REMBRANDT VAN RIJN (1606-1669) "Rembrandt and his wife

Rembrandt van Rijn (1606-1669)Joseph and Potiphar's WifeEtching and engraving, 1634, a good but later impression of New Hollstein's third state (of four), on laid paper without watermark, sheet 91 x 1

Rembrandt Harmenszoon van Rijn (Dutch, 1606-1669) Joseph and Potiphar's wife etching 3 3/4 x 4 1/2 inches. Property from the Collection of Dr. Kianoosh Jafari

Rembrandt Harmensz. van Rijn (Dutch, 1606-1669) Rembrandt Harmensz. van Rijn (Dutch, 1606-1669) The Descent from the Cross: Second Plate, 1633, fifth (final) state (B., Holl. 81; H. 103; BB. 33-C) etc

Rembrandt Harmensz. van Rijn (Dutch, 1606-1669) Rembrandt Harmensz. van Rijn (Dutch, 1606-1669) 'The Death of the Virgin', 1639 etching, trimmed to plate image 39.2 x 31.2cm Provenance: With Lilla Buk

Nice Rembrandt Harmenszoon Van Rijn 1606 - 1669 etching, "Rembrandt in a cap and feather", "Rembrandt avec trois crocs". Frame: 18 x 13 inches, art: 3 x 2.5 inches. Provenance: private owner. Biograph

after: Rembrandt van Rijn (DUTCH, 1606-1669) Antique etching "Rembrandt's Mother with Hand on Chest" Signed in plate. Toning from age. Measures 3-5/8" x 2-1/2". Shipping $45.00

Follower of Rembrandt van Rijn (Dutch, 1606–1669), Portrait of Rembrandt, circa 1840, oil on board, dated, titled and inscribed verso, board (oval): 8.5"h x 6.5"w, overall (with frame): 11.5"h x 9.5

[REMBRANDT VAN RIJN (1606-1669)] TWO ETCHINGS BY REMBRANDT AND TWO NATURE PAINTINGS comprising: 1) REMBRANDT VAN RIJN [1606-1669], The Omval, etching on paper, signed in plate and dated 1645 lower rig

Harmenszoon van Rijn REMBRANDT. 1606 - 1669Rembrandt bareheaded, with high curly hair.Acquaforte di mm. 72x70. Rifilato all’interno del rame e nella parte bassa. Buon’esemplare su carta ve

Harmenszoon van Rijn REMBRANDT. 1606 – 1669Rembrandt bareheaded, with thick curling hair and small white collar. Acquaforte di 54x47 mm. Rifilato al margine del rame e in basso. Stato: II/II. Fi

Rembrandt Van Rijn (1606 - 1669) Clement de Jonghe, printseller, 5th or 6th state etching signed in etching Rembrandt sheet size: 8 3/8" x 6 1/2" Provenance: The Gordon Galleries label on back, Estate

Rembrandt Van Rijn (1606 - 1669 Netherlands) 'Jan Lutma, Goldsmith' 17th Century Etching. Plate signed 'Rembrandt F, 1656' in upper right window. Trimmed to image with paper measuring 7.75x5.75'', fra

etching and drypoint; signed in plate; Condition: slight mat burn; not examined out of frame; 6 x 4 1/4 inches image

A 19th c. printing "Self-Portrait in a Flat Cap and Embroidered Dress" with '"Rembrandt" on upper left. Bartsch 26. plate measures 9.3 x 6.1 cm (3.75 x 2.5 in.). Etching, from the plate. Published in

Etching on laid paper with wiremarks. “The Card Player” 1641, (Bartch 136). 95 x 83 mm. Unknown state.

Etching on laid paper, 19th c. printing from original plate. "Jean Lutma, Goldsmith" (Bartsch 276) Measures: 19.5 x 14.6 cm plate. Provenance: Alfred and Maria Tarski, Berkeley, California; then by fa

Beautiful Rembrandt Harmenszoon Van Rijn etching, "Autoritratto col berrero spesso". Frame: 18 x 13 inches, art: 3 x 2.5 inches. Provenance: private owner. Biography: 1606 - 1669. Rembrandt was born i

Rembrandt Harmenszoon Van Rijn (1606 - 1669). "Man at a Desk Wearing a Cross and Chain", etching. Sight Size: 6 x 4 inches.

etching on laid paper; unsigned Plate: 2 5/8 x 2 1/4 in. (6.7 x 5.7 cm.), Sheet: 9 3/4 x 5 3/4 in. (24.8 x 14.6 cm.)

Rembrandt van Rijn ( 1606 - 1669 ) Original Etching, Measures (8 x 5.5 inches) w/frame (14 x 12 inches)

A later printing by Theo Beerendonk (1905 - 1979) after Rembrandt's etching, on laid paper. Signed and dated in the plate lower right Rembrandt f. 1641.15.1 x 21 cm. Bartsch 313.

Gravure on laid paper. B182 Measures: Plate 9.1 x 7.3 cm

** Rembrandt van Rijn (1606-1669)The Descent from the Cross: Second PlateEtching and engraving, 1633, but a later impression of New Hollstein's eighth state (of eight) on chine collé, sturdy wove

Rembrandt van Rijn (1606-1669)The Raising of Lazarus: The Larger PlateEtching, circa 1632, a slightly worn impression of New Hollstein's fifth state (of nine), before any rework by later hands, on lai