attributed to WILLIAM CLARK (Scottish 1803-1883) A PAIN

attributed to WILLIAM CLARK (Scottish 1803-1883) A PAINTING, "British Steamer, Buffalo," oil on canvas. 21 1/4" x 40 1/2"

William Clark of Greenock Scottish, 1803-1883 The 1835 Royal Northern Club Regatta off Greenock Signed W. Clark and dated 1835 (ll) Oil on canvas 15 x 22 inches (38 x 55.8 cm) Provenance: Purchased di

Attributed to William Aikman (Scottish, 1682-1731)Portrait of a Gentleman, Bust-LengthOil on canvas, framed in the oval (with 'Hay & Lyall, 2 Market Street, Aberdeen' stretcher label)30 3/8 x 24 1/2 i

attributed to WILLIAM TURNBULL (Scottish 1922-2021) A SCULPTURE, "Unicycle," bronze and wood. Height: 29" Width: 8" Depth: 4 1/2" Provenance: Personal Collection of Roy H. Van Horn, Houston, Texas.

Attributed to William Hepburn (Scottish/ American, 1817-1891), Self Portrait Holding a Palette, oil on canvas, unsigned, possible pencil attribution on stretcher,15 x 12 in., framed.

(lot of 2) Framed engravings from the "Collection of Etruscan, Greek, and Roman Antiquities from the Cabinet of the Hon'ble William Hamilton, 1776" (William Hamilton, Scottish, 1730-1803, British Amba

Framed engraving on paper, from the "Collection of Etruscan, Greek, and Roman Antiquities from the Cabinet of the Hon'ble William Hamilton, 1776" (Sir William Hamilton, Scottish, 1730-1803, British Am

William Leighton Leitch (Scottish, 1804-1883). Original watercolor painting. Titled "Cattle Before A Castle, 1859." A landscape scene with cows drinking from water with a beautiful mountain background

William Leighton Leitch (Scottish, 1804–1883). An original watercolor painting on paper. A sweeping figural landscape with mountains, trees, figures, and a horse. Artist signature and dated to lower

Two Fine 18th Century Portrait Miniatures With Massachusetts Interest watercolor on , unsigned, the first attributed to William Verstille (MA, 1757-1803), depicting a gentleman in powdered wig, wearin

ARTIST: ATTRIBUTED TO Robert Ranald McIan (British, Scottish, 1803 - 1856) NAME: Scottish Boy with Flute and Dog YEAR: 1850 MEDIUM: oil on canvas CONDITION: 1 1/2" scratch in lower right corner. Some

ELIOT CANDEE CLARK (AMERICAN, 1883-1980), ATTRIBUTED, LANDSCAPE PAINTING, oil on canvas, a tranquil scene depicting a tree-lined stream, no signature located. Housed in a modern frame. Mid 20th centur

LANDSCAPE, oil painting on canvas mounted to Masonite, 16 x 20”, frame 23 x 27”.

Y SCOTTISH REGENCY ROSEWOOD CENTRE TABLE, ATTRIBUTED TO WILLIAM TROTTER EARLY 19TH CENTURY the circular top above a bead moulded frieze, raised on four scrolled supports with flower head terminals, on

(Scottish, 1804-1883) watercolor and gouache over pencil on paper, "WLL" estate stamp l.l.c., verso bears an old gallery label. Leitch was drawing master to Queen Victoria and her household for 22 yea

Loch near Stratherrick Oil on canvas Signed and dated 1883 lower left Titled to remains of label, versoSize: 13 x 22 in.

Attributed to William Johnstone, no coa, private collection, medium: oil, measurements: 48"WX30"H no frame, mint condition Biography: William Johnstone OBE was a Scottish artist and writer, and Princi

William Ewart Lockhart. (Scottish, 1846-1900). "The House of the Chase, Pompeii". Antique etching on thick laid paper after the original by master etcher Alfred Louis Brunet Debaines (1845-1939). 1883

William Leighton Leitch (1804-1883) William Leighton Leitch (1804-1883) Highland Loch; Scottish landscape two watercolours, the first with Fine Art Society gallery label verso 22 x 32cm and similar (2

1883 1ed VIOLIN How to Master Classical MUSIC Instruction Instruments Honeyman William Honeyman was a 19th-century Scottish musician known for his written works both on how to play the violin and his

MAN POLING A RAFT IN AUTUMN, oil painting on canvas, 8 x 12 ¼”, frame 14 x 18 x 4”. From the personal collection of Mr. Hugh Duffield.

William Hamilton GREEK MEN AND HORSE, engraving, inscribed P. 47 and VIII, sight 8 ½ x 13 ½”, frame 17 ¾ x 22” with glass; Scognamiglio POMPEI BACCANALE, Italian Grand

EVENING IN THE CAMPAGNA, watercolor on paper or card, signed lower right, insignia lower right, sight 11 x 16”, old labels on verso, discardable frame 23 x 30” with glass.

ATTRIBUTED TO VASSILY ALEKSEEVITCH VATAGIN (RUSSIAN 1883-1969), MIXED MEDIA AND INK ON PAPER, UNTITLED GEOMETRIC ABSTRACT, SIGNED. SHEET 23 1/4 X 19 1/2"