Print, After Rembrandt van Rijn, The Hog

Rembrandt van Rijn (Dutch, 1606–1669), "The Hog," etching, bears plate signature and date of original printing (1643), sheet: 5.75"h x 7.25"w, overall (with frame) 10.5"h x 11.75"w

Rembrandt van Rijn (Dutch, 1606–1669), "Christ Crucified Between Two Thieves," 1641, drypoint etching, image: 5.3"h x 3.9"w, overall (with frame): 12"h x 8"w

Rembrandt van Rijn (Dutch, 1606-1669), "Raising of Lazarus, The Larger Plate," etching, 1630 (20th century printing), printed by Marjorie Van Dyke, from the "Millennium" edition of 2500, overall (with

Rembrandt van Rijn (Dutch, 1606-1669), Jews in the Synagogue, 1648, etching and drypoint, a Basan edition state iii/iii, overall (sheet/unframed): 3.25"h x 5.5"w. Provenance: Barclay Simpson Fine Arts

Ca. 1900. First and third "Oriental Head" etchings on paper. Toning, glued to backing. Unframed, 11.25"h. 10"w.

Late 19th century, etching on paper. The Strolling Musicians, 6"h. 5"w. and cottage beside a canal. 5.5"h. 13"w. Heavily toned, some edge nicks, cottage has short tear. Unframed.

After Rembrandt Van Rijn (Dutch, 1606-1669), "Raising of Lazarus," etching, reprint 20th century, overall (with frame): 29"h x 24.5"w

After Rembrandt van Rijn (Dutch, 1606–1669), "Christ Disputing with the Doctors: a Sketch," etching, plate signed lower left, sheet: 5"h x 8.25"w, overall (with frame): 13"h x 17"w. Reference: Barts

After Rembrandt Van Rijn (Dutch, 1606-1669), "Self Portrait," offset print, bears signature in plate upper right, later printing, overall (with frame): 21"h x 17.5"w

After Rembrandt van Rijn (Dutch, 1606–1669), "Clement de Jonghe, Printseller," etching, plate signed lower right, sheet: 8.25"h x 6.25"w, overall (with frame): 14.75"h x 12.25"w

Twenty First century. Drypoint etchings. “Bust of a Man Wearing a High Cap; Three-Quarters Right 1630” and "The Artist's Mother with her Hand on her Chest: Small Bust". Printed on “I

(lot of 4) After Rembrandt van Rijn (Dutch, 1606-1669), "Abraham et son fils", "Autoportrait", "Les Mendiants", and "Le Sacrifice de Jacob," 20th century reproduction etchings, each signed "P.B. Spala

Vintage lithograph print. Rembrandt Harmensz van Rijn. 'The bitten hunter'. Publisher: Dresdner Meisterdruck, Eastern Germany. Gemaldegalerie Dresden. M 1182. Paper size: 24" x 32,3," (61 x 82 cm). Im

[Prints] After Rembrandt van Rijn (Dutch, 1606-1669), "The Third Oriental Head." Signed and dated 1635 in u.l. Sheet: 5 1/4" x 6 1/4". Condition Good. Dampstain to margins of sheet. Hinged to matting.

[Prints] After Rembrandt van Rijn. (Dutch, 1606-1669). "The Triumph of Mordechai." c.1900. Marked with monogram of the Reichsdruckerei Berlin on verso. Sheet: 8 1/2" x 7". Condition Good. Toned. Foxin

[Prints] After Rembrandt van Rijn (Dutch, 1606-1669). "Cottage with a White Paling." 1648. Etching with drypoint on laid paper. Later reproduction, c 1900s of third State. Signed in the plate, l.l. Sh

Manner of Rembrandt van Rijn (Dutch, 1606-1669), Beggars at the Door, etching, bears signature within print lower center, overall (with frame): 14"h x 12"w

19th century etching print, after Rembrandt Harmenszoon Van Rijn (1606 - 1669), "The Return of the Prodigal Son," 1636. Signed in print to the lower center. Matted and housed in an old giltwood frame.

19th century etching print, after Rembrandt Harmenszoon Van Rijn (1606 - 1669), "The Triumph of Mordecai," circa 1641. Matted and housed in an old wooden frame. Provenance: Doyle auction house. Please

19th century etching print, after Rembrandt Harmenszoon Van Rijn (1606 - 1669), "Christ Driving the Money Changers from the Temple," 1635. Signed in print on the lower right. Matted and housed in an o

Attrib. to Rembrandt van Rijn, print, Attrib. to Rembrandt van Rijn (Dutch, 1606-1669), Portrait of Cornelis Claesz Anslo, etching, 7.5"h x 6.25"w (sheet), unframed

[Prints] Rijn, Rembrandt van (Dutch, 1606-1669). Bust of a Man Wearing a High Fur Hat [the Artist’s Father?]. 1630. Etching and drypoint on cream laid paper. Signed and dated in u.r. Sheet: 3 1

Two prints on paper after Rembrandt van Rijn, Dutch, 1606-1669. Includes "The Death of the Virgin" and "Self Portrait Leaning on a Stone". Label verso of Virgin frame identifying as New Hollstein's fi

2 Old Master style prints- 1.) after Rembrandt Harmenszoon Van Rijn (Dutch 1606-1669)- ''Jan Lutma, Goldsmith'' (New Hollstein 293)- heliogravure, 1656; 2.) after Albrecht Durer (German 1471-1528)- ''