Manner of Thomas Sully (British, 19th Century)

Manner of Thomas Sully (British, 19th Century) Woman with a Gold Ring oil on canvas 24 1/8 x 20 inches.

A portrait of a young woman in the manner of Thomas Sully, in a 19th century gilt gesso frame. Unsigned.   Dimensions: Sight is 28" x 24", the canvas overall is 32" x 27". The

Manner of Sir Thomas Lawrence (British, 1769-1830) Early 19th Century Portrait of a Gentleman oil on canvas 31 x 25 3/4 inches. Property from the Collection of Donald Schreiner, Rockford, Illinois

Manner of Thomas Beach (British, 1738-1806) Late 18th/Early 19th Century Peter Ryves Hawker, Colonel of H.M.'s First Troop of Horse Guards oil on canvas signed Beach pinxit/ 1788 (lower left) 28 1/2 x

early 19th century, manner of Thomas Hope, inset leather top, two frieze drawers and reverse faux drawers, trestle base with molded scrolls and acanthus accents, turned stretcher, inset casters, 28 x

Chinese Lantern Maker's Shop And Dinner Party At A Mandarin Palace, Two Colored Engravings, Sight 7.5 X 11.5 Inches, Giltwood Frame, 16 X 20 X 1.5 Inches, Paper Toned, Frames Dented. See Photos For Ad

Style of THOMAS SULLY (Mid. 19th Century), Portrait, Possibly a Young Queen Victoria, oil on panel, (Approximate dimensions - panel: 10 x 12.5 inches, framed: 16.5 x 14.75 inches); label verso: Prepar

PAIR OF GILT BRONZE CANDELABRA, IN THE MANNER OF THOMAS ABBOTT 19TH CENTURY the stems modelled as cranes with coronets to the necks in the Chinoiserie taste, standing on a naturalistic domed bases cas

American Renaissance Revival step-down dresser with mirror, in the manner of Thomas Brooks, 19th century, executed in mahogany with burl veneer, the arched crest carved with central shell cartouche ab

A George III Carved Mahogany Architect's Desk Manner of Thomas Chippendale, 19th Century Height 29 1/2 x width 36 x depth 24 inches. This lot is located in Chicago. Property from the Collection of Dr.

After Thomas Henry (British, 19th/20th Century) oil on canvas painting. Depicts the Mauretania leaving the river Tyneon on her maiden voyage. Unsigned. Work measures 29 1/2" x 39 1/2". Housed in frame

After Thomas Green (British, 18th/19th Century) From 'Universal Herbal, vol. 1'. Two hand-colored engravings dated to 1820. Together with three color lithograph botanicals 8" x 9.75" Frame: 14.5" x 16

A MAHOGANY SILVER TABLE IN GEORGE III STYLE, IN THE MANNER OF THOMAS CHIPPENDALE, LATE 19TH CENTURY The pierced gallery above the rectangular top, on blind fretwork legs72cm high, 81cm wide, 55cm deep

A CARVED MAHOGANY SIDE TABLE IN THE MANNER OF THOMAS CHIPPENDALE, LATE 19TH CENTURY 80cm high, 111cm wide, 52cm deep

English Georgian period mahogany corner chair, in the manner of Thomas Chippendale, early 19th c., having rounded top rail, pierced splat back, upholstered seat, rising on front cabriole leg, ending o

ENGLISH CAMEO GLASS SILVER-PLATE MOUNTED BISCUIT BARREL, IN THE MANNER OF THOMAS WEBB LATE 19TH CENTURY the globular ruby glass body overlaid in white and carved with various shell and seaweed motifs;

An oil painting on cardboard depicting a portrait of a Terrier dog with a leather collar, after the original oil painting by Thomas Earl, British, 1810 to 1876. Thomas Earl was a British 19th Century

MANNER OF THOMAS BIGELOW CRAIGAmerica, 19th CenturyCows in a field. Signed lower right “Thos B Craig”. Signature likely a later addition.Oil on board, 5.25” x 9.25”. Framed 9.7

Thomas and William Daniell (British, 18th-19th Century) Two Hand-Colored Aquatints. 'A Baolee Near the Old City of Delhi' 1802, and 'The Entrance to Kailasa' engraved by Thomas Daniell after James wal

A pair of William IV gilt and patinated bronze stork form candlesticksin the manner of Thomas Abbottsecond quarter 19th centuryheight 15 1/2in (39cm); width 6 1/2in (17cm); depth 5 1/2in (14cm)

Regency Egyptianesque Inlaid and Ebonized Mahogany Stand, early 19th c., manner of Thomas Hope, sarcophagus-form case flanked by pharaoh masks, splayed legs, h. 31 1/2 in., w. 16 1/2 in., d. 16 1/2 in

Manner of Joseph Mallord William Turner (British, 19th Century). Unsigned, titled and dated Jan. 20th 1830 l.r. Sepia ink and wash on paper, overall with light toning, mat burn along the margins with

Octavius Thomas Clark, British, 1850-1921. A late 19th century oil on canvas landscape. Depicts a hatched roof cottage at the bank of a pond with church spire in the distance. Signed "O.T. Clark" lowe

THOMAS COLLINS (Late 19th Century) British. Still life of flowers on a mossy bank, a pair of oil on canvas paintings. Each signed and dated 1893, each 7" x 9", (2).