Manner of Carlo Maratta The Adoration (together with

Manner of Carlo Maratta The Adoration red conte on grey paper, feigned oval, mounted by unframed, 33 x 23.7cm (13 x 9 5/16in). together with another similar, classical scene attributed to Françoi

In the Manner of Carlo Maratta (Italian, 1625-1713) 'Visions of St. Anthony of Padua' Oil on Canvas Undated and unsigned depicting the saint holding the Christ Child as Mary looks on, in a gold-tone g

DESCRIPTION: "The Annunciation". The Madonna reading a book with the Angel Gabriel over her shoulder. Manner of Carlo Maratta. Unsigned. Oil on canvas. In carved wood and plaster frame. MEASUREMENTS:

In the manner of Carlo Maratti (Italian, 1625-1713) "Adoration of Magi" oil on canvas, plaque bearing the name of C. Maratti. Image size: 25.5" x 19.5" Provenance: Cathedral Village Retirement Communi

Attrib. Carlo Maratta- Baroque -1625-1213 St. Joseph/with Jesus Brown pencil 10.5/8 17 cent late Baroque manner drawing on brown woven paper. Very typical of Marratta style of drawings. Signed bottom.

School of CARLO MARATTA (Camerano, 1625 - Rome, 1713), late 17th century. "Assumption of the Virgin with the Doctors of the Church". Period copy of the painting by Carlo Maratta in Santa Maria del Pop

Portrait of Madonna Oil on canvas Plaque on giltwood frame provides attribution H 44", W 37 1/2" (framed) H 35", W 28"

Attributed to Carlo Maratta 16th/17th Century, Oil on Canvas, inscribed to back stretcher with artist attribution and title, "Head of St John the Evangelist (Writing)," framed. Height of art 19 3/8 in

An Italian spider web glass top dining table in the manner of Carlo de Carli circa 1950. Ht: 29.5" Wd: 81.25" Dpth: 40"

Attributed to: Carlo Maratta (Italian, 1625-1713) Portrait of the Infant Jesus, Oil on Canvas, Unframed, Image Size: 15-1/2 x 19-1/2 inches Condition: Average for its age and type

American, ca. 1960, brightly gilded in the 17th century style. Rabbet: 14 1/4" X 10 1/4", Overall: 21 1/2" X 17 1/2", Molding: 4"

Carlo Maratta (Italianate) 1625-1713. Madonna and Child with the Young St. John. Etching, 1647. Bartsch XXI-92-9, ii/II. Signed in the plate, l.l. Dated and inscribed in the plate, "INV ET SCL", l.r.

18th c. Carlo Maratta frame. 12 7/8" x 13" (sight size), 14" x 14 1/8" (rabbet size), 21 1/8" x 21 1/8" (overall).

After Carlo Maratta (Italian 1625-1713) Augustus Closing the Temple of Janus, engraved by Johann Jakob Frey (1813-1865) after the original painting dating to 1738, matted and framed under glass with r

Measures approximately: 8 1/2" by 5 3/4". 1625 Rome.

Italian,19th century or earlier, carved and applied ornament in the Carlo Maratta style. Rabbet: 36" X 47", Overall: 42" X 54", Molding: 3 1/2"

Italian,19th century or earlier, carved and applied ornament in the Carlo Maratta style. Rabbet:18 1/4" X 30 1/4", Overall: 24 1/4" X 36 1/4", Molding: 3 1/2":

American, 20th century. Overall 31 1/2" x 38 1/2", Rabbet 27" x 34", Molding 2 1/2"

18th century Old Master painting. Attributed to Carlo Maratta. Madonna and Child. Oil on canvas. Elaborate painted gilt frame. Inscribed Carlo Maratta on reverse. Sight size: 10" x 8". Overall size: 2

(Camerano, 1625 - Roma, 1713) Scena mitologica Olio su tavola tonda, diam. cm 13 Sul retro della tavola è posto un cartellino recante la scritta a matita: 'Opera del Pittore Carlo Maratta' e sotto

Tapi after Carlo Maratta (1625-1713), oil on canvas, "Head of Christ", set in a very good carved and pierced gilt and gesso frame, "Alfredo Candida & Co. Florence" label on verso, painting is signed o

An antique Italian oil painting relined with an 18 century stretcher canvas depicting Madonna with a sleeping child, after the original painting by Carlo Maratta, Italian, 1625 to 1713. Framed. Carlo

the first: Carlo Maratta (1625-1713), The Virgin and Child with the Young St. John the Baptist, on cream laid paper; the second: a nativity scene attributed to Bartolomeo Biscaino (1629-1657), sheet t

Engraving "Christ with St. Ambrose, Saint Mary, Saint Charles Borromeo, and Saint Thomas the Apostle and Angels", etching on paper by Pietro Aquilo after Carlo Maratta, probably 18th or 19th C, 24-3/4