John Flaxman (1755-1826), L’Iliade d’Homer

A Wedgwood Jasperware Chess Set, UK, 2006 Stoneware In solid sage green and lilac jasperware; from models by John Flaxman (1755-1826) Impressed “WEDGWOOD” “MADE IN ENGLAND” &#8

"Personnages" - ink wash on paper, not visibly signed but according to gallery records and inscription verso, this is a work by John Flaxman (English, 1755 - 1826), purchased for $4,500, exhibited in

A Pair of Wedgwood Black Basalt Triton Candlesticks Design by John Flaxman Jr. (1755-1826), 19th Century each impressed Wedgwood. Height 10 3/4 inches.

A Life-Size Cast Iron Bust of Mercuryearly 20th century, naturalistic casting of the mythological deity wearing his winged helmet, likely after a model by John Flaxman (British, 1755-1826), unmarked.

Josiah Wedgwood and Sons jasperware vase designed by John Flaxman (British 1755-1826), 18th century, having a cylindrical form decorated with Classical style scenes accented with Corinthian columns, 6

Two early19th century antiquarian books. The Iliad of Homer engraved from the Compositions of John Flaxman, R.A., Sculptor, London, 1805. John Flaxman (English, 1755-1826). Collection of Flaxman's com

A Wedgwood sage and lilac jasper dip tablet, 'Apollo and the Muses' after the model by John Flaxman (English, 1755-1826), early 19th century. The verso impressed "WEDGWOOD" and with indistinct impress

A Wedgwood sage and lilac jasper dip tablet, 'Psyche Bound by Cupid' after the model by John Flaxman (English, 1755-1826), early 19th century. The verso impressed "WEDGWOOD" and with indistinct impres

After John Flaxman (British, 1755-1826) Two Engravings. Four engravings by Reveil, after original drawings by Flaxman. Matted and unframed Sight: 4.25" x 8" Mat: 15" x 13"

John Northwood, after John Flaxman, a Victorian etched glass claret jug, circa 1870, footed amphora form with tricorn lip and loop handle, engraved with images from Flaxman's illustrated Homer's Odyss

scene from Homer's Odyssey. English 1795. Ulysses and Circe. 16.5" x 14"

Group of Antique John Flaxman Engraved Plates, 32 pages in total, from Hesiod and Theog, believed to be from The Odyssey of Homer, the Iliad of Homer and The Works Of Hesiod; used condition, wear/worn

A WEDGWOOD BLACK BASALT BUST OF MERCURY LATE 18TH/EARLY 19TH CENTURY After a model attributed to John Flaxman, impressed 'Wedgwood' to the reverse, underside of socle impressed Wedgwood STZ 1 46.5cm h

After Gilbert Stuart (1755-1826), "Portrait of George Polloch," 19th c., oil on canvas, presented in a wide gilt frame with a velvet liner, H.- 29 3/4 in., W.- 24 1/2 in. Note: All of Polloch's childr

Pair of T.J. & J. Meyer, Longport Parianware Ewers, After Models by John Flaxman, Sr. Black printed mark; modeled with a Satyr and a Triton respectively. 14 in. high. Note: These ewers are based on an

Marble of Eros & Anteros, After Francois-Joseph LeClercq (1755-1826) Ht. (inc pedestal) 37 Max W 25 in.

(lot of 3) Wedgwood and Co. covered box, after a design by John Flaxman and Lady Templetown, the lid decorated with foliate designs above the circular body having Classical style reserves on a light b

MARSHALL, John (1755-1835).   The Life of George Washington. Philadelphia: C. P. Wayne, 1804-1807.   5 volumes 8vo (218 x 132 mm). Engraved portrait of Washington after Gilbert Stuart in Vol

Reproduction in black basalt of the original bust molded by British sculptor John Flaxman Jr. Wedgwood impressed backstamp. Front reads "Mercury." Back reads "Wedwood and Bentley." Good condition. #we

Attributed to B.P. Ommeganck (Flemish, 1755-1826) Sheep in the Countryside, Oil on panel, Framed dimensions: H: 26 7/8 x W: 30 1/4 in. H: 19 3/4 W: 26 1/8 in.

MARSHALL, John (1755-1835). The Life of George Washington: Maps and Subscribers' Names. Philadelphia: C.P. Wayne, 1807. Atlas volume only, 4to (279 x 222 mm). 10 engraved folding maps (8 double-page),

Balthazar Paul Ommeganck (Flemish, 1755-1826) Landscape with Sheep, Oil on canvas, Signed and dated 1807 lower left. Framed dimensions: H: 19 1/2 x W: 25 in. H: 12 1/4 W: 17 5/8 in. The absence of a c

Miniature Portrait of Sir Christopher Wren in painted beeswax, circa 1800, unsigned but marked verso as being by John Flaxman, mounted on reverse painted black glass, in the original black molded shad

Lot 49 Balthasar Paul Ommeganck Belgian (1755-1826) Cows oil on canvas signed lower left 13 x 16 inches Provenance: Estate of Judge Davis Norton and Florence Edelstein