Lygia Clark (Attributed to)- Constructivist painting

Title: Lygia Clark (Attributed to) - Constructivist painting Date: 1952 Medium: Oil on canvas glued on cardboard Dimensions: 21 x 31cm (Area painting unframed) Description: Lygia Clark is one of the m

Artist/Title: Lygia Clark (Attributed to) - Constructivist painting Description: Lygia Clark is one of the most famous brazilian modernist painters. This amazing painting was acquired in 1970 Private

Title: Lygia Clark (Attributed to) - Constructivist charcoal on paper 1952 Medium: charcoal drawing on paper Dimensions: 25 x 29cm (Area drawing unframed) Description: Unframed: 16" x 23" Lygia Clark

Title: Lygia Clark - Constructivist charcoal on paper 1952Medium: charcoal drawing on paperDimensions: 25 x 29cm (Area drawing unframed)Lygia Clark was a Brazilian artist best known for her painting a

Frame: 16" x 23" Shipping in USA $ 120 Lygia Clark was a Brazilian artist best known for her painting and installation work. She was often associated with the Brazilian Constructivist movements of the

Frame: 18" x 17" Shipping in USA $ 80 Lygia Clark was a Brazilian artist best known for her painting and installation work. She was often associated with the Brazilian Constructivist movements of the

ELIOT CANDEE CLARK (AMERICAN, 1883-1980), ATTRIBUTED, LANDSCAPE PAINTING, oil on canvas, a tranquil scene depicting a tree-lined stream, no signature located. Housed in a modern frame. Mid 20th centur

Attributed to Alson Skinner Clark (American, 1876-1949), Park View with Fountain, oil on canvas (laid down on board), unsigned, overall (with frame): 17"h x 23"w

(lot of 4) Attributed to Clarence Clark Rosenkranz (American, 1871-1959), Greek Boxer Scene, circa 1912, oils on wood panel, unsigned, panels: 45"h x 24"w, overalls (with frames). 50.5" h x 29.5" w

attributed to WILLIAM CLARK (Scottish 1803-1883) A PAINTING, "British Steamer, Buffalo," oil on canvas. 21 1/4" x 40 1/2"

Circa late 19th century, oil on canvas, mounted in original ornate gilt frame, attributed to Chester H. Clark Studio at Julien DeLeCluse Academies, Paris France, has narrow repair patch on reverse, 27

LANDSCAPE, attributed to Jacques Collins, impasto oil painting on canvas, 20 x 24”.

LANDSCAPE WITH SUN, attributed to Jacques Collins, impasto oil painting on canvas board, 20 x 24”.

Tempera on paper Constructivist composition, ca. 1920–1929, attributed to Alexander Vesnin, Russian, Soviet, 1883–1959. Signed in Cyrillic: A. Vesnin on the lower left margin. On the bac

attributed to Walter Englehardt DESERT LANDSCAPE, oil painting on canvas, inscribed on stretcher bar, 12 x 16”, frame 16 x 20”; Steven Gaal DESERT LANDSCAPE, gouache on paper or board, sig

ELIZ, WIFE OF HONORABLE JAMES BERTIE, DAUGHTER OF GEORGE 7th, LD WILLOUGHBY, 1692, OF PARHAM, oil painting on canvas, titled lower left, 50 x 40”, framed, professionally relined, surface scuff and s

SEASCAPE, MONHEGAN, oil painting on canvas mounted to board, appears to be signed or initialed lower right, 8 x 10”, framed. Provenance: Mirell Gallery, Miami, purchased in 1966.

LANDSCAPE, oil painting on canvas mounted to Masonite, 16 x 20”, frame 23 x 27”.

MAN POLING A RAFT IN AUTUMN, oil painting on canvas, 8 x 12 ¼”, frame 14 x 18 x 4”. From the personal collection of Mr. Hugh Duffield.

VILLAGE CONVERSATION, oil painting on wood panel, 7 ¼ x 9 ¾”, signed lower left, frame 16 x 19 x 3”, with placard on front and small tag on verso.

LANDSCAPE, oil painting on unstretched canvas without margins, 5 x 10 1/8", no signature found, framed, canvas waxed, in aged condition.

SAILING, oil painting on canvas on wood board, signed J. Williams lower right, 24 x 31”, frame 30 x 37”. Note: Artist signed using several aliases.

TELEPHONE LINES, oil painting on Masonite, signed lower right, 23 ½ x 19 ½”, frame, 30 ½ x 27”.

LANDSCAPE (most likely Santa Barbara), 1928, oil painting on canvas mounted to Masonite, signed A. M. Podchernikof and dated lower left, 25 x 20”, frame 29 ½ x 24 ½”.