Maya Jaina Pottery Lord w/ TL, ex-Art Institute Chicago

Pre-Columbian, Mexico, Jaina/Campeche region, Maya, Late Classic Period, ca. 600 to 900 CE. So mesmerizing, this fine hand-built pottery figure depicts a Maya lord standing with feet apart and wearing

Kashmir, ca. 6th-7th century. A beautiful and sensitively-sculpted terracotta head of a Bodhisattva. Custom base. Ex: James & Marilyn Alsdorf Collection. Exhibited at the Art Institute of Chicago and

Pre-Columbian, Jaina Island, Mexico, Maya, ca. 600 to 950 CE. A mold-made sculpture in the form of an elite Mayan seated lord donning an elaborate headdress upon his coiffure - his fancy hairstyle com

East Asia, China, Tang Dynasty, ca. 618 to 907 CE. Large and very rare style of Tang pottery horse with accompanying TL report confirming the age. Made of molded clay and highlighted in added pigments

Ancient Egypt, Predynastic period, late Naqada II to Naqada III, ca. 3200 to 3000 BCE. An enormous hand-built marl clay jar with a russet-hued surface made with a thin iron-oxide slip. The burnished v

East Asia, Japan, Jomon Period, ca. 14,000 to 300 BCE, coming with a TL Report showing it was fired/ produced around 4,000 years ago. A considerable hand-built terracotta vessel of a sprouting form wi

Native American, American Southeast, Nodena Phase, Mississippian Culture, “Walls Engraved” type ca. 1350 CE. A fine example of a rare ceramic type, most likely from the Missouri/ Arkansas border a

Mirror of the Little Pools, acrylic on canvas, by Lee Mullican 1948. Was selected for the 11th annual Society for Contemporary American Art Exhibition at The Art Institute of Chicago, April, 10 - May,

A George III Giltwood Confidante Sofa Attributed to John Linnell, Circa 1780 Height 44 x width 126 1/2 x depth 37 1/4 inches. Property from the Art Institute of Chicago Note: Tripartite sofas such as

Jim Lutes (American, b. 1955) So, 2008 tempera and oil on linen 42 x 32 inches. Provenance: Richard Gray Gallery, Chicago Sold: Paddle8, the Art Institute of Chicago Society for Contemporary Arts Bene

Oil on board Signed, dated '78LeRoy Neiman(American, 1921-2012)Born in St. Paul, Minnesota, Neiman studied at the Art Institute of Chicago where he also taught for 10 years before moving to New York i

A Staffordshire Mochaware Jug and a Staffordshire Pearlware Beer Jug  Circa 1785-1820 Height of each 7 7/8 inches.  Provenance: Property from the Art Institute of Chicago

This lot features an original oil on canvas painting of a house by Fern Isabel Kuns Coppedge (American 1883 - 1951). Coppedge was an impressionist painter who attended the Art Institute of Chicago, th

(Massachusetts, Maine, 1836-1910) [plein air] study presumably for The Croquet Game, 1866, held by the Art Institute of Chicago, spurious signature lower right "Homer", oil on canvas with "C.W. Keenan

Frame: 26" x 32" Shipping in USA $ 140. Kyle Morris was born in Des Moines and studied at the Art Institute of Chicago from 1935 to 1940; at Northwestern University where he received an M.A. Degree in

Horace Pippin; 20thC. American Watercolor - The Hoe Cake Signed. Horace Pippin (1888 - 1946) watercolor on paper. The Hoe Cake. 1946. Signed middle right. Art Institute of Chicago label affixed to rev

**First Time At Auction** East Asia, Western China, Han Dynasty, ca. 206 BCE to 220 CE. A large pottery vase, the surface burnished to a fine grey hue and inlaid with bronze bosses. Panels of incised

Shantung Province, China, Longshan Culture, ca. 2600-2000 BC. An elegant tripod ewer with mammiform legs and an upraised beak spout, rope decoration encircling the body. Oxford TL test (documentation

Pre-Columbian Maya pottery bat ocarina from Guatemala, ca. 600-900 CE. Depicting a bat with outstretched wings and a skeletal body. This piece was caught in a fire in Florida at the Wolf Museum that b

John Hemming Fry (American 1860-1946) The Elemental Drift, oil on canvas, in tabernacle frame, bearing labels verso, ex-collection Canton Art Institute, Canton Ohio, donated to the museum by the artis

John Hemming Fry (American 1860-1946) The Fates, oil on canvas, in tabernacle frame bearing labels verso, ex-collection Canton Art Institute, Canton Ohio, donated to the museum by the artist in 1946.

Greece, Corinthian, ca. late 7th century BCE. A very large and highly decorated amphora from the Orientalizing period, with its body divided into horizontal registers separated by thick chocolate brow

Pre-Columbian, southern Peru, Nazca culture, ca. 400 to 600 CE. A fascinating and incredibly rare figural ceramic vessel in the form of a shaman holding serpents. The figure wears a dramatic, conical

Pre-Columbian, central/north coast Peru, Moche, Phase II, ca. 200 to 300 CE. A finely constructed pottery vessel with a large standing owl with long talons in high relief, feathers in low relief body