Mark X. Farina (20th/ 21st Century) Californian (two)

FOLLOW THE MONEY, 2009, aerosol paint and screenprint on canvas, initialed and dated and titled on stretcher bars, 16 x 16”, a few smudges and scuffs; ELVIS, THE UNTOLD STORY, color screenprint, ini

SURFS UP; BEACH HOUSE, two color giclees with some acrylic painting, signed and numbered 26/295 & 3/295, both with wavy wooden frame, overall 12 x 14 x 2 ¾” & 14 x 12 x 2 ¾”. (2)

CROWS, two charcoal drawings on paper, one on a map of North America, both signed lower left, sheets 14 x 11” & 14 ½ x 10 ¼”, the map with a small pre-existing tape stain upper right corner, bot

MAGGIE II, 1998, oil painting with sand on canvas, signed and dated and titled on verso, 36 x 24”; ROSE, 1994-2000, oil painting on panel, signed and dated on verso, 48 x 11 ”, both in good studio

Comprising a twin handled jar and cover with traditional scenes [4 1/2 x 5 3/4 x 4 inches]. 20th-21st century. Accompanied by a small shouldered vase with floral decoration. No marks. 19th-20th centur

A Keleen Leather-Upholstered Two-Seat Sofa Late 20th/Early 21st Century Height 29 x width 83 x depth 38 inches. Property from the Collection of Mark and Patricia McGrath, Chicago, Illinois

NORTHWEST PERSIAN RUG: 4’4” X 10’10”20th/21st CenturyTwo bold deep crimson, dark orange, khaki, charcoal and ivory stylized elements fill a dark charcoal field. Three red and k

CAMPBELL SOUP FLAG, ceramic sculpture from broken vintage McCoy Company soup bowls, 27 ½ x 37 ½” including frame. A similar flag with an estimate of $400/600 from Tommy Hilfiger’s collection sol

Jo Ramirez MILAGRO (Downtown L. A.), 1998, acrylic painting on wood, signed and dated lower right, 40 x 21 ”, in good studio condition; Together with Alice Childrey MERRITT LAKE, OAKLAND, acrylic pa

STANFORD HILLS #81-1994, charcoal drawing on paper, initialed and dated in pencil lower left, 20 x 30”, framed. Provenance: Tatistcheff Gallery Inc. Los Angeles

STILL LIFE, color giclee with extensive acrylic painting, signed and numbered 41/295 lower left, with wavy wooden frame, overall 32 ½ x 26 ½ x 4 ½”.

CROW, charcoal drawing on paper, signed lower right, sheet 36 x 22”, framed, in apparently good studio condition.

C. MILLER20th/21st CenturyTwo sailboat paintings. Both signed lower right.Oils on panel, 4" x 6". Framed 8" x 10".

David Whalen SURREALIST STUDIO, 2000, oil painting on board, initialed lower right, signed and dated on verso, 18 x 12”, framed, in good studio condition; Together with David Hildago THE ATTENDANT,

GRAFFITI, 2007, spray painting on canvas, signed on verso, 30 x 48”. Provenance: Scion Installations, Culver City.

Sidney Lee (American, 20th/21st Century) Two Landscapes oil on canvas each signed 'Sidney Lee' in lower corner Each 10 x 12 inches.

each: 2015; oil on canvas; signed and dated lower left; the first: "Quilt Dissolving #1"; the second: "Quilt Dissolving #2" Each frame; 24 1/8 x 24 1/4 in. (61.3 x 61.6 cm.)

each 2013; oil on canvas; signed and dated lower right, one unframed, 23 3/4 x 24 in. (60.3 x 61 cm.), the other framed, 24 1/4 x 24 1/4 in. (61.6 x 61.6 cm.)

UNTITLED, 1991, oil painting on copper over panel, signed and dated on verso, 24 x 24”, in good studio condition.

Leins (French, 20th/21st century) Two Works; Untitled (Study of the Arc de Triomphe), c. 1990 and Au Cadet de Gascogne, c. 1990 oil on canvas each signed Leins (lower rght) Largest 22 x 27 inches. Est

GIRL ON RAILING OF STAIRS, 1989, oil painting on canvas, initialed and dated lower left, 102 x 96”, in good studio condition.

the first: Jim Nelson, "Raven's Moon", oil on board; signed and titled verso (9 x 6 in., frame: 9 1/4 x 6 1/4 in. ); the second: Craig Kossak, "Her Promise", 2015, oil on board, signed, dated and titl

HANDS, 2005, graphite and lacquer on wood panel, signed and dated on verso, 48 x 48”, in good studio condition.

BOWLING SIGN, watercolor on paper, signed lower left, sight 28 x 12 ”, framed with glass, in apparently good studio condition. Provenance: Orlando Gallery, Tarzana.