JAN VAN DE VELDE II (Holland, 1593-1641), Figural study., Pen and brown ink on cream laid paper,

JAN VAN DE VELDE IIHolland, 1593-1641Figural study. Signed lower left “Van de Velde”.Pen and brown ink on cream laid paper, 2.75” x 3.25” (70mm x 82mm). Unframed. Dimensions:

Pen and brown ink drawing on laid paper, study for The Starry Night, attributed* to/in the manner of Vincent van Gogh (1853-1890). Signed. Very good condition, having no apparent damage or repairs. 10

Pen and dark brown ink drawing on fine laid paper, study for "Starlit Night," signed "Vincent" (Vincent van Gogh*, 1853-1890). 10 1/8 x 13 5/8 inches. Very good condition. Unframed for inspection and

Anthony van Dyck (1599-1641), Attributed to.Double-sided sheet of studies of Christ in Glory, surrounded by puttiPen and brown ink, brush and ink, over black chalk, early 17th century, on laid paper w

Pen and dark brown ink drawing on laid paper with traces of pencil, the starry night, signed* extreme lower left corner (Vincent van Gogh, 1853-1890). 7 7/8 x 11 1/4 inches. Good condition overall, ha

Finely executed pen and brown ink drawing on laid drawing paper, untitled (hillside landscape with trees and birds), attributed to/in the manner of Vincent van Gogh (1853-1890). Signed. 14 1/2 x 18 in

Exceptional pen and brown ink drawing on laid drawing paper, untitled (field of flowers and trees against a sunlit sky), attributed to/in the manner of Vincent van Gogh (1853-1890). Signed. 18 1/2 x 2

Brown ink drawing on laid paper, The Starry Night (also called Starlit Night), signed (Vincent van Gogh*, 1853-1890). 6 3/4 x 9 3/8 inches. Small chips to upper right and lefthand corners, otherwise g

Wassily Kandinsky (Russian, 1866 - 1944). "Zeichnung nach 'Mitwirken' II". Original pen and ink drawing. 1937. Signed and dated lower left. Very thick, pliable, cream wove paper. Overall good conditio

Dark reddish brown ink drawing on wove paper, landscape with distant buildings (possibly a study for a painting), attributed* to/in the manner of Vincent van Gogh (1853-1890). Signed lower left quadra

American, ca. 1816, brown ink on laid paper, a faithful representation of all 56 Declaration of Independence signers on signature panel, subsequently used as model for Tyler's popular broadside, this

Studio of Wolf Huber (Feldkirch circa 1485-1553 Passau) Saint Jerome in prayer bears monogram 'Aa' (lower centre) pen and brown ink on paper, heightened with white, watermark serpent around a cross (c

ROCKWELL KENT The Cabins. Pen and ink on cream wove paper, 1919. 73x170 mm; 2x6 inches. Signed, titled and dated in ink, lower right recto. With a pencil sketch, verso.Provenance: Acquired Hartung & H

ROCKWELL KENT Shore (Resurrection Bay). Pen and ink on cream wove paper, 1919. 93x165 mm; 3x6½ inches. Signed and dated in ink, lower right recto. With a pencil sketch, verso.Provenance: Acquired

(Flemish, 1577-1640) chalk, pen, ink, and wash on chain laid paper, 17th C., titled "Summer: Peasants Going to Market, ca. 1618", bears initialed watermark. The original oil is in the Royal Collection

Francois Boucher (French, 1703-1770) Playful Putti (two works) pen and brown ink with red chalk on paper 7 5/8 x 9 1/4 inches (sight).† This lot is located in Chicago. Provenance: Didier Aaron L

ITALIAN SHCOOL Master active in 17th century STUDY FOR AN ARCHITECTORAL ORNAMENT Washed ink, laid on paper (?). 41 cm x 20,5 cm (F. 62 cm x 41 cm). Min. damaged, min. restored. Framed in passepartout

Attributed to Claudine Bouzonnet-Stella (Lyon 1636-1697 Paris), 17th Century Three pastoral scenes three of a set, pen, ink and grey wash heightened with white on laid paper, one watermarked with grap

Raleigh, Sir Walter (1554-1618) Document signed, Isle of Wight, 15th August 1580 Single sheet of laid paper (29.2 x 21.2cm), 14 lines written in brown ink in a secretarial hand, with Ralegh's autograp

DESCRIPTION: An album containing sixty finely executed pen, ink and watercolor drawings of India, Afghanistan and Pakistan on wove and laid paper, each within a color-ruled border, comprising building

Venetian School, 16th Century The Last Supper bears signature and number 'Tintoretto 15/6' (lower left) black chalk, pen and brown ink, heightened with white chalk on brown paper, on a François R

GEORGE GROSZ Die Liebenden. Watercolor on cream laid paper, circa 1940. 623x485 mm; 24½x19¼ inches. Signed in ink, lower right recto.Provenance: Collection of Ben and Peggy Sackheim, New Yor

Watercolor, gouache and ink on laid paper Spain, circa 1960 Francisco Benjamin Lopez Toledo (born 1940) - Important Mexican painter, printmaker, ceramist and sculptor Signed ‘Toledo’ lower right S

Followers of Abraham Bloemaert (1566-1651) pen and brown ink, brown wash, heightened with white. Sight size: 11"h x 7-7/8"w Overall: 21-5/8"h x 16-1/8"w Provenance: Collection Joseph van Haechen (Lugt