Jeff Michelson (b. 1938) California (three)

Three hand-made wood boxes, all signed and dated, sizes overall 3 x 6 ¼ x 4 ¼”, 1 ¾ x 4 ½ x 3”, 2 ½ x 6 x 4 ½”. (3)

VIRGINIA WOLFE; OSCAR WILDE; SLEEPING BAT, three Literary Letter Openers, each a bronze sculpture with patina handles and polished blades, each signed and numbered 2 from an unrealized edition of 300,

Claire Maunsell a pair of polychrome glass vases, both with inscriptions or signatures underneath, 13” & 10” tall; Bertil Vallien Orange and multi-color vase, signed underneath, with Kosta

SIX PACK (the three handed sylph), 2015, acrylic painting on panel, signed and dated lower right, 24 x 18 ½”.

Three (3) Judith Bledsoe (California, Europe b. 1938) lithographs in colors. All signed 'Judith Bledsoe' in pencil lower right. All numbered ('73/250', '86/250' and '225/250') in pencil lower left. Al

SCENIC LANDSCAPE VIEW NEAR SANTA BARBARA, oil painting on canvas, signed lower left, 30 x 40”, hand carved gold leaf frame 36 ½ x 46 ½ x 2 ½”.

AT TIMES SHE THOUGHT OF FISH, 2012, acrylic painting on panel, signed and dated lower right side, 26 x 23 ¾”.

MCGRAW WATCHING TRAVIS JACKSON HIT, 1982, oil painting on canvas, signed and dated and titled on verso, 53 x 68”, frame 54 x 69”. Provenance: OK Harris Gallery, New York City.

HUMPTY DUMPTY& MARLENE, 1977, cast Polyester resin sculpture with airbrush lacquer finish, signed and numbered AP #3 (artist’s proof) underneath base, aside from the edition of 10, sculpture 5 x

Framed oil painting on canvas, Deer and Snow on the Bay, signed lower right Van Megert (Jerry Van Megert, Oregon, California, b. 1938), brief biography at verso, sight: 67.25"h, 47.25"d, overall: 75.7

AT TIMES SHE THOUGHT OF FISH, 2012, acrylic painting on panel, signed and dated lower right side, 26 x 23 ¾”.

SOME ONLINE SAY THE WORLD WILL END ON FIRE, acrylic painting on shaped panel, signed and dated lower right, 17 x 23 ¼”.

THE RELENTLESS TORRENT OF INFORMATION (Running Dog), 2013, acrylic painting on shaped panel, signed and dated lower right side, overall 27 ½ x 46 ½ x 1 ¾”.

Carl Rice Embrey (b. 1938), Three pencil studies + watercolor study, 1968-1991. graphite on paper and watercolor on paper. largest size: 18 x 24". Provenance: Property from the San Antonio, Texas hom

KIM IN A CUP with saucer, two part cast Polyester resin sculpture with airbrush lacquer finish, each signed and numbered 10/10, overall 6 x 10 ½ x 9 ½”.

1995; each mixed media on panel; each signed and dated verso; Provenance: The Estate of Charles Fries and Ava Ostern Fries, Los Angeles; 14 1/8 x 18 1/8 inches; 8 x 10 inches; and 16 1/4 x 20 1/4 inch

THE DOG JUMPED OVER THE MOONS, 2013, acrylic painting on panel with satellite, signed and dated lower right, panel 48 x 17 ¾”, satellite oval panel 5 ½ x 3 ½”.

POPCORN SURPRISE #7, 2017, acrylic painting on panel, signed and dated lower right, 17 ½ x 14 ½”.

THE LUMBAR REGION, 2005, acrylic painting on panel, signed and dated lower right, artist’s shaped panel 42 x 20”.

FORBIDDEN PLANET, 2004, acrylic painting and gouache on paper, signed and dated lower right, 23 ½ x 17 ¼”, frame 27 x 20”.

BORZOI HEART OF GOLD, 2021, original cast bronze sculpture on Belgium marble base, signed and dated underneath, 9 ½ x 8 ½ x 7” with base.

PENNY AND THE JETS, 2007, gouache and acrylic painting on paper, signed and dated lower right, 22 ½ x 18” frame 25 x 20 ½” with Plexiglas.

Jellybean bottle, heavy blue glass with fused glass design, signed and inscribed underneath, with Kosta Boda label, 14 x 18 x 11”.

Green to yellow overlay glass vase, signed and inscribed underneath, with Kosta Boda label, 5 ¾” tall, 4 ¾” diameter.