Martin Lewis, Angry Man, 1935

Martin Lewis (Australian/American, 1881-1962) Angry Man, 1935 drypoint signed in pencil lower right margin inscribed Trial Proof in pencil lower left margin Rives blindstamp upper left margin inscribe

Pencil signed lower right: Martin Lewis, and in the plate lower left: M. Lewis. Sight: H: 8 1/2; W: 12 1/4 inches. Frame: H: 17 1/4; W: 21 inches. Prov: Paul McCarron, NYC private art dealer. Framed,

Title: Portrait of a Man. Martin Lewis (1880-1962) Medium: Dry brush drawing, c.1947. Signed "M.L" in the lower right. Stamped by the estate on verso, "Collection of Lucile Deming Lewis" and marked

MARTIN LEWIS Veterans. Lithograph, 1935. 250x342 mm; 9¾x13½ inches, full margins. Edition of only 8. Signed in pencil, lower right. A very good impression of this extremely scarce, first-kno

A funny b/w 8x10 signed by both men with COA

This photo is from the movie "Scared Stiff" (1953) and has been signed by Dean Martin, Jerry Lewis and Lizbeth Scott, Lewis dated his signature 1984. Some lucky man by the name of Ron had this photo d

Five works of interest to gay men: A Shrophire Lad leather bound 1935, Outline of My Lovewr Douglas Martin 1st pb in fine cond, Homosexuality and the Western Christian Tradition Bail;ey 1955, The Ulys

LEWIS JERRY LEE: (1935- ) American Singer and Pianist. Also known as The Killer. Lewis is widely considered as ''rock & roll first great wild man'' a pioneer of rock and roll and also as one of the mo

MARTIN LEWIS Relics (Speakeasy Corner). Drypoint, 1928. 302x252 mm; 11¾x9¾ inches, full margins. Edition of 111. Signed in pencil, lower right. A brilliant, luminous impression of this impor

Martin Lewis (1881-1962) Which Way? 1932 The fine aquatint etching from an edition of 53 prints or fewer is signed by the artist in pencil below the image lower right. An exceptional example of Americ

MARTIN LEWIS Subway Steps. Drypoint printed in dark brownish black, 1930. 345x205 mm; 13x8 inches, full margins. Second state (of 2), after the reduction of the plate. One of only 8 artist's proofs in

Title: Winter Morning, Connecticut. Martin Lewis (1880-1962) Medium: Watercolor, c.1932. Signed in watercolor lower right. Stamp on verso "Collection Patricia Lewis" and "ML 174." Image size 17 7/8

MARTIN LEWIS Yorkville Night. Drypoint, 1947. 216x290 mm; 8½x11½ inches, full margins. Signed in pencil, lower right. A superb, richly-inked impression of this scarce print. Lewis (1881-1962

MARTIN LEWIS American Nocturne. Lithograph with scratchwork, 1937. 250x366 mm; 9x14 inches, full margins. Edition of approximately 17. Signed in pencil, lower right. A very good impression of this ext

MARTIN LEWIS The Passing Freight, Danbury. Drypoint and sand ground, 1934. 227x363 mm; 8¾x14¾ inches, full margins. Artist's proof, aside from the edition of 47. Signed and inscribed "Trial

MARTIN LEWIS Subway Steps. Drypoint printed in dark brownish black, 1930. 345x205 mm; 13⅝x8⅛ inches, full margins. Second state (of 2), after the reduction of the plate. Edition of approxi

Martin Lewis (New York, Connecticut, Maine / Australia, 1881 - 1962) "Stoops in the Snow" Drypoint and sandpaper ground on cream wove paper, 1930. Second state (of 2). Edition of 115. Signed in pencil

Martin Lewis etching Bedford Street Gang. Pencil signed and titled. Dry mounted, unframed; visible image 8 3/4" x14 1/4".

Stoops in Snow  1930 signed in pencil outside plate l.r., signed within plate l.l. hand watermark u.r.  framed 10 x 15 in. (plate), 18 x 22.25 in. (frame)  Included are two

MARTIN LEWIS (AUSTRALIAN-AMERICAN, 1881-1962) "THE PASSING FREIGHT, DANBURY", drypoint etching on paper, a fine, crisp impression, pencil signed and inscribed "Trial Proof #2 / Martin Lewis" in lower

MARTIN LEWIS Chance Meeting. Drypoint, 1940-41. 265x187 mm; 10½x7½ inches, full margins. Edition of 105. Signed in pencil, lower right. Published by the Society of American Etchers, New York

MARTIN LEWIS Shadows, Garage at Night. Drypoint, 1928. 250x303 mm; 9¾x11¾ inches, full margins. Edition of approximately 49. Signed in pencil, lower right. A luminous, richly-inked impressio

MARTIN LEWIS Under the Street Lamp. Etching, 1928. 380x240 mm; 14x9 inches, full margins. Edition of approximately 83. Signed in pencil, lower right. A superb, richly-inked impression.Lewis (1881-1962

MARTIN LEWIS Charleston Practice—Lunch Hour. Etching and sand ground printed in dark brownish black, 1926. 200x250 mm; 7x9 inches, full margins. Edition of only 20. Signed in pencil, lower right