J.H Clark Aquatint "Arabs Hunting Ostriches"

An Aquatint titled " Arabs Hunting Ostriches." Published by Edward Orme. London. Copyright 1813. Illustrated and engraved by J. H. Clark & Samuel Howitt & M Dubourg. Sight: 7 1/2" H x 9" W. Frame: 11

Title: S AMERICA. Pion gaucho cowboy catching wild bull. Horse. (Edward Orme) 1814 Description: South American catching a Wild Bull' by JH Clark del; M Dubourg sculpt (1814). Antique aquatint print wi

Matthew Dubourg Aquatint Whaling Print From The Drawings By J.H. Clark ;?published in 1813 by Edward Orme , London. Matted and framed. 7 in. x 9 in. Framed 12.25 in. x 14.5 in.

Hand-colored aquatints of hunting scenes, "In Full Cry" and "After the Death", after Henry Thomas Alken (1785-1851,) engraved by Clark & Dubourg, published 1813 by F. J. Fuller. Frames, approx. 24 1/4

After Charles Dean Wolstenholme, British, Early 19th Century, Each Trimmed And In Vintage Inked Mats And Bronze Mounted Mahogany Frames With Identification Plates, Sight 16 X 21.5 Inches, Overall 23 X

Four Books about Hunting Expeditions J.H. Eagle, "Adventures of an Amateur Hunter in Africa," 1915. R.R.M. Carpenter, "Game Trails," 1940. Isak Dinesen, "Out of Africa," 1937 (two copies). Provenance:

TAOS IN WINTER II, drypoint and aquatint etching signed and titled in pencil, plate 10 x 14”, sheet 14 x 18”

EL GROSSOS IV (Dupin 1100), 1979, color aquatint etching, signed in white pencil, numbered 1/30 in pencil, sheet 29 x 45 ½”, frame 43 x 59 ½ x 2 ½” with Plexiglas.

UN SAISON EN ENFER (F.214-223), 1977-1978, the portfolio of ten color aquatint etchings, each signed in pencil and numbered 34/100, sheets 26 x 20", printed by Georges Visat, published by Ediciones Po

L'ELOGE DE LA MAIN (D.658), color aquatint etching, signed in pencil, numbered 15/50, sheet 26 x 20 ½", framed.

RED LAKE, 1986, color aquatint etching, signed and dated and inscribed HC (hors commerce) aside from the numbered edition of 45, printed by Efram Wolff image 13 ¾ x 16 ¾”, full margins

THE TRAIN, 1974, color aquatint etching and photo-engraving with hand-coloring, signed in pencil, numbered 19/20 AP (artist’s proof), plate 17 ¾ x 22”, full margins, framed. Provenance: Sotheby��

VIDEY AFANGER #X (G.1519), 1991, aquatint, signed and dated in pencil, numbered 55/75, printed by Gemini G. E. L. with the artist’s and their blind stamps lower right, image 4 ½ x 6”, sheet 11 x

PASSAGE I, 1990, color aquatint with hardground etching, initialed in pencil, from the numbered edition 35, image 20 x 12 ”, sheet 29 1/2 x 20 3/8", printed and published by Crown Point Press, San F

LE MARTEAU SANS MAITRE (C.216), 1976, plate 11, color aquatint etching on wove paper, a rare impression signed in pencil and inscribed as some type of a proof, plate 11 ¾ x 8”, sheet 17 ¾ x 13 ¼�

BREAKFAST, 1978, color aquatint, signed in pencil, numbered 40/50, sheet 8 x 12 ¼”, framed.

OKUSAGA, 1986, color etching and aquatint, signed and numbered 89/120 in pencil, image 11 ½ x 11 ½”, full margins, frame 18 ¼ x 18 ¼” with glass.

LE FIXE DES VERTIGES (The Dizziness Fix) from UNE SAISON EN ENFER (A Season in Hell) (see Ferrari 214), 1977-78, color pastel over unique working proof aquatint, signed in pencil lower right, authenti

WALL No 4, 1984, color etching and aquatint, signed and numbered 62/100 in pencil, image 18 x 13 ½”, full margins, frame 24 ¼ x 19 ¼” with glass.

UNTITLED (SFE.021; L. I-54), 1984, color aquatint with Chine Colle, signed in pencil and inscribed BAT (ready to print), before the numbered edition of 10, printed by Jacob Samuel at The Litho Shop, w

MAGENTA, 1990, color aquatint with spit bite aquatint, signed and numbered from an edition of 50 in pencil on verso, printed by Renee Bott, published by Crown Point Press, image 35 ½ x 44 &frac

NINE OF CLUBS; EIGHT OF SPADES, 1990, both from the Playing Card Series, two aquatint etchings, each signed and dated and numbered 42/44 in pencil, printed and published by Parasol Press, sheets 21 x

YOGO SNOW, 1979, color etching and aquatint, signed and numbered 84/100 in pencil, image 15 ½ x 12 ¼”, full margins, frame 25 ¼ x 21 ¼” with glass.

FIRST SUBJECT (I.15; SFE.281), 1981, aquatint with chin colle, signed in pencil and numbered AP 2/8, aside from the numbered edition of 20, image 29 ¾ x 24”, sheet 41 ½ x 35 ¾”, printed and pub