Kees Van Dongen, Boîte de la Nuit, Etching, 1927

Gilt framed watercolor on paper painting depicting a seated lady after Kees Van Dongen, titled "Portrait de la Comtesse". [Sight: 11 1/4" H x 8 1/2" W; Frame: 17" H x 14" W]. Sheet with scattered stai

Kees Van Dongen (1877-1968) Modigliani, peintre maudit de Montparnasse, 1949 Original lithograph in colors on wove paper. Tire a part from the book by Roland Dorgeles Au Beaux Temps de la Butte, illus

LA RENCONTRE AU BOIS, circa 1950, color lithograph, signed on the stone, numbered 159/290 in pencil, Gil de Gravure blind stamp lower left, 16 x 23 ¼” including frame with glass.

Kees Van Dongen (Dutch-French, 1877-1968) etching, Place Vendome. Signed in the plate lower right. Print: 13 1/4" x 10". Folio: 21" x 18".

Jean Coiry, 20th C., Chemin de la Nuit, c. 1980, Etching, signed lower right, titled and numbered in pencil lower left (BNPP8315) (EKW) Dimensions: 13.5 x 17.5; Framed: 23 x 27 Property Title: From

Color heliogravure and offset lithograph. Signed and numbered 116/200 in pencil, lower margin. Published by Editions Carmen Guillard, Paris. Date of Work: 1948 Dimensions: 577x461 mm; 22 3/4x18 1/8 in

Kees VAN DONGEN (1877-1968) Péniches sur la Seine Fusain, pastel et aquarelle sur papier, signé et situé en bas à droite 23 x 18 cm

Artist: Kees van Dongen, Dutch (1877 - 1968) Title: Jean-Marie une Fleur ˆ la Bouche Medium: Lithograph Image Size: 15 x 12 inches Size: 25.25 x 19.75 in. (64.14 x 50.17 cm)

Kees van Dongen, "Place Vendôme, Paris", etching on paper, 13 ¼ x 10 ¼ inches, signed in the plate lower right, from an edition of 500, in 1939.

Vincent Van Gogh (1840-1926) lithograph titled Terasse De Café La Nuit after the original which was painted in Arles, France in September of 1888. This lithograph is matted and framed under glass in

LE CORBEAU VOULANT IMITER L’AIGLE from Fables De La Fontaine (V.112), 1927, etching, published by Teriade Editeur for Editions Verve in 1952, image 11 ¾ x 9 ½”, sheet 16 &fr

Consisting of 2 pochoi prints or pochoidrukken, signed Kees van Dongen, including Henry Floury Paris 1925, from the monograph van Dongen by Ed. des Courieres, 20 x 20 cm. Added book by Van Dongen.

Théo Tobiasse (French, Israeli, American, 1927-2012) Le soleil renaît du Ventre de la nuit Mixed media with molded paper on illustration board 27.25 x 19.75 (in) 37 x 29.25 x 1 (in) Framed S

Bouquet de fleurs Lithographie en couleurs sur papier. Signé en bas au centre et numéroté n°107/150 en bas à gauche 57 x 44 cm

van Dongen, after Kees, Les Peintres Temoins de Leur Temps exhibition poster for Musee Galliera, 1964, lithographic poster printed by Mourlot, with van Dongen's famous image of Brigitte Bardot, full s

Medium: wood engraving (after the watercolor). Printed in Paris in 1955 at the atelier Coulouma for "Mille nuits et une nuit" (1001 Nights) which was the last major portfolio by Kees van Dongen. Size:

An original exhibition poster for Les Peintres Témoins de leur Temps featuring a central lithograph by Kees Van Dongen. Produced by lithographer, Atelier Mourlot, 1955. Housed behind glass with spe

Medium: wood engraving (after the watercolor). Printed in Paris in 1955 at the atelier Coulouma for "Mille nuits et une nuit" (1001 Nights) which was the last major portfolio by Kees van Dongen. Size:

Medium: wood engraving (after the watercolor). Printed in Paris in 1955 at the atelier Coulouma for "Mille nuits et une nuit" (1001 Nights) which was the last major portfolio by Kees van Dongen. Size:

Medium: wood engraving (after the watercolor). Printed in Paris in 1955 at the atelier Coulouma for "Mille nuits et une nuit" (1001 Nights) which was the last major portfolio by Kees van Dongen. Size:

Medium: wood engraving (after the watercolor). Printed in Paris in 1955 at the atelier Coulouma for "Mille nuits et une nuit" (1001 Nights) which was the last major portfolio by Kees van Dongen. Size:

Deauville. Aquarelles gravées sur cuivre par Maccard et dessins en couleurs de Van Dongen. Paris, Éditions M.-P. Trémois 1931. Text by Paul Poiret, illustrated by Kees van Dongen. Limited numbered

Jacques Villon (French, 1875-1963) Avenue du Bois (After Kees van Dongen), 1928 aquatint signed and numbered 13/200 in pencil 19 x 14 inches.  Literature: Pouillon & de Ginestet, no. 656

PIERRETTE, AU CLAIR DE LA LUNE (Holland 320), 1927, color etching, signed in pencil, copyright L. Icart Paris upper right, blind stamp lower left, image 20 ¼ x 13 ¼”, full margins,