895) View of Khaub, with Gutenfels Castle in the Distance Signed and dated 'James Webb 1877' bottom left, also dated, monogrammed and with London preparer's stencil verso, o

Sir Alfred James Munnings, PRA, RWS (British, 1878-1959) A group of pencil studies comprising: i Up in the Clouds, signed and dated 'Alfred Munnings. 51.' in pencil (lower centre), drawn opposite page

William Verelst (British, 1704-1752) Portrait of the architect, Master of the steelyards and Philanthropist-Theodore Jacobson. Oil on canvas, label and Christie's Auction tags en verso. Image size: 49

Attributed to James Webb, shipping on the Thames, by the Tower of London, oil on canvas, signed 'Webb' bottom left, verso: titled and attributed to James Webb on a paper label. Giltwood frame. 24 x 36

James Weeks Comedians, Study for Judgment of Paris 1963oil on board 16.5 h × 17.5 w in (42 × 44 cm) Signed to lower right 'JW'. Signed, titled and dated to verso 'Comedians Study for Judgmen

Michael Kenna (American/British, b. 1953) Four toned silver prints Comprising: Ponte San Niccolo, Florence, Italy, 1998 Signed and numerbed recto, artist stamp verso, printed 1998; Edition 3/45 4 3/8

Francis Bacon, Manner of (British, 1909-1992): Study for Self Portrait, 1979. Oil on unprimed canvas (canvas is primed verso). Signed, titled, and dated verso, unframed. Francis Bacon (1909-1992) was

John Ruskin, (British, 1819-1900), "Three Studies of Sea Anemones," watercolors on paper, each pencil signed verso with labels affixed verso, each sight: 3"h x 3.25"w/3"h x 3.5"w/3"h x 3.25"w, overall

CHARLES DEMUTH Tulips. Watercolor and pencil on paper, 1924. 457x303 mm; 18x11 inches. Signed and dated in pencil, lower recto, and with an additional watercolor study, verso. Provenance: Margaret V.

James Michalopoulos (American/Louisiana, b. 1951) "Study for a King" oil on canvas signed lower left and verso "Mitchell", titled en verso stretcher. Framed. 22" x 28"

Winslow Homer at the Watch-House, Cullercoats - Near Tynemouth"; n.d.; Graphite and Gouache on Paper; 9.25" x 13.5"; Signed Lower Right; Framed (under glass); Note: inscribed on verso - "Winslow Homer

"Study for Bedroom Painting #69"; 1983; Oil on Canvas; 23" x 21"; Signed on Verso; Framed.