KISHI GANTAI (1782-1865) Edo period (1615-1868), circa 1836-1853

KISHI GANTAI (1782-1865) Edo period (1615-1868), circa 1836-1853 A pair of hanging scrolls in ink on paper depicting on the right scroll a dragon grasping in its claws a branch of flowering prunus, an

RYUSAI SHIGEHARU (1803-1853) Edo period (1615-1868), circa 1829 An oban tate-e print entitled Goban Tadanobu depicting Ichikawa Hakuen in the role of Sato Tadanobu defeating a foe using a go board, si

KATSUSHIKA TAITŌ II (ACTIVE CIRCA 1810-1853) Edo period (1615-1868), circa 1830-1844 An ōban tate-e harimaze print entitled Monkey Bridge in Moonlight with calligraphy in stone-rubbing style

UTAGAWA KUNISADA I (TOYOKUNI III, 1786-1864) Edo period (1615-1868), circa 1836 A vertical nagaban-e print entitled Goko shōgun no uchi Kan'u (General Kan'u, One of the Five Tiger Generals), from

Katsushika Hokusai (1760-1849) Edo period (1615-1868), circa 1832 An oban yoko-e print of Izumizaki yagetsu (Night Moon at Izumizaki) from the series Ryukyu hakkei (Eight Views of the Ryukyu Islands),

Utagawa Kunisada (1786-1865) Edo period (1615-1868), 1829 An aiban yoko-e uchiwa-e (fan print) of a courtesan holding a shamisen from the series Bijin geizukushi (Assortments of Beauties' Accomplishme

UTAGAWA KUNIYOSHI (1797-1861) Edo period (1615-1868), circa 1833-1835 Two oban tate-e warrior prints: the first of Inumura Daigaku Masanori from the series Honcho Suikoden goyu happyakunin (800 Heroes

A PAIR OF PORCELAIN COFFEE POTS Hizen Ware, Imari Type Edo period (1615-1868), circa 1700 Each of conical form tapering to the top, set on three scalloped feet and applied with a loop handle pierced t

UTAGAWA HIROSHIGE (1797-1858) Edo period (1615-1868), circa 1834-35 An ōban yoko-e print entitled Gokai, Yoshitsune Hiyodori-goe no kenshun nansho o yojinoboru (Part 5: Proceeding along a Shortcu

UTAGAWA KUNIYOSHI (1797-1861) Edo period (1615-1868), circa 1826-1830 Two oban tate-e warrior prints: the first of Seikaken no san Busho from the series Tsuzoku suikoden goketsu hyakuhachinin (108 Her

UTAGAWA KUNIYOSHI (1797-1861) Edo period (1615-1868), circa 1827-1830 Two oban tate-e warrior prints of Tanmeijiro and Motosei Komei from the series Tsuzoku suikoden goketsu hyakuhachinin (108 Heroes

Utagawa Kuniyoshi (Japanese, 1797-1861), Six Woodblock Prints Edo period (1615-1868), circa 1847, includes six woodblock prints from the series "Biographies of the Loyal Retainers," published by Eibya

Utagawa II Kunisada (Japanese, 1823-1880), Two Prints From Fifty-Four Modern Feelings (Murasaki Shikibu Genji Karuta)Edo period (1615-1868), circa 1857, ink and colors on paper, woodblock print, publi

An Unusual Japanese Blue and White Porcelain Brush Pot with Foreigners Edo period (1615-1868), circa 1800, Arita ware, a mottled porcelain brush pot, unusual for its evidence of finger modeling throug

Utagawa Kunisada (Toyokuni III) (Japanese, 1786-1865), Twelve Woodblock PrintsEdo period (1615-1868), includes twelve prints depicting Chushingura or the Loyal Retainers, based on the story of the for

Utagawa Kunisada (1786?1865, Japan). 19th century, Edo period (1615?1868) Japanese woodblock depicting a Kubuki scene, title "Actor as Master of Sagamiya (Sagamiya teishu)". Sight size: 13.25"h x 9.25

UGATAWA YOSHITOMI (ACTIVE CIRCA 1850-60) Edo period (1615-1868), 1861 An ōban tate-e print entitled Gaikokujin fune, battira (Views of Foreign Ships: Battira), signed Ichigeisai Yoshitomi ga, pub

UTAGAWA KUNISADA (1786-1864) Edo period (1615-1868), 1853 A set of 55 chūban tate-e prints from the series Tōkaidō gojūsan tsugi no uchi (53 Stations of the Tōkaidō Road)

Torii Kiyonaga (Japanese, 1752-1815). Group of two woodblock prints after the noted Edo period (1615–1868) print maker Torii Kiyonaga, comprising "Ninth Month"-circa 1794, woodblock print on paper,

Two Edo Period Japanese Woodblock Print Diptychs Edo period (1615-1868), the first by Utagawa Kunisada (Japanese, 1786-1865), two prints from a triptych of two ladies in kimono and a dapper dressed ma

ANONYMOUS (18TH-19TH CENTURY) Flock of Cranes Edo period (1615-1868), 18th/19th century A six-panel folding screen in ink, color, and gold on paper depicting a flock of 17 cranes standing on the shore

RAKU RYŌNYŪ (KICHIZAEMON IX, 1756-1834) A Red Raku Ware Tea Bowl Edo period (1615-1868), after 1811 The earthenware chawan featuring a variegated glaze of shades of red, orange, gray, black,

A LACQUERED AND GILT-WOOD FIGURE OF AMIDA NYORAI Probably Edo period (1615–1868) The Buddha seating on a lotus throne with the right hand in vitarka mudra, the left hand resting on his thigh, tw

ANONYMOUS Cranes with Prunus Blossoms Edo period (1615-1868), 19th century A two-panel folding screen, ink, colors, gofun (calcified crushed oyster-shell gesso), and gold on paper within a double silk