James Tissot - 'Renee and Her Father Sitting on the Porch of the Church at Morimond' - Etching

James Tissot (French, 1836-1902) Renee Mauperin Challenged to a Duel. Etching dated to 1882, one of 100 pencil signed impressions (total edition of 550). Ref: Wentworth 66 I/II. Provenance: Merrill Ch

James Tissot "Printemps" etching 5 1/4"x 14 3/4" image, 8 1/8"x 19 1/4" paper size

James Tissot (French, 1836-1902) Le Hamac. Etching and drypoint, 1880, edition of about 100, Ref: Wentworth 46, signed 10.25" x 7 x .25"

James Tissot (French, 1836-1902) Le Hamac (The Hammock), 1880 etching and drypoint stamped with artist's monogram 11 x 7 1/4 inches. Estimate $1,000-2,000

JAMES JACQUES TISSOT Dimanche Matin. Etching and drypoint on Japan paper, 1883. 400x190 mm; 15¾x7½ inches, wide margins. Signed in pencil, lower left, and with the artist's red ink stamp (Lu

JAMES JACQUES TISSOT L'Été. Etching and drypoint on cream laid paper, 1878. 376x208 mm; 14¾x8½ inches, full margins. Edition of approximately 100. A superb, dark and early impressi

Lucian Freud (1922-2011) Girl Sitting (Hartley 33) Etching, 1987, on Somerset wove paper, signed and numbered 35/50 in pencil (there were also ten artist's proofs), published by James Kirkman, London,

Le Dimanche Matin, 1883. Etching and drypoint. Signed and dated in graphite with artist's monogram lower right. Size: 15 1/4 in. x 7 1/4 in. (38.7 cm x 18.4 cm).Framed: 17 7/8 in. x 27 1/8 in. (45.4 c

etching and drypoint. Signed in the plate. Under the mat, the front of the sheet inscribed in pencil with a '1' in a circle, the verso of the sheet with old price inscription "450-" in pencil. Literat

James Jacques Joseph Tissot (French, 1836-1902) Le Hamac (Tissot 41, Béraldi 37, Wentworth 46), 1880 Etching and drypoint on cream wove paper ed. of approximately 100 11.5 x 7.75 (in) 19 x 14.5 x

James Abbott McNeill Whistler (American, 1834-1903). Chelsea (Chelsea Church and Battersea Bridge). Antique etching on wove paper. Signed in the plate (Butterfly monogram, lower right). 1882. Conditio

Titled: "Black Lion Wharf" original etching on paper by James Whistler Measures: 6 x 9 inches Provenance: Estate of Morton C. Kimbell. The etching was acquired by Morton's great father, Dr. George Edw

Johann Berthelsen (NY/Denmark, 1883-1972) 16x12 , O/C , signed lower right , "St. James Church" , Depicting New York winter scene with figures , Inscribed titled on stretcher verso

Rembrandt van Rijn (1606-1669)Bearded Man in a Furred Oriental Cap and Robe: The Artist's FatherEtching, 1631, a very good impression of New Hollstein's final state (of five), on laid paper without wa

Hassan Hajjaj (Born 1961, Morocco). Titled "Mr. J. James". Metallic Lambda Print in wooden frame with woven plastic matting. Great image showing Mr. James" sitting on Morrocan Coca Cola crates. Image

James Rizzi, etching with color, James Rizzi (American, b. 1950), "Oncoming Traffic", mixed media etching, signed, titled and numbered (2/99) in lower margin, 8.25"h x 6.25"w (sight), 12.5"h x 9.5"w (

One side depicts a figure study for "At the Louvre" (c. 1880), while the reverse shows a figure study for "The Prodigal Son in Modern Life: The Return" (1882). Though we believe this to be by the hand

Late 19th/Early 20th Century From the Collection of James Robb Church, M.D., Assistant Surgeon assigned to 1st Volunteer Regiment (Rough Riders), Spanish-American War, comprising: A framed autograp

JAMES MCBEY, ETCHING, H 8 7/8'', W 14 7/8", "DAWN CAMEL PATROL SETTING OUT":1917-1917. Label on verso. Framed and Matted under glass. Signed in lower right margin in ink.

Size: 22x40 INCHES Year: 1980 Medium: ETCHING Edition: 78 Description: Hand signed and numbered in pencil. Artwork is in excellent condition

"Charleston Spire (St. Philip's Church), drypoint & etching, pencil signed with snail monogram lower right, titled on label verso from Arnould Gallery of Marblehead, Mass. Housed in black stick frame,

[Prints] Rijn, Rembrandt van (Dutch, 1606-1669). Bust of a Man Wearing a High Fur Hat [the Artist’s Father?]. 1630. Etching and drypoint on cream laid paper. Signed and dated in u.r. Sheet: 3 1

James A.M. Whistler, etching, 1879, James Abbott McNeill Whistler (American, 1834-1903), "Upright Venice" from the Twenty-six Etchings of the Second Venice Set (Kennedy 16), on laid paper, likely four

James E. Allen (American 1894-1964)- ''Teeming Ingots'' (Ryan 88)- etching, 1935, signed in pencil, published in an edition of 100 by Society of American Etchers. 11 7/8 x 9 7/8''