Karl Bodmer Etching: Tab. 15, Fort Clark: On the M

KARL BODMER (SWISS, 1809-1893) HISTORICAL ENGRAVING, titled "The Travellers Meeting with Minatarre Indians near Fort Clark", dated "1th, July 1842", Bodmer blindstamp underneath the publisher's name.

America.- Bodmer (Karl, 1809-1893) Massika (Saki Indian) - Wakusasse (Musquake Indian) [Tab.3], etching and aquatint with fine original hand-colouring, heightened with gum arabic, by Hurlimann after B

America.- Bodmer (Karl, 1809-1893) Mehkskeme-Sukahs (Blackfoot chief) - Tatsicki-Stomick (Piekann chief) [Tab. 45], etching and aquatint with fine original hand-colouring, heightened with gum arabic,

Bodmer, after Karl (Swiss, 1809-1893), Abdih-Hiddisch, A Minatarre Chief, Tab 24. from Travels In the Interior of North America in the Years 1832 to 1834, color aquatint, etching, and roulette with la

BODMER, Karl (1809-1893). Tab. 22, Fac Simile of an Indian Painting. Aquatint and etching with original hand color heightened with gum arabic. From Travels in the Interior of North America. Published

THE MYTHOLOGY VENUS (M.117; F.63-3E), etching, signed in pencil, numbered 24/150, plate 19 3/8 x 15 1/2", full margins, published by Pierre AR Gillet, Paris, white gold frame. Provenance: Galerie Mich

THE MYTHOLOGY VENUS (M.117; F.63-3E), etching, signed in pencil, numbered 24/150, plate 19 3/8 x 15 1/2", full margins, published by Pierre AR Gillet, Paris, white gold frame. Provenance: Galerie Mich

Alec Stern CAMPANILI UC BERKELEY, 1947; STRIKE AT SUTTER’S FORT; two etchings, each signed in pencil, plates 13 x 8 ½” & 8 ¾ x 12 ¾”, both with full margins, frames 19 x 14” & 15 x 19”, b

 BODMER, Karl (1809-1893) Indians Hunting the Bison (Tab. 31). From Travels in the Interior of North America, Coblenz, Paris, and London, 1839-1842. Aquatint engraving with hand-coloring, Bodmer

BODMER, Karl (1809-1893), artist. ACKERMAN & Co., publisher. Fort Union on the Missouri. Hand-colored aquatint, [1841], visible area 317 x 353 mm, on wove paper, with blindstamp, matted and framed, no

"Bodmer, Karl (1809-1893). Winter Village of the Minatarres, Tab 26. (State 1). Aquatint engraving with hand coloring. Including the C. Bodmer blindstamp. From Travels in the Interior of North America

BODMER, Karl (1809-1893) Herd of Bisons on the Upper Missouri (Tab. 40). From Travels in the Interior of North America, Coblenz, Paris, and London, 1839-1842. Aquatint engraving with hand-coloring, Bo

Ogden M. Pleissner (1905-1983) Complete Set of Eight Etchings each signed "Ogden M Pleissner" lower right etching, 10 by 15 in. (largest) Pleissner produced eight intaglio prints between 1942 and 1944

Marc Chagall (French, born Belarus 1887-1985) " La Bible, Parting of the Red Sea, " Plate 36, Etching with hand coloring, signed in pencil with initials "M.Ch," numbered 15/100, also s

Marc Chagall ( French, born Belarus 1887-1985) " La Bible, Moses Striking Water From The Rock, " plate 34, Etching with hand coloring, signed in pencil with initials "M.Ch," numbered 15/100, also sign

L'ELOGE DE LA MAIN (D.658), color aquatint etching, signed in pencil, numbered 15/50, sheet 26 x 20 ½", framed.

JADED GARDEN, 1962, etching, signed and dated and titled and inscribed proof in pencil, plate 12 ¼ x 15”, sheet 14 ¼ x 16 ¼”, frame 18 ½ x 21” with glass.

TWO BOYS AGED 23 AND 24 (H.163) from Illustrations for Fourteen Poems from C. P. Cavafy, 1966, etching, signed in pencil, numbered 31/75, plate 13 3/4 x 8 3/4", sheet 22 1/2 x 15 1/2", framed with gla

SCENE MYTHOLOGIQUE (Bloch 1398), 1966, drypoint etching and scraper, signed and numbered 16/50 in pencil, plate 10 ½ x 15 ¾”, full margins, frame 23 ½ x 26 ½ x 2&rdqu

DOROTHEA TANNING (M.929), 1974, color lithograph on Arches 1970’s watermarked paper, signed in pencil, numbered 10/60, sheet 15 ¾ x 20 ½”, printed by Mourlot, framed, extremely pale toning at sh

THE ACCORDION PLAYER (H.204; M.204) from the Lassaigne series, 1957, color lithograph on BFK watermarked paper, signed in pencil, numbered 55/90, sheet 15 1/2 x 22 1/4", published by Maeght, framed. H

L’OISEAU ZEPHYR (M.227), color lithograph, signed in pencil, from the numbered edition 100, image 13 x 20 7/8”, sheet reduced to 15 7/8 x 22 ”, colors attenuated, faint skinning left margin on r

DAY LILIES (M.96), 1975, resist-ground etching and engraving and direct photographic transfer, signed in pencil, numbered 104/160, image 20 x 32”, sheet 25 ½ x 27 ¾”, soft handling creases and s

ORAH HORAH from the Aliyah Series (M.1209; F.68-1W), 1968, color lithograph, signed in pencil, numbered 194/250, image 20 x 15 ¾”, full margins, published by Shorewood Press, framed with glass.