Pair of George I-Style Burl Arm Chairs

Carpathian elm burl veneered on beech wood arm chairs with brown leather seats; late 20th century. [39" H x 24" W x 18" D].

Pair of George I-style burl walnut armchairs, having a carved crest above the vasiform splats and curved arms around black leather seats, raised on shell accented legs with claw and ball feet. [41" H

A Pair of George II Style Burl Walnut Open Armchairs 19th century Height 40 1/2 x width 27 1/4 x depth 20 inches. Estimate $600-800

George I-style beechwood and elm burl veneered arm chairs, with burgundy leather seats; late 20th century. [39" H x 24" W x 20" D].

(pair) George III style armchairs, leopard print upholstery, arms terminating in carved eagles' heads, cabriole legs headed by a shell, on ball-and-claw feet, approx 41"h, 32"w, 24"d, seat height: app

(pair) George III style armchairs, 20th c., with upholstered back, seat, and arms, in woven faux tapestry textile held with decorative brass tacks, rising on front cabriole legs with carved knees and

Kindel, 20th century Pair of George II style arm chairs with carved arms Approx height 42", width 25", depth 21" Provenance: Property from the May Patterson Goodrum House located in Atlanta, Georgia.

Pair of George I-style open arm chairs with green floral upholstery. [39" H x 26" W x 27" D].

A pair of George II style mahogany and plum pudding mahogany shepherd's crook open armchairsPossibly by Gillowslate 19th centuryheight 36 1/2in (93cm); width 25in (64cm); depth of seat 18 1/2in (47cm)

Possibly English, early 20th century; in the manner of William Kent (English, 1685– 1748); foliate guilloche carved curved crest; draped upset arms decorated with bell flowers; above a fluted apron

A pair of George III style white painted and blue decorated caned armchairsmodernheight 35 1/4in (89.5cm); width 21 1/2in (54.5cm); depth 18in (46cm)

Pair George III style chinoiserie armchairs, 20th c., gold stenciled decoration, 36.5"h x 23.5"w x 19"d

Each with leather upholstered back and seat over outset padded arms with fluted teminals raised on tapering legs.40in. (101cm) h. 26in. (66cm) w. 20in. (51cm) dLabel: Brustlin Workshop, Los Angeles

Pair George III style mahogany armchairs, 20th c., upholstered seats and backs in leatherette (possibly leather), unmarked, 35"h x 23.5"w x 21"d

Near pair George II style carved armchairs, Likely 19th c., with scrolled arms, and carved cabriole legs, unmarked, each approx. 36.5"h x 28"w x 19.5"d

Mahogany, with striped upholstery seat and back, on fluted legs. 37 x 16 x 17 in. Condition: Wear consistent with age.

A pair of George III-style armchairsMid-19th centuryEach unmarkedThe carved wood Gainsborough reading chairs with curved armrest terminals and set on straight legs joined by an H-stretcher, upholstere

(pair) George III style mahogany armchairs, 19th/ 20th c., pierced splat with carved oak leaves, acorns, scrolled arms, slip seat, rising on cabriole legs with acanthus knees, ending in ball and claw

early 20th century; upholstered backs and seats, leaf carved scrolled arms, cabriole legs with foliate carved knees and ball and claw feet, 40 1/4 in. H., 26 1/2 in. W., 25 1/2 in. D.

having molded interlaced backs with cabriole legs in the French taste. Light wear and abrasions to legs. 36" high, 22" wide, 17" deep. Provenance: Property from a Lexington Avenue, NY Estate.

with mahogany frames with carved arms and triple reeded legs with molded cuffed feet, covered in green and white cotton. Manufactured by Manzanares Furniture Co., Long Island City, New York. 33" high,

with mahogany frames with carved arms and triple reeded legs with molded cuffed feet, covered in different fabrics. Manufactured by Manzanares Furniture Co., Long Island City, New York. 33" high, 24"

A Pair of George III Style Mahogany Armchairs late 19th/early 20th century each having a leather upholstered back, arms and seat, the foliate carved frame ending in claw-and-ball feet. Height 38 1/2 i

the square backs with re-entrant corners with pierced and carved lattice backs above drop-in seat pads flanked by conforming fretwork enclosed arms, raised on blind fret carved square legs joined by s