Osamu Fukasawa (b. 1948) Japanese

A THOUGHT OF MIMESIS (SANSUI), 1988, hand-made fiber paper wall sculpture in four parts, each panel signed in marker and with hanging instructions on verso, overall 75 x 107”. Acquired directly

AIR SHOW, color screenprint, signed and numbered 22/275 in pencil, published by Martin Lawrence Galleries with blind stamp lower left, image 32 ½ x 23 ½”, full margins, frame 44 &f

SUNDAY SUNDAE, color screenprint, signed and numbered 225/275 in pencil, published by Martin Lawrence Galleries with blind stamp lower left, image 30 x 24”, full margins, discardable frame 41 &f

ROBBERS, 1982, color screenprint, signed and numbered 200/275 in pencil, published by Martin Lawrence Limited Editions, with their and printer’s blind stamps lower left, image 24 ¼ x 24

THE IMPRESSIONISTS (Yamagata pg. 141), 1984, color screenprint, signed and numbered 136/295 in pencil, published by Martin Lawrence Editions with blind stamp lower left, image 19 ¾ x 29 &frac34

CAT BURGLAR, 1989, polychrome patina bronze, signed and dated, numbered 5/375, published by Martin Lawrence, with their stamp by the signature, mounted to a marble base, overall 17 x 15 x 8 ”, in go

THE WRIGHT BROTHERS, 1980, color screenprint, signed and numbered 22/300 in pencil, published by Martin Lawrence Limited Editions, image 26 ¾ x 36”, full margins, frame 39 ¾ x 48 &

Title: RAY MORIMURA (B. - 1948) - JAPANESE GARDEN PORTLAND, SPRING Date: 2014 Medium: WOODBLOCK PRINT Print Size: THE PRINT IMAGE MEASURES 11 3/4 X 17 1/2 INCHES PLUS MARGINS Edition:LIMITED EDITION:

Artist/Title: Ray Morimura (B. - 1948) : Kamakura Hikigawa Date: 2000 Medium:Woodblock Print Size: The print image measures 11 3/4 X 17 1/2 inches plus margins Edition: Limited Edition #39/50 Reserve:

MISS PARIS, color screenprint, signed and numbered 275/300 in pencil, image 27 ½ x 22”, sheet 35 x 29”, in Plexiglas frame 41 x 35”

DANSE; EARTHLY PARADISE IN ROME; PARIS ORCHESTRA; HONG KONG NIGHT, four color screenprints, three with hot foil stamping, each signed in pencil, images 26 1/2 x 26", 27 x 21" and two 28 x 22"; All wit

EARTHLY PARADISE IN ROME; FOGGY PARK; DIAMOND; FOGGY DAY OF MONTMARTRE, four color screenprints, each signed in pencil, images 27 x 21", 24 1/4 x 24", 20 1/2 x 26" & 23 x 23 3/4"; All with the artist�

IKAROGA; SNOW FIRE II; BAKERY; SAN FRANCISCO, four color screenprints, each signed in pencil, images 22 x 27 3/4", 25 x 25", 22 x 28" & 23 1/2 x 30", three with the artist’s and studio blind stamps,

FOGGY NIGHT SEINE RIVE; GRAND PRIX; WEDDING RINGS; CHILDREN’S CONCERT, four color screenprints, each signed in pencil, images 26 1/4 x 25", 22 1/4 x 28 1/4", 22 x 28" & 23 x 26", All with the artist

THE IMPRESSIONISTS (Yamagata pg. 141), 1984, color screenprint, signed and numbered H.C. (hors commerce) 19/75 in pencil, aside from the numbered edition of 295, published by Martin Lawrence Editions

L’EXPRESS, circa 1977, color screenprint, signed and numbered XXX/C (30/150 Roman numeral) in pencil, pre-Martin Lawrence edition, image 25 ½ x 21 ¼”, full margins, frame 34

THE GREAT TREE, folding metal screen, cut and painted metal elements brazen together, a signature not found, 79” tall, 85 ½” flat width, in comfortable folded position approximately

THE IMPRESSIONISTS, 1984, color screenprint, signed in pencil, from the numbered edition 50 hors commerce, image 19 x 30”, full margins, published by Martin Lawrence Editions, with blind stamp lower

VACANCES (Yamagata page 138), 1980, color screenprint, signed and numbered 32/300 in pencil, published by Martin Lawrence Galleries, image 21 ½ x 27 ½”, full margins, frame 32 &fra

CONCERT IN THE PARK (Jaynes page 139), 1983, color screenprint, signed and numbered 36/275 in pencil, published by Martin Lawrence Limited Editions with blind stamp lower left, image 24 x 24”, f

DOLPHINS (Jaynes page 154), 1984, color screenprint, signed and numbered 262/295 in pencil, printed by Accent Studio and published by Martin Lawrence blind stamps lower left, image 24 x 24”, ful

MARMAR SEA, SILIBILI, 1991; BODEN SEA, UTTWIL, 1993; CELTIC SEA, BOSCASTLE, 1994, three photo lithos printed in 2005, each image 6 ½ x 8 ½”, mounted to cards 8 ½ x 11”

SNOW CASTLE, 1983, color screenprint, signed in pencil, from the numbered edition 275, image 34 x 23 ”, full margins, published by Martin Lawrence Editions, with blind stamp, framed, in apparently g

PICNIC (Jaynes page 155), 1985, color screenprint, with original graphite drawing of a squirrel lower left margin, signed and numbered 20/75 Roman numeral in pencil, printed by Accent Studio and publi