Rembrandt van Rijn "Jacob and Laban"

Artist: Rembrandt van Rijn Title: Jacob and Laban Year: 1868 Medium: Original engraving on laid paper Edition: Rare, limited edition of only 500 with full margins Catalogue: Bartsch 118; Wilson 122

Artist: Rembrandt van Rijn (After) Title: Jacob and Laban (Reversed) Year: 1868 Dimensions: 6 5/8in. by 9 7/8in. Edition: From the Rare Limted Edition Publisher:

Artist: Rembrandt van Rijn Title: Three Oriental Figures (Jacob and Laban?) Dimensions: 4 1/4in. by 5 5/8in. Edition: From the Rare Limited Edition Medium: Original Etching on

van Rijn, Rembrandt Harmensz (1606-1669). "Three Oriental Figures" (Jacob and Laban?) 1641. Etching with drypoint. New Hollstein's second (final) state. Harris 118. Plate: 5 3/4" x 4 1/2" Visible Imag

Rembrandt van Rijn (1606-1669)Jacob Haaringh ('Young Haaringh') (Pieter Haaringh)Etching with drypoint, 1655, but a later impression from the cut plate, New Hollstein's fifth state (of 5), on thick cr

Artist Name: Rembrandt (Harmensz Van Rijn) | Title of Art: (Plate Eleven) Jacob Blessing the Sons of Joseph c.1656 | Medium: Fine Art Print from Museum Artist | Unsigned & Unnumbered | Art Size: Appro

“Joseph’s Coat Brought to Jacob”. Signed in plate l/r. Ca 1633. Engraving. Image measuring 4” by 3 1/4” Sheet measuring 4 1/2” by 3 3/4”. Framed under Plexiglas. (Cond: toning) (1000/150

18th Century Rembrandt Etching Entitled JOSEPH'S COAT BROUGHT TO JACOB by Johann Georg Hertel (German, Augsburg ca. 1700–1775 Augsburg), after Rembrandt van Rijn (Dutch, Leiden 1606–1669 Amsterdam

(lot of 4) After Rembrandt van Rijn (Dutch, 1606-1669), "Abraham et son fils", "Autoportrait", "Les Mendiants", and "Le Sacrifice de Jacob," 20th century reproduction etchings, each signed "P.B. Spala

etching, possibly an 18th- or 19th-century impression by William James Smith, unframed. Platemark 4 3/8 x 3 1/2 in.; DOA 5 3/8 x 4 3/8 in. Private Collection of Philip Walker Jacobs, Wilmington, NC Ad

REMBRANDT VAN RIJN Self Portrait in a Cap and Scarf with the Face Dark: Bust. Etching, 1633. 135x105 mm; 5x4 inches, wide margins. Biörklund's third state (of 3); Usticke's third state (of 5); Ne

** Rembrandt van Rijn (1606-1669)The Descent from the Cross: Second PlateEtching and engraving, 1633, but a later impression of New Hollstein's eighth state (of eight) on chine collé, sturdy wove

Rembrandt van Rijn (Netherlands, 1606–1669) . Ephraim Bonus, Jewish Physician, Etching. B 278; Three margins have been trimmed, Verso, adhesive on corners; staining . 8 5/8" x 6 7/8".

Rembrandt van Rijn (1606-1669)The Raising of Lazarus: The Larger PlateEtching, circa 1632, a slightly worn impression of New Hollstein's fifth state (of nine), before any rework by later hands, on lai

Rembrandt van Rijn (1606-1669)Death Appearing to a Wedded Couple from an Open GraveEtching and drypoint, 1639, a delicate and excellent impression of the only state of this rare print, with wiping mar

Rembrandt van Rijn (1606-1669)The Raising of Lazarus: Small PlateEtching and drypoint, circa 1642, a good clear impression of New Hollstein's first state (of two) before any re-working to the plate an

Artist: Rembrandt Van Rijn Title: Self Portrait with Saskia Dimensions: 3.5in. by 4in. Edition: From the rare limited edition Medium: Etching Condition: Excell

Rembrandt van Rijn (1606-1669)Peter and John Healing the Cripple at the Gate of the TempleEtching and drypoint, 1652, an excellent impression of New Hollstein's third state (of six), still printing wi

Title:Follower of Rembrandt van Rijn Huge Family Portrait Interior Oil Painting Dutch Old Master from Estate of Olympian Description: Massive oil-on-canvas interior family portrait, signed Rembrandt,

Rembrandt van Rijn (Dutch, 1606-1669), St. Jerome in a Dark Chamberetching, 1642, on laid paper, possibly a Basan edition, with additional window pane bars, signed and dated in the plate lower center,

Rembrandt van Rijn (1606-1669) etching, portrait of a gentleman. Triple matte, in painted and gilt wood frame. [Art: 3 1/4 x 2 1/2 inches; Frame: 10 x 9 1/4 inches].

A rare etching with margins on paper titled "Bald Headed Man in Profile Right; Small Bust (the artist's father?)" (B. 294, H. 24, BB. 30-11) by Rembrandt Van Rijn, c. 1630. Signed and dated, R L 1630,

REMBRANDT VAN RIJN The Agony in the Garden. Etching and drypoint, circa 1652. 112x85 mm; 4½x3 inches, narrow margins. Usticke's first state (of 2); New Hollstein's first state (of 3), before the

Rembrandt van Rijn (1606-1669)The Angel Appearing to the ShepherdsEtching, engraving and drypoint, 1634, a good but later impression of New Hollstein's final state (of six), on laid paper with out wat