MARTIN LEWIS (American, 1881-1962) Eastside Roof

Martin Lewis (American, 1881-1962) Rainy Day, Queens (McCarron 94) Drypoint, 1931, on laid paper, signed in pencil, one of 70 recorded impressions, with margins, framed Plate 268 x 300mm (10 1/2 x 11

Martin Lewis (American, 1881-1962) 1927, Clearing Rain, Evening, Japan, H 14.825'' W 9.325'' Signed in pencil and annotated 'imp', from the edition of 72. Literature: McCarron 59

Martin Lewis (American 1881-1962)- ''The Return'' (Mc Carron 45)- drypoint and sandground, 1925, signed in pencil, edition of 36, slight mat burn. 7 3/4 x 9 7/8''

and Engraving. Inscribed lower left. A later impression by Edna Myers, Montreal after the original 1939 print. Old auction label affixed verso. Martin Lewis (American, 1881–1962). Dimensions: Plate

MARTIN LEWIS (AUSTRALIAN-AMERICAN, 1881-1962) "THE PASSING FREIGHT, DANBURY", drypoint etching on paper, a fine, crisp impression, pencil signed and inscribed "Trial Proof #2 / Martin Lewis" in lower

Lot 16 Martin Lewis Australian/American (1881-1962) Hi-Li Tournament (1937) drypoint pencil signed lower right plate: 8 3/8 x 13 1/4 inches Provenance: Property from the Estate of Eleanor Jacobs The O

Artist: Martin Lewis, Australian/American (1881 - 1962) Title: Ha'nted Year: 1932 Medium: Drypoint Etching, signed in pencil Image Size: 13.5 x 9 inches Frame Size: 21.5 x 17.5 inches

Martin Lewis (Australian/American, 1881-1962) Boss of the Block, 1939 etching and aquatint signed Martin Lewis imp. in pencil lower right margin inscribed Final Trial Proof in pencil lower left margin

Martin Lewis (Australian/American, 1881-1962) Angry Man, 1935 drypoint signed in pencil lower right margin inscribed Trial Proof in pencil lower left margin Rives blindstamp upper left margin inscribe

Etching by Martin Lewis (Australian/American 1881-1962), titled Boss of the Block to verso; depicting a woman's profile, with hands on her hips, standing amid a city street; signed in penc

(American, 1881-1962)Politics (Mc. 118), 1936, trial proof no. 6 of 11 artist's proofs from a total edition of 27, signed lower left in pencil "Martin Lewis" and in plate lower left, inscribed in penc

Drawing on paper. Good condition, no breaks or damage. Note: All pieces in this catalog are sold in the artist's style, which means that the piece may have been painted by the artist or by someone els

Martin Lewis (1881-1962) Which Way? 1932 The fine aquatint etching from an edition of 53 prints or fewer is signed by the artist in pencil below the image lower right. An exceptional example of Americ

Martin Lewis 1881-1962 Corner Shadows drypoint and etching on laid paper 1930; signed in pencil lower right Image: 8 x 8 7/8 in. (20.3 x 22.5 cm.), Sheet: 11 x 12 3/8 in., Frame: 18 x 18 in. (45.7 x 4

Martin Lewis (1881-1962 New York) "Building A Babylon (Tudor City, New York)" Etching, 1929. Edition of 100. Pencil signed and inscribed "IMP." at bottom right. Impression measures 13x8". Overall fram

Martin Lewis (1881-1962) R.F.D. (McCarron 106), 1933 Drypoint and sand ground etching on laid paper, signed in pencil, from the total edition of 148, with margins. 9 7/8 x 11 3/4in (25 x 30cm) sheet 1

Martin Lewis (1881-1962) original pencil signed etching. Signed in pencil 'Martin Lewis' lower right. Titled and numbered in pencil lower left "31/60 Beaching the Boat". Measures 7" x 10" (plate size)

ETCHING THE STREET BOOTH SIGNED MARTIN LEWIS (1881-1962 AUSTRALIA, NEW YORK, CONNECTICUT) PRESENTED "TO BETTY", C. 1930'S, 14" X 10" SIGHT, 23 1/2" X 19 1/2" OVERALL

Martin Lewis (1881-1962) Clearing Rain, Evening, Japan (McCarron 59), 1927 Drypoint, on laid watermarked paper, signed in pencil and annotated 'imp', from the edition of 72, with margins slightly unev

Martin Lewis (1881-1962) Boss of the Block 1939 The final trial proof etching with aquatint was printed in an edition of 212 prints to benefit the Art Students League of New York and is signed by the

Martin Lewis (1881-1962) Rain, Japan 1927 The drypoint etching published in an edition of only 50 prints is signed by the artist in pencil below the image lower right and titled in the margin by a dif

Martin Lewis (1881-1962) Bridge Near Nikko 1926 The etching with sand ground technique printed on FRANCE watermark paper in an edition of only 29 prints is signed by the artist in pencil lower right a

Martin Lewis (American, 1880-1962) The Bridge Near Nikko drypoint signed in pencil (lower right) 7 7/8 x 9 3/4 inches. This lot is located in Chicago. Property from the Collection of Samuel Stern, Ale

Lewis, Martin (American, 1882-1962). "Self-Portrait with Etching Equipment." c.1953. Roulette and drypoint printed in brown ink on wove paper. Edition of 25 to 50. Plate: 5 3/8" × 8 3/8" Framed: 15 1