REMBRANDT VAN RIJN (1606-1669) "STUDY FROM THE NUDE: MAN SEATED ON GROUND, WITH ONE LEG EXTENDED".

CIRCLE OF HARMENSZ VAN RIJN REMBRANDT 1606 Leiden - 1669 Amsterdam STUDY OF A BEARDED OLD MAN WITH A HAT Oil on oak panel. 15,5 x 11,5 cm (f. 22,5 x 18,5 cm). Part. min. old rest. Frame. Provenance: R

(Dutch, 1606-1669) Three Studies of Old Men's Heads, after the rare work by Rembrandt from 1630, possibly 19th century by an unknown artist, etching, sheet 4-1/4 x 3-1/2 in.; wood frame, 8-3/4 x 7-7/8

(lot of 2) Framed etchings on paper, including: (1) "Three studies of old men's heads," after Rembrandt van Rijn (Dutch, 1606-1669), sight: approx 3 7/8"h, 3 3/8"w, overall: 9.75"h, 9.25"w, (1) Landsc

After Rembrandt Harmenszoon Van Rijn (Dutch, 1606-1669). Etching on paper titled "Bust of Man Wearing a High Cap," depicting a seated man looking off to the right. Initialed and dated 1630 i

Rembrandt van Rijn (1606-1669)Bearded Man in a Furred Oriental Cap and Robe: The Artist's FatherEtching, 1631, a very good impression of New Hollstein's final state (of five), on laid paper without wa

REMBRANDT VAN RIJN (Dutch, 1606-1669)Young Man in a Velvet Capetching and drypointsheet: 4 x 3 3/8 in., frame: 12 3/4 x 9 5/8 in. Provenance: The Collection of Louis Joseph; by descent to the current

Rembrandt van Rijn (Dutch, 1606-1669) "The Old Bearded Man in a High Fur Cap, with Eyes Closed," etching, circa 1635, Bartsch 290, signed in image in upper left quadrant, FM stamp along right, bearing

REMBRANDT VAN RIJN (Dutch, 1606-1669)Three Heads of Women, One Asleepetchingsheet: 5 1/2 x 3 7/8 in., frame: 12 1/2 x 9 3/4 in. Provenance: The Collection of Louis Joseph; by descent to the current o

Three small artworks including an engraving of 'Beggar in a High Cap, Standing and Leaning on a Stick' by Rembrandt van Rijn (Dutch 1606-1669); an engraving of 'Two Warriors Seated on Low Rocks' by Sa

Oil on canvas, framed. Featuring portrait of a man. "Rembrandt Harmenszoon van Rijn 1606-1669" printed beneath the image. Damaged frame. "Rembrandt original oil painting" inscribed on verso. "Rembrand

Oil on board painting. Dutch origin, Golden Age era, 1575 to 1675. The artwork depicts a portrait of a man with a grey beard. In the manner of Rembrandt van Rijn, from 1606 to 1669, was a prominent Du

After Rembrant Harmenszoon van Rijn (Netherlands, 1606-1669) 4"h x 3"w

Rembrandt Van Rijn (1606 - 1669) Clement de Jonghe, printseller, 5th or 6th state etching signed in etching Rembrandt sheet size: 8 3/8" x 6 1/2" Provenance: The Gordon Galleries label on back, Estate

** Rembrandt van Rijn (1606-1669)The Descent from the Cross: Second PlateEtching and engraving, 1633, but a later impression of New Hollstein's eighth state (of eight) on chine collé, sturdy wove

Rembrandt van Rijn (1606-1669)The Raising of Lazarus: The Larger PlateEtching, circa 1632, a slightly worn impression of New Hollstein's fifth state (of nine), before any rework by later hands, on lai

Rembrandt van Rijn (1606-1669)Death Appearing to a Wedded Couple from an Open GraveEtching and drypoint, 1639, a delicate and excellent impression of the only state of this rare print, with wiping mar

Rembrandt van Rijn (1606-1669)The Raising of Lazarus: Small PlateEtching and drypoint, circa 1642, a good clear impression of New Hollstein's first state (of two) before any re-working to the plate an

Rembrandt van Rijn (1606-1669)Peter and John Healing the Cripple at the Gate of the TempleEtching and drypoint, 1652, an excellent impression of New Hollstein's third state (of six), still printing wi

Rembrandt van Rijn (1606-1669) etching, portrait of a gentleman. Triple matte, in painted and gilt wood frame. [Art: 3 1/4 x 2 1/2 inches; Frame: 10 x 9 1/4 inches].

Rembrandt van Rijn (1606-1669)The Angel Appearing to the ShepherdsEtching, engraving and drypoint, 1634, a good but later impression of New Hollstein's final state (of six), on laid paper with out wat

Rembrandt van Rijn (1606-1669)Self-Portrait in a Flat Cap and Embroidered DressEtching, circa 1642, an excellent early impression of New Hollstein's final state (of three), with minor signs of wear, o

Rembrandt van Rijn (1606-1669)Christ and the Woman of Samaria among RuinsEtching, circa 1634, a heavily inked black impression of New Hollstein's third state (of five), on laid paper without watermark

** Rembrandt van Rijn (1606-1669)Self-Portrait in a Cap and Scarf with the Face DarkEtching, 1633, a good but later impression of New Hollstein's fourth state (of five), on laid paper without watermar

REMBRANDT VAN RIJN (1606-1669) Abraham, speaking with Isaac Etching with drypoint on handmade paper. (1645). - Sizes: Hors cadre H =151mm L =127mm - Weight (K): 0,36kg - Condition: at first glance - g