Odilon Redon (French, 1840-1916) "The Temptation of St. Anthony"

Odilon Redon (French, 1840-1916) "The Temptation of St. Anthony" Lithograph on paper, edition 82/250 Image: 11 x 8 in. Property of The Everson Museum, sold to benefit the museum's collection fund.

Odilon Redon (French 1840-1916), "Des peuples divers habitent les pays de l'océan" (Different Peoples Dwell in the Countries of the Ocean), lithograph from La Tentation De St. Antoine, apparently u

Odilon Redon (French, 1840-1916) Attributed: oil on paper, signed bottom right, framed. Odilon Redon was a printsman, draftsman, and painter best known for his brightly colored still lifes, which ofte

Odilon Redon (French, 1840-1916) Les Debacles (frontispiece), 1889 lithograph initialed in pencil 5 1/2 x 3 3/4 inches. Property from the Estate of Alexander Brody, Honolulu, Hawaii Provenance: Ex-col

Odilon Redon (French 1840-1916)- ''Roger Marx'' (Mellerio 196)- lithograph, 1904, good condition. 10 x 6''

Odilon Redon (French, 1840-1916) Cain and Abel Drypoint etching. 1886, published 1914. (Mellerio, 18). Signed (within the plate). Plate: 7 1/4 x 4 3/4 in. The estate of Dr. Eugene Gaier, Buffalo, New

Odilon Redon (French, 1840-1916) "Frontispiece: Le Mouvement Idealiste en Peinture" lithograph from book by Andre Mellerio, an "Allan Frumkin Gallery/Chicago" label on backing. Matted, glazed and fram

Odilon Redon (French, 1840-1916). Etching and drypoint "Cain and Abel", 1886. [Sheet size: 15 3/4" H x 11" W; Mat: 20" H x 13 3/4" W]. Overall toning and mat burn.

Odilon Redon (French, 1840-1916) Cain and Abel, 1886 etching 7 ¼ x 4 ¾ inches. Property from the Estate of Professor Ethan D. Alyea, Jr., Bloomington, Indiana

Odilon Redon, lithograph, Odilon Redon (French, 1840-1916), "L'intelligence fut a moi! Je devins le Buddha" [Intelligence was mine! I became the Buddha], 1938 reissue of the 1896 original, lithograph

Odilon Redon (French, 1840-1916) "La Femme au bonnet Phrygien" Lithograph. Monogrammed lower right. Image Size: 9.25 x 6.5 in. Overall Size: 18.5 x 16 in. Unframed

In style Odilon REDON (French 1840-1916) "Still life of bouquet with blue vase", oil on canvas. Signed by the author in the lower right corner ODILON REDON, Early 20th C. Odilon Redon 20 April 1840 ��

Five books on the life and works of the French artist Odilon Redon (1840-1916) and his post impressionist and symbolist work. [Largest: 13" H x 10" W]. Losses and marks to dust jacket, some toning and

(French, 1840-1916) 1895, initialed in pencil and inscribed with a quote from Gustave Flaubert at lower edge Overall: 25"h x 19-1/4"w Sight: 12-1/8"h x 9-1/2"w Provenance: The Leicester Galleries, Lon

Charcoal on paper. Featuring a symbolist composition of a cube with an eye. Signed with monogram on the lower right corner. Attributed to Odlino Redon (1840-1916, French). Inscribed Od821 in pencil, v

Odlilon Redon (French, 1840-1916) Manner of: Study for The Fall of Icarus, gouache and graphite on paper, signed lower left, unframed. This painting is accompanied by a certificate of inspection by He

Odilon Redon (1840-1916)Le Jour Enfin Paraît... et dans le disque même du soleil, rayonne la face de Jésus-Christ (Plate 24), from La Tentation de Saint-Antoine (Mellerio 157)Lithograph, 1896, from

Charcoal on paper. Featuring a portrait of a man. Signed REDON on the lower right corner. Inscribed in pencil ODR-111 and stamped very faintly on verso. Attributed to Odilon Redon (1840-1916, French).

From a Westchester storage. - Dimensions: 7.5" x 6.5"

Description française: REDON, Odilon (1840-1916) "Antoine: Quel est le but de tout cela?" (Plaque XVI), tiré de La Tentation de Saint-Antoine (1896) Lithographie Signée en bas à dr

Redon, Odilon (1840-1916). Cain and Abel. Etching. Image 7 ¼ x 4 ¾”. Matted and framed. Gallery label of Phillip E. Freed (Chicago).

BOOKS: (4) Vols Art incl. Odilon Redon, Four hardcovers: 1) Odilon Redon Prince of Dreams 1840-1916. Art Institute of Chicago/Abrams, 1994; 2) Hopper Drawing. Whitney Museum of American Art, 2013; 3)

Jacques Callot (French, 1592–1635), The Temptation of St. Anthony, engraving, published by Israël Henriet, Nancy, France, 1635. Dimensions of the engraving: 36x47 cm. Good overall condition,

This work was engraved by Pierre Picault Blesensis ( Pierre Picault, French 1680 - 1711 ) who was a pupil of Gerard Audram. It was inspired by the works of the great master Jacques Callot, changing th