Luigi Marta, 19th Century Italy, oil on panel, man w/ a

Luigi Marta, 19th Century Italy, oil on panel, man w/ a violin, 13 x 10 inches

LATE 19TH C. FRAMED OIL ON BEVELED EDGE MAHOGANY PANEL OF MAN ALONG A ROCKY COAST ATTENDING FISHERMAN IN BOAT SIGNED LOWER RIGHT; 3.75"H X 5.5"W IMAGE, 11"H X 12.5"W OVERALL; CONDITION: DIRTY, NEEDS C

19th C Portrait of a Young Man Oil on Panel. Size: Framed: 10" H x 9" W x 1.5" D; Sight: 6" H x 5" W Provenance: Production of “Dickinson”

Portrait of a man oil on panel Showing a man wearing a hat, with a long white beard, no apparent signature; framed, with remnants of old paper label on verso h. 12-1/2 w. 9-1/2 in. overall: 16-1/2 x 1

American School, portrait painting, American School (19th c.), folk art portrait painting of young man, oil on panel, no signature visible, 23"h x 21"w (unframed)

ANTONIO ZONA (ITALY, 1813-1892) OIL ON CANVAS, 19TH C, H 23", W 20", PORTRAIT OF ITALIAN MAN A 19th century oil on canvas by Antonio Zona. Depicting the portrait of a young Italian man. Artist's signa

18th / 19th C Oil on Wood, Old Man / Monk Reading with Beast. Panel measures 6.5 inches H x 9 W, frame measures 13.5 x 11 inches.

Oil on panel Old Master style portrait, 19th century, depicting an older working class bearded man wearing a cap, and warm coat, having no apparent signature, 19"h x 15"w, overall size with frame, 25"

Painting on wood panel. 19th C. Copy of Botticelli's Painting of Giuliano of Medici from 1748 Purchased by Charles and Juditjh Keller in Italy in early 1960's27"H. x 19"W.

Fine Portrait of a man with partial portrait on verso. Oil on wood panel. American, 19th century. Panel size H 16" W 12-1/4" Frame 19-7/8" W 16-1/8". CONDITION: Inspected under UV light. No restoratio

Framed religious retablo oil painting on metal panel, Mexico, 19th c., The Eucharistic Man of Sorrows (Mystical Vine), depicting Christ kneeling before seven lambs, sight: approx 13.5"h, 19.5"w, overa

(lot of 2) German School (19th century), Portrait of a Man in Glasses and Portrait of Seated Woman in Blue, oils on canvas/panel, each unsigned, overall (with frame/each): 16"h x 13.5"w. Provenance: F

Old Master style portrait of man, 19th C., oil on wood panel, man with long auburn hair and beard and downcast eyes, simple tunic, indistinctly signed lower left corner, framed, stamped Stephen Schoen

ORLANDO NORIE (1832-1901) A 19TH CENTURY OIL ON PANEL MILITARY MEN IN A TAVERN signed and mounted in later frame (29cm high 39.5cm wide)

19th C. Oil/Canvas of old man w/ Pipe, interior scene. Signed middle right. Appears to be 'Edelman'. Craquelure throughout. Sight Size: 15.5 x 11.5 in.

Portrait painting of a man in a suit seated a desk, a dramatic landscape visible through a window behind him. Housed in an antique carved gilt frame having overall scrolling foliage motif. Panel measu

E.C. BARNES (BRITISH, 19TH C), OIL ON MAHOGANY PANEL, H 12", W 10" PORTRAIT OF LADY An oil on mahogany panel by E.C. Barnes. Depicting a three-quarter portrait of a young lady in the gardens. Artist's

American school, 2nd quarter-19th century. Oil on wooden panel, unsigned. Red haired man with pale blue eyes and matching coat. Chalked name "Henry Smith" on back. Revarnished with some inpainting. 22

19th century Continental carved walnut architectural panel, of elongated rectangular form, having a molded crest, flanked by endcaps depicting Green Man masks in profile issuing scrolling leaves and e

19th C Oil on Canvas 4 Panel Room Divider. 78" W 69 3/4" H

Russian Icon of Saints Konstantine and Helena, 19th c., oil on panel, H.- 12 1/4 in., W.- 9 5/8 in.

Fernand Gargiulo (Sorrento, Italy, 19th Century) Panel Depicting a Man Serenading a Woman fruitwood marquetry and inlay inscribed "Fernand Gargiulo, Villa Gargiulo Sorrento" 18 1/2 x 14 inches

19th century. Oil on wooden panel. Dimensions: H 14" x W 10.12" x D .75" Condition: Crazing. Overall wear. Crack at top. Loss at upper right-left side.

19th century. Oil on wooden panel. Dimensions: H 14" x W 9.5" x D 1.5" Condition: Overall crazing. Heavy wear mark to lower middle. Loss throughout edges. Larger losses to top area.